They Page #13
- PG-13
- Year:
- 2002
- 89 min
- $12,575,046
- 527 Views
Terry
takes Julia's arm and leads her out of the market.
EXT. SAN FRANCISCO - STREET - CONTINUOUS
Terry
is moving at a swift pace. She keeps looking back over her shoulder as Julia
tries to keep up. Rain drenches them.
JULIA:
What
the hell is going on? Where's Sam?
TERRY:
He's
dead.
This
almost sends Julia reeling. Her mouth falls open.
JULIA:
What?
TERRY:
There's
three things you should remember. Three things.
JULIA:
What
happened to Sam?
TERRY:
First,
whenever you see a baby or a kid crying, keep moving. Children can sense them.
That's your warning.
JULIA:
Warning
against who?
TERRY:
Second,
they can control anything electrical or mechanical. Lamps. Cars. Phones.
JULIA:
Terry,
you're not making any sense.
TERRY:
Third
-- they can change things. They can make you disappear.
JULIA:
Tell
me what happened to Sam.
TERRY:
I:
am telling you.
(terrified)
They
took him. They made him disappear.
Julia
stops walking. Speechless.
EXT. SAN FRANCISCO - COFFEE HOUSE - LATE AFTERNOON
A:
young COLLEGE STUDENT is typing on his powerbook, oblivious to the TRANSIENT
sitting on the sidewalk, head buried in his knees, a sign at his feet reading
"HELP ME."
CLOSE:
ON THE POWERBOOK. A soft whirring
noise seeping from the computer as the student types.
The
WHIRRING becomes the HUMMING OF MACHINES.
The
Range Rover appears on the street and moves past.
TERRY:
(V.O.)
They
take away your identity. People stop remembering you. Your place in society
vanishes.
INT. RANGE ROVER - SAN FRANCISCO - MOVING
Julia
is behind the wheel. Terry is devouring a cigarette.
TERRY:
That's
how they get you. By making people not even care about you anymore.
JULIA:
Did
you try Sam's parents? Did you get the right number this time?
TERRY:
The
number I called at the bus station was his parents.
(cryptic)
We
didn't hit a dog on the road.
JULIA:
But
I saw it.
TERRY:
They
switched bodies.
JULIA:
Who
are "they?" A cult? Killers?
Terry
starts laughing to herself. Tears welling in her eyes. Hopeless. Terrified.
TERRY:
You
have no idea. No idea what you're dealing with.
(then)
They
don't even belong here. They're like ... like machines. That's what Sam
said. Like machines with all this skin and moving parts.
JULIA:
They're
machines?
TERRY:
Monsters.
They're monsters, Julia.
Julia
stops at a light.
A:
YOUNG GUY crosses the street in front of them. He's just a yuppie with a cell
phone. But Terry stiffens in her seat, watching him suspiciously.
Then,
almost as an aside, he winks at her.
TERRY:
(cont'd)
Drive.
JULIA:
I:
can't. There's a red.
TERRY:
Then
make a right. Just keep driving.
Julia
is growing frightened by Terry's paranoia.
EXT. SAN FRANCISCO - STREET - LATE AFTERNOON
The
Rover makes a right turn and cruises down another block.
INT. RANGE ROVER - LATE AFTERNOON
Terry
keeps her eyes riveted on the PEOPLE on the sidewalk. She's practically in
tears.
TERRY:
Remember
when we hit that thing with the car?
(hushed)
It
wasn't an accident. It was a set-up. They planned it all along.
JULIA:
How
do you know this?
TERRY:
Sam
told me. He figured everything out.
JULIA:
Why
are they coming after us? What do they want with us?
TERRY:
They
have flesh and metal parts in their bodies. Sometimes they shed what they don't
need. But other parts keep getting worn out or lost. So they take people
constantly to get new parts.
JULIA:
(soft)
That's
not possible.
TERRY:
They
wear the skin. That's why you don't notice them. Half of the time they're
wearing people's skin. Or they're hiding in dark places. Alleys. Closets.
Julia
is horrified.
JULIA:
Terry
... please stop.
TERRY:
They
take other parts too. Whatever they need. They're scavengers. No sense of
compassion. No remorse.
JULIA:
I:
don't believe this.
TERRY:
That's
why they came after us. They got Joey first. At the cabin.
Julia
is dumbfounded.
JULIA:
Joey?
TERRY:
That's
what Sam saw. That's why he left. He woke up and got a look at them -- at what
they were doing to Joey ...
JULIA:
Terry
...
TERRY:
Stripping
him ... taking his skin off ...
Julia
pulls over to the curb and stops.
JULIA:
Who
is Joey? What are you talking about?
TERRY:
(amazed)
You
don't remember?
JULIA:
No.
TERRY:
There
were five of us. He came up in his own car. He was Paul's best friend -- they
always wore the same thing for Christ sakes.
JULIA:
There
were only four of us. You. Me. Paul. Sam.
Terry
is shaking now. Complete fright.
TERRY:
They
got to you. They got to you.
JULIA:
Nobody
got to me.
Terry
starts collecting her things.
TERRY:
Look,
could you drop me off at my brother's apartment? I need to pick up some things
before I go to the airport.
JULIA:
Where
are you going?
TERRY:
To
see my parents.
JULIA:
You
can't just leave.
Terry
starts weeping. Grabbing her legs and squeezing them.
TERRY:
They
put things in my legs so they can track me. It hurts.
JULIA:
(very concerned)
Terry?
What can I do to help you?
Terry
takes her hand. Her eyes pleading.
TERRY:
Remember
me. Please remember me.
From
the street outside the car, the sound of a TODDLER CRYING can be heard. Terry's
head snaps around. She stares out the windshield at the screaming child.
TERRY:
(cont'd)
They
found me again.
Before
Julia can react, Terry bolts from the car.
JULIA:
Terry!
Julia
pursues.
EXT. SAN FRANCISCO - STREET - LATE AFTERNOON
Julia
pushes and shoves her way along the sidewalk. Terry is running like a madwoman.
Pure unabated terror.
Terry
rushes down into a subway entrance. Julia follows.
INT. SUBWAY STATION - LATE AFTERNOON
People
are crowded on the platform, waiting as a BART train rushes into the station.
The
doors open. Passengers move off the train. Others get on.
Julia
rushes down the stairs and pushes past the arriving commuters. There's no sign
of Terry. Julia keeps searching. Looks right. Then left. Finally, she spots
Terry boarding the BART train.
JULIA:
Terry!
Wait!
Julia
rushes forward, squirming through the crowd, until she reaches the doors just
as they SLAM CLOSED. She looks through the windows, trying to find Terry
amongst the crowd inside.
The
train starts to move.
Standing
at one of the train's passenger windows, his face and palms pressed against the
glass, is --
THE:
BLOND BOY IN THE SUPERMAN SHIRT.
Staring
directly at her. Dark circles around his eyes.
He
smiles at Julia.
His teeth are made of metal.
Julia
stands thunderstruck. The BOY in the window moves past.
The
train shoots into the awaiting tunnel. Julia is left standing frozen and
immobile on the platform.
Near
the subway entrance, a HOMELESS MAN with HOOKS FOR HANDS is convulsing as he
sits against the wall. Eyes wide open. Shaking horribly and staring at nothing.
INT. APARTMENT BUILDING - UPSTAIRS HALLWAY - NIGHT
Quiet
and dimly lit. Several of the lights are burnt out, leaving the hallway
drowning in shadows.
The
elevator doors open. Terry exits and moves quickly down the hallway. Her face
is terrified. Sick.
She
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