The X-Files Page #7
- Year:
- 1998
- 60 min
- 922 Views
MULDER:
(grasping the irony)
But it's not the lives we saved. It's
the lives we didn't.
SKINNER:
(reciting the dictum)
-- if it looks bad, it's bad for the
FBI --
MULDER:
-- if they want someone to blame,
they can blame me. Agent Scully
doesn't deserve this.
SKINNER:
She's in there right now saying the
same thing about you.
MULDER:
I breached protocol. I broke contact
with the S.A.C. I ignored a primary
tactical rule and left him alone with
the device.
SKINNER:
Agent Scully says it was she who
ordered you out of the building. That
you wanted to go back.
Mulder doesn't get to respond, because the door opens
again and Agent Scully exits. She looks like she's been
through it.
SCULLY:
(to Skinner)
They're asking for you, Sir.
Skinner gives one last look to Mulder, then re-enters.
Leaving Mulder and Scully alone. Scully wearing a pained
look.
MULDER:
Whatever you told them in there, you
don't have to protect me.
SCULLY:
All I told them was the truth.
MULDER:
They're trying to divide us on this,
Scully. We can't let them.
SCULLY:
They have divided us, Mulder. They're
splitting us up.
MULDER:
(beat)
What? What are you talking about?
SCULLY:
I meet with the OPR day after tomorrow
for remediation and reassignment...
MULDER:
Why?
SCULLY:
I think you must have an idea. They
cited a history of problems relating
back to 1993.
MULDER:
They were the ones that put us
together.
SCULLY:
Because they wanted me to invalidate
your work, your investigations into
the paranormal. But I think this goes
deeper than that.
MULDER:
This isn't about you, Scully. They're
doing this to me.
SCULLY:
They're not doing this, Mulder.
(off his look)
I left behind a career in medicine
because I thought I might make a
difference at the FBI. When they
recruited me they told me women made
up nine percent of the bureau. I felt
this was not an impediment, but an
opportunity to distinguish myself. But
it hasn't turned out that way. And
now, if I were to be transferred to
Omaha, or Wichita or some field office
where I'm sure I could rise, it just
doesn't hold the interest for me it
once did. Not after what I've seen and
done.
MULDER:
You're... quitting?
SCULLY:
There's really no reason left for me
to stay anymore.
(off his look)
Maybe you should ask yourself if your
heart's still in it, too.
The door opens to the hearing room again now. A.D.
Skinner steps part way out, gesturing to him.
SKINNER:
Agent Mulder. You're up.
SCULLY:
(regretfully)
I'm sorry. Good luck.
Mulder rises. Scully studying his poorly disguised hurt.
Before he turns and goes into the room.
Scully watching the door close behind him. Her feelings
poorly disguised, too.
CUT TO:
INT. DOWNSCALE D.C. BAR - NIGHT
CLOSE ON A SHOOTER OF TEQUILA being poured. CAMERA
ADJUSTING to reveal the ATTRACTIVE BARMAID tipping the
bottle. Pushing it across the bar to where TWO EMPTY
SHOOTERS sit, making the exchange.
BARMAID:
I'd say this about exceeds your
minimum daily requirement.
The person she's talking to us:
MULDER:
He sits by himself on a stool, staring down at the bar.
Staring at the shooter which he spins with his fingers.
BARMAID:
Gotta train for this kind of heavy
lifting.
Mulder tosses back the shooter anyway. She watches him
as she retrieves the small shot glass, intrigued by his
dark silence.
BARMAID:
Poopy day?
MULDER:
Yup.
BARMAID:
A woman?
(Mulder shakes his head no)
Work.
Mulder nods, pointing to the tequila bottle again. The
Barmaid agrees to pour another one, reluctantly.
ANGLE OVER TO A MAN AT THE END OF THE BAR
Staring at Mulder intently. He's older than Mulder,
dressed in an old Brooke Brothers light summer suit.
Mulder notices him, feels his gaze, but doesn't give it
thought.
RESUME BARMAID, MULDER
BARMAID:
What do you do?
MULDER:
What do I do.
(off her curious look)
I'm a key figure in an ongoing
government charade. An annoyance to my
superiors. A joke among my peers.
"Spooky," they call me. Spooky Mulder.
Whose sister was abducted by aliens
when he was a kid. Who now chases
little green men with a badge and a
gun, shouting to the heavens and
anyone who'll listen that the fix is
in. That our government's hip to the
truth and a part of the conspiracy.
That the sky is falling and when it
hits it's gonna be the shitstorm of
all time.
She stares at him for a moment, startled by his drunken
screed. She pulls back the shooter she's just poured
Mulder.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The X-Files" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_x-files_528>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In