The X-Files Page #11
- Year:
- 1998
- 60 min
- 918 Views
Scully pulls out an autopsy report that was laid on the
gurney under the body of the sheet-wrapped corpse.
SCULLY:
This body has already been autopsied,
Mulder. You can tell from the way it's
been wrapped and dressed.
Undeterred, Mulder works to get the sheet off. The first
thing we notice is that he's still in his fireman's
uniform. His face looks familiar to us, not because we
know him, but because of the translucency of skin we saw
in the other fireman. (We will also notice he's
missing an arm, a leg and large part of his torso.)
MULDER:
Does this fit the description you just
read me, Scully?
Scully comes around, reacting to what she sees.
SCULLY:
Oh my God. This man's tissue...
Scully is quickly removing a pair of latex gloves,
stretching them on to palpate the man's tissue.
MULDER:
It's like jelly.
SCULLY:
There's some kind of cellular
breakdown. It's completely edematous.
She palpates the spongy skin on the man's face, neck.
Unbuttoning the uniform now, seeing:
SCULLY:
And there's been no autopsy performed.
There's no Y incision here; no
internal exam.
MULDER:
You're telling me the cause of death
on the report is false. That this man
didn't die from an explosion, or from
flying debris.
SCULLY:
I don't know what killed this man. I'm
not sure if anybody else could claim
to either.
Off Mulder's reaction to this:
CUT TO:
INT. MORGUE - PATHOLOGY LAB - NIGHT - MINUTES LATER
The gurney with the fireman is pushed through a pair of
swinging doors into the darkened lab. Scully flips the
lights on, looking around at the giant facility.
SCULLY:
(pushing him)
You knew this man didn't die at the
bomb site before we got here.
MULDER:
I'd been told as much.
SCULLY:
You're saying the bombing was a
cover-up. Of what?
MULDER:
I don't know. But I have a hunch what
you're going to find here isn't
anything that can be categorized or
easily referenced.
SCULLY:
Mulder, this is going to take some
time, and somebody's going to figure
out soon enough we're not even
supposed to be here.
(beat)
I'm in serious violation of medical
ethics.
MULDER:
We're being blamed for these deaths.
Scully, I want to know what this man
died of. Don't you?
Scully stares at Mulder, then back down at the body. How
can she refuse, given the finality and the personal
appeal of the request? After a moment's hesitation, she
turns to the body, and to the tray table of tools
nearby. Resigned, if not resolved.
CUT TO:
EXT. WASHINGTON D.C. - NIGHT
A LEGEND appears: WASHINGTON D.C., DUPONT CIRCLE. 4:00
AM. The street is fairly empty, save for a garbage truck
picking up the stacks of green garbage bags laid out on
the sidewalks. Then A TAXI turns off a main street,
MOVING TOWARDS US.
INT. WASHINGTON D.C. STREET - TAXI - NIGHT
OVER MULDER to the street: Where the taxi is moving
forward toward a spot where two ARLINGTON PD cruisers
are pulled up to the curb. Mulder checks the address he
has written down.
MULDER:
(to the Cabbie)
I think this is it up here.
The taxi pulls over and Mulder exits, starting up the
steps of a walk up where the door is open.
INT. KURTZWEIL'S APARTMENT - NIGHT
There are UNIFORMED OFFICERS inside, and a DETECTIVE.
Mulder steps into an office. FOUR PAIRS of eyes give him
the once over. The Detective stepping over to him.
MULDER:
Is this Dr. Kurtzweil's residence?
DETECTIVE:
(suspiciously)
You got some kind of business with
him?
MULDER:
I'm looking for him.
DETECTIVE:
Looking for him for what?
Mulder pulls out his ID, flashes it at the Detective.
DETECTIVE:
(to his partners)
Feds are looking for him, too.
(turns to Mulder)
Real nice business he's got, huh?
MULDER:
What's that?
DETECTIVE:
Selling naked pictures of little kids
over his computer.
Mulder nods, though this is news to him. He steps in a
little further, noticing a shelf lined with books. Their
spines all have the author's name written large: DR.
ALVIN KURTZWEIL.
Mulder picks up one of these books, with the title: THE
FOUR HORSEMEN OF THE GLOBAL DOMINATION CONSPIRACY.
DETECTIVE:
You looking for him for some other
reason?
MULDER:
Yeah, I had an appointment for a
pelvic examination.
They stare at Mulder like he's a sicko. He smiles and
they break into RAUCOUS LAUGHTER.
DETECTIVE:
You want a call if we turn up
Kurtzweil?
MULDER:
No. Don't bother.
Mulder puts the book back among the others on the shelf.
And exits. Onto:
RESUME EXT. KURTZWEIL'S APARTMENT - NIGHT
Mulder starting up the street when he notices:
MULDER'S POV
Kurtzweil has stepped from between two apartments. He's
staring at Mulder, nodding furtively to him. Then
stepping back.
RESUME MULDER:
Slows, then speeds up.
EXT. SPACE BETWEEN TWO APARTMENTS - NIGHT
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