Thelma and Louise Page #5
- Year:
- 2015
- 1,442 Views
LENA:
It's a nightclub, not a drive-in,
Hal. I don't follow the customers
to the parking lot.
HAL:
Alright, Lena. Go on home. We might
have to call you in for some more
questioning.
Lena gets out of the back of the car.
LENA:
Those girls are not the murderous
type.
Outside the bathroom there is a pay phone. Thelma picks it
up and dials.
THELMA:
(into phone)
Collect from Thelma.
There is no answer.
INT. THELMA'S HOUSE - NIGHT
Phone RINGS.
VARIOUS SHOTS of the interior of the empty Dickinson house:
THE BEDROOM:
exactly as Thelma left it. The drawer of the nightstand
still open.
THE NOTE TO DARRYL
taped to the refrigerator. The interior of the microwave
with a now completely thawed microwave dinner still in the
package in a little puddle.
THELMA:
Thanks. I'll try later.
She hangs up and goes into the bathroom. As the door closes
behind her, Louise comes up with a handful of change and
starts putting it into the phone. She dials a number. It
RINGS for a long time. She hangs up and goes into the
bathroom. She looks at herself in the mirror.
She notices a tiny speck on her cheek. She takes a paper
towel and wets it and rubs the spot. She looks at the towel
and there is a bright red streak.
LOUISE:
Thelma... Come on, Thelma!
The door of the stall flies open and Thelma comes charging
out and heads straight for the door, without even looking at
Louise. Louise charges out after her. They head out of the
restaurant and, THROUGH THE WINDOW, we see them get into the
car and drive away.
EXT. CAR - DRIVING SHOT - DAWN
The T-Bird barrels down a fairly empty four-lane highway.
A truck passes going the other way.
INT. CAR - DAWN
The top is down on the car, and Thelma is slouched on the
seat, her hair blowing wildly.
LOUISE:
We're gonna go to the next town and
stop. We'll get a motel room. I
can rest for a while and then figure
out how to get some money. We're
gonna need money. Thelma. How much
money do you have with you?
THELMA:
What? Oh, I don't know. Let me
look.
Thelma is rummaging through her purse. She finds her wallet
and takes it out. Thelma finds some bills stuffed in the
change compartment and takes them out. She straightens the
money out.
THELMA:
Sixty-four dollars.
As she is counting it, one of the bills flies out of her
hands. Thelma's not that good at handling money.
THELMA:
Umm. Sh*t. Forty-four dollars.
Louise has not noticed any of this. She is so intent on her
driving.
THELMA:
I'm cash poor.
LOUISE:
Hmmm. We gotta get some money.
EXT. MOTEL - ESTABLISHING SHOT - DAY
The motel is near farms and agricultural areas with crops.
INT. MOTEL ROOM - DAY (6 A.M.)
The curtains are open and we can see the car parked right
outside the room. Thelma is lying on the bed staring up at
the ceiling. Louise is bustling around the room, putting
things in drawers.
THELMA:
Why are you unpacking? You said we
were just gonna take a nap.
Louise did not realize she was doing it.
LOUISE:
Oh, I don't know. I'm just nervous.
I gotta figure out what to do.
THELMA:
Well, when you figure it out, wake
me up.
LOUISE:
Just what the hell is wrong with
you?
Louise slams the closet door. Thelma jumps.
THELMA:
What do you mean?
LOUISE:
Why are you actin' like this?
THELMA:
Actin' like what?! How am I supposed
to act? 'Scuse me for not knowing
what to do after you blow somebody's
head off!
They are silent for a moment.
LOUISE:
You could help me try and figure it
out! I gotta figure out what to do,
and you could try and help me.
THELMA:
I suggested we go to the police, but
you didn't like that; so, frankly,
Louise, I'm all out of ideas.
LOUISE:
Well, what's the big rush, Thelma?
If we just give 'em some time, they'll
come to us...! Oh Christ. I'm just
not ready to go to jail yet. Why
don't you go out to the pool or
something and I'll figure it out...
THELMA:
Give me the keys.
LOUISE:
You're not touchin' that car.
THELMA:
My stuff's in the trunk! God! You
care more about that car than you do
about most people.
LOUISE:
Most people just cause me trouble,
but that car always gets me out of
it.
Hal is at the police station where they're dusting the car
with Harlan all over it for prints. Hal looks closely at
the back of the car. He holds his hands over two sets of
hand prints. He moves his hands to the outside of the prints
so as not to smear them, and puts his hands on the car. His
face is one inch away from the trunk. He sees a very clear
drop of blood. It's different than any of the other blood
splatters on the car. He calls the identification technician
over and points it out.
HAL:
(pointing)
What's that?
The I.D. TECH comes over and looks and shrugs his shoulders.
I.D. TECH
Blood?
HAL:
Whose?
I.D. TECH
His, I guess...
Hal makes a face like he suddenly felt a slight toothache.
He stares at the guy.
HAL:
You guess?
Hal takes out a black sharpie and draws a circle around the
area of the black smudge and the drop of blood. He shakes
his head slightly.
EXT. MOTEL - DAY
Thelma comes out of the room and walks towards the pool.
She stops, then decides to go on to the pool. She lies down
in a lounge chair facing the road.
Louise in the motel room. She's looking at the phone. She
picks it up and dials it and watches herself in the mirror.
She stares as if she's trying to see into herself, see through
herself.
Thelma arranges herself in a lounge chair, trying desperately
to feel like she's on vacation.
ANSWERING MACHINE (V.O.)
Hi. This is Jimmy. I'm not here
right now...
A VOICE interrupts the message:
JIMMY (V.O.)
Hello! I'm here. Hang on a minute!
INT. JIMMY'S APARTMENT - DAY
JIMMY, mid-30's, musician, is standing in the kitchen on the
phone. He's not the type you'd expect Louise to like, not
quite straight-looking enough.
LOUISE (V.O.)
(on phone)
Jimmy...
Louise is looking at herself on the phone in the mirror.
She is very choked up.
JIMMY (V.O.)
(on phone)
Louise! Where are you? Are you
alright? Honey...
LOUISE:
Hi. I'm okay. How are you? Long
time no see.
JIMMY (V.O.)
Louise, honey... Where are you? You
sound funny.
Louise is still looking at herself in the mirror, as if she's
never seen herself before.
LOUISE:
I am funny. I'm real funny.
JIMMY (V.O.)
Are you in town? This sounds long
distance.
LOUISE:
No, I'm out of town. I'm in... I'm
in real deep sh*t, Jimmy. Deep sh*t
Arkansas.
JIMMY (V.O.)
Louise, just tell me what the hell
is going on here! I come back, nobody
knows where you are. Is Thelma with
you? Darryl's been callin' here
every half-hour sayin' he's gonna
kill you both when you get back,
he's goin' nuts. I don't envy her
if she is.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Thelma and Louise" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/thelma_and_louise_172>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In