They Page #18
- PG-13
- Year:
- 2002
- 89 min
- $12,575,046
- 527 Views
Julia
has almost reached the platform opening for the train.
BEHIND:
HER, A CHORUS OF PURSUING MONSTROUS SCREAMS RISE UP WITHIN THE TUNNEL.
INT. SUBWAY STATION - PLATFORM - NIGHT
Julia
runs directly parallel to the subway platform. The lights alongside of her
start flickering and go out, one by one, as she advances.
THE:
HISSING AND SCREAMING CONTINUES TO RISE.
She
reaches the opposite tunnel and grabs hold of the platform, pulling herself up.
The platform goes dark.
Appearing
out of the far tunnel are a DOZEN DARK SHAPES, scampering along the walls and
running on all fours across the tracks. Their characteristics barely visible.
Julia
kicks back as the shrieking things bear down on her, yellow eyes flaring in the
dark, metal teeth flashing.
Julia
tries to run for the escalator, but the things cover the walls behind the
tracks. Ready to spring.
Finally,
one of the monsters does leap towards her ...
AND:
IS SMASHED TO BITS BY AN APPROACHING BART TRAIN.
Reducing
the monster to a few vestiges of scattered metal. The other creatures on the
tracks are also run down.
Julia
watches as the train RUMBLES past. And then, silence.
Nothing
is left except for a few swirling newspapers. The lights flicker and come back
to life.
Rising
up to her feet, rescued from death by chance, Julia starts backing towards the
escalator. Her eyes locked upon the darkened tunnel before she turns and races
up.
EXT. SUBWAY STATION ENTRANCE - STAIRS - NIGHT
Rain
has started falling again. Pelting the stairs.
Julia
dashes up the stairwell and sprints into the street. She doesn't look back.
DISSOLVE TO:
EXT. SAN FRANCISCO - STREET - NIGHT
The
rain falls so heavily that it creates a dense, blue FOG which shrouds the
entire street.
Julia
appears through the storm, running towards a telephone booth on the street
corner. She rips open the door, steps inside, and slams the door shut.
She
drops a few quarters into the phone. Dials. And waits.
INT. LEVIN HOUSE - LIVING ROOM - NIGHT
Dark
and still. Lightning frames the windows. The picture of Julia and her mother
rests near a phone as the line RINGS.
Guy
comes downstairs and answers the portable.
GUY:
Hello?
Static.
GUY:
(cont'd)
(bewildered)
Is
anyone there?
A:
flash of LIGHTNING outside.
JULIA:
Daddy?
... It's Julia ...
(beat)
They
might still be around ... feeding on power from the phone lines. Can you hear
me?
(beat)
...
Dad?
GUY:
(over phone)
I:
can't hear you. Hello?
Beat.
JULIA:
Daddy,
help me ... help me, please ...
INT. LEVIN RESIDENCE - LIVING ROOM - NIGHT
More
STATIC resounds over the phone. Guy hesitates a moment, then returns the
portable to the cradle.
CLICK.
The line is abruptly cut off.
Julia
begins to cry. She covers her face with her hands. The tears roll through her
fingers.
INT. LEVIN RESIDENCE - LIVING ROOM - NIGHT
Guy
stares at the phone for a moment. A
strange feeling. Something isn't right. He thinks a moment. Then shakes it off
and heads upstairs, moving directly past the picture next to the phone.
JULIA:
IS GONE. VANISHED FROM THE PICTURE WITHOUT A TRACE. ONLY HER MOTHER REMAINS.
Lightning
flashes across the picture's glass frame.
DISSOLVE TO:
INT. SAN FRANCISCO - SUBWAY STATION - DAY
The
afternoon rush of people trying to get home.
A:
GROUP OF THREE COLLEGE STUDENTS come down the escalator into the station.
CONNOR is among them, now eighteen and wearing a Berkeley sweatshirt. His
friends are BARRY and MIKE.
BARRY:
Why
the hell didn't we bring the car?
CONNOR:
You
wanna pay for gas?
BARRY:
Better
than this sh*t. I hate BART.
MIKE:
He
has a point. I made the mistake of trying to use the bathroom. What do these
people do? Stand with their ass hanging over the toilet and aim?
Connor
checks his watch.
CONNOR:
We're
late. Party started an hour ago.
MIKE:
We'll
make it.
BARRY:
(trace of sarcasm)
Yeah
Connor. Relax. We might get there right after the kegs dry out.
CONNOR:
(resigned)
I:
should study anyway.
A:
FEMALE VOICE calls out from across the platform.
FEMALE:
VOICE (O.S.)
Connor?
He
turns around and scans the crowd, locating a ragged figure that moves quickly
towards him. With her dirty clothing and sunken eyes, it takes a moment to
register. This is Julia. Her skin is pale. Her hair is stringy and knotted.
JULIA:
I've
been looking for you.
CONNOR:
What?
BARRY:
(hushed)
Great.
MIKE:
Just
ignore her.
JULIA:
They
tried to get me. Several times.� But I
managed to get away. I've always managed to get away.
A:
train rushes into the station. Connor is speechless.
CONNOR:
I'm
... sorry ..
JULIA:
But
you'll help me. You will help me.
Connor
raises his hands and backs towards the train as the doors slide open. His
friends are already aboard.
CONNOR:
I'm
sorry.
JULIA:
No,
wait ... it's Julia ... don't you remember?
He
gets into the train. His friends are laughing. Connor turns to his friends with
a look of smirking disbelief.
CONNOR:
How
the f*** did she know my name?
BARRY:
She
heard me say it.
CONNOR:
Jesus
Christ.
JULIA:
(overlapping)
It's
Julia! I'm your sister!
The
doors slide closed in her face.
Julia
begins beating on the doors to be heard. Connor and his friends are a little
freaked but they're still laughing at her.
JULIA:
PLEASE!
CONNOR! I'M YOUR SISTER!
The
train starts to move. People inside move in front of the doors and block
Julia's view of her brother.
JULIA:
(cont'd)
PLEASE:
DON'T LEAVE ME! CONNOR!
Julia runs alongside the train. Still beating on the doors.
Her face awash with tears.
JULIA:
(cont'd)
THEY'RE
(shrieks)
THEY:
...!!!!
The train picks up speed. Julia is left behind.
The grinding of the wheels is heard as the train moves into the subway tunnel.
The sound of machines drowns out every other sound and consumes all.
BLACKOUT.
THE END:
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