These Amazing Shadows Page #6
are entertainment
and that's all they're meant to be
and I think there's a, an...
unfortunate sense people have that
all films are just films.
Well, I think the shining example
of something that
is a folk fantasy and commercial
and art is probably Godfather.
I used to live in Bayside, Queens,
and there's
a local theater there, R.K.O. Keith's,
which was an old,
kind of ornate theater,
that had the skylights
and the stars and had the balcony...
and that's where I had first seen
The Godfather played in that theater.
And it played great,
it sounded great, it looked great.
Eh... now you come to me and you say,
"Don Corleone, give me justice."
But you don't ask with respect.
You don't offer friendship.
You don't even think
to call me Godfather.
Somehow, with the performances of
all the actors, especially Brando,
hit that neural cord that we all have
and there was a visceral reaction
from almost anyone who saw it.
The cinematographer
on The Godfather, Gordon Willis,
one of the great
cinematographers of our time,
did a very, very daring thing
when he photographed those pictures.
Gordon decided...
that he didn't want people
messing about with his image
and he shot it in a way
that you couldn't print it
in any other way
than the way that he shot it.
You can get the color wrong,
you can make skin green if you want to,
but it's gotta be printed dark.
I'm glad you came, Mike.
I hope we can straighten everything out.
The original negatives of Godfather I
and Godfather II were not in good condition,
were not capable of making new copies,
and they really needed a restoration.
The negative of that film was in tatters.
And this is The Godfather,
this is... this is The Godfather.
This is a film, you know,
if not maybe the greatest film of all time,
one of them.
A lot of prints were made
from that original negative,
more so than
probably should have been made.
The negative sustained some injury,
as any negative that gets overused will.
The more popular the film,
the worse condition
the original negative is going to be in.
It's been loved to death.
It's not until the past 15,
maybe as far as 20 years,
that the studios have realized
what they have stacked away in their vaults.
They really didn't realize
that these golden treasures that
they had in their vaults and hence,
they weren't looked after very well.
The beauty of this job is that
once you start working on these films
and you start getting to explore them
scene by scene, shot by shot, frame by frame,
you get to see little things,
little nuances, little pieces of the puzzle...
and your appreciation for the film
just explodes.
We're not creating anything.
What we're doing is to try
and take what people made
and just preserve it and make it look like
what it was supposed to look like.
The trick is not to change it.
Don Corleone.
it's about storytelling.
And the story that it tells
still today stands up very strong.
At first, you think, "Oh, God,
this is gonna be the same 20 movies.
We're gonna have on here Casablanca,
we're gonna have the obvious ones, right'?"
You do have them.
But then you have some that are surprising.
I said...
"Relax and don't say anything,
I just want to talk about a film
which I'm sure has never been
brought up at the board."
How do you do-ah?
See you've met my
faithful handyman...
People are gonna say,
"You must be, you must be crazy.
The film's lacking in taste,
it's this, it's that."
But at the same time,
here's a film that's played at midnight
in theaters across the country for 30 years.
There's a reason why The Rocky Horror Show
is a popular film.
Well, if it's that popular,
it must be speaking somehow to this country.
There must be something woven
into what makes that film work.
...one hell of a lover
I'm just a sweet transvestite
from...
And I have to sympathize with Dr. Billington
because he has to go...
to the halls of Congress
and tell everyone one...
"one of the 25 films
It's this great film!
It's about transvestites
and men from Mars
and dancing hunchbacks."
I don't know how he does it.
Well, it...
It certainly widened my horizon.
With your hands on your hips
Bring your knees in tight...
Honestly, when you're dealing
with a wide variety,
you have to be open to a wide variety.
Rocky Horror Picture Show is the...
the most successful midnight movie ever,
way more than Pink Flamingos ever was.
Let's do the time warp
again.
I'll tell you a story about it.
A woman came up to me
and she said, "I saw you sitting here,
and I just had to tell you
that Spinal Tap...
saved my life."
Coming live, direct from hell, Spinal Tap!
You're hot, you take all we've got
Not a dry seat in the house...
No, I'm not gonna tell that story.
No, it was The Princess Bride
that saved her life, so...
Spinal Tap didn't save her life at all.
It was Princess Bride
that saved her life
and I don't think that's on the registry,
but it should be.
...on our way, but tonight
we're gonna rock ya
Tonight I'm gonna rock...
in a preview in Dallas,
the people came up to me and said,
"Why would you make a movie about a band
that nobody's heard of
and a band that's so bad?
Why don't you make a movie
about the Rolling Stones?"
So it took a while for people
to catch up to it, but once they did,
it became this kind of...
iconic representation
of the world of rock and roll.
What we do is if we need that
extra push over the cliff,
you know what we do?
- Put it up to 11.
- 11, exactly.
I love This Is Spinal Tap.
It takes the things that are...
naturally humorous about that lifestyle
and exaggerates them.
- One louder.
- Why don't you just make 10 louder,
and make 10 be the top...
number and make that a little louder?
These go to 11.
Oh, Ma
Oh,...
I never would have heard of this...
a very early sound film demonstration
which is a quacking duck.
Oh, Ma!
One can look at Gus Visser
and you can think...
"What is the aesthetic value?
That might be hard to justify."
It's there because it demonstrates
an important breakthrough...
in the technology of the history
of motion pictures.
It was brought to our attention
and we watched it and said...
"We have to have this,
it's a sound film demonstration.
And it's hysterical."
It's a film you can't really describe...
How he makes the duck quack.
He's kissing me.
I will say that
when I was looking at the movies
that are on the National Film Registry,
I was pleasantly surprised
that Blazing Saddles was on there.
Blazing Saddles
was basically nominated by a reporter
who has done a lot of articles
on the Registry and preservation.
Blazing Saddles
has a special place in my heart.
I love the myth of the American West.
I like cowboys, I like cowboy stories,
I like cowboy poetry.
I like Roy Rogers,
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"These Amazing Shadows" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/these_amazing_shadows_21727>.
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