Thirteen Ghosts Page #18
- Year:
- 2001
- 598 Views
RAFKIN:
(in FLASHBACK)
It just doesn't add up.
Arthur holds his hands before his eyes. 12. There are
twelve ghosts on the ring.
ARTHUR:
If I'm the thirteenth...
86C INT. MAIN FLOOR CORRIDOR -CONTINUOUS ACTION 86C
Arthur looks back into the hallway. There still stands
Cyrus's ghost. Arthur slowly takes off his glasses.
Cyrus is still standing there.
ARTHUR:
You... son-of-a-b*tch...
(CONTINUED)
THIRTEEN GHOSTS -Rev. 11/1/00 96.
86C CONTINUED:
86CCyrus realizes he's been made. Arthur runs over and
grabs his uncle, throwing him into the wall. Arthur
throws a punch, landing a hard right on Cyrus.
ARTHUR:
Stop the machine!
Arthur punches Cyrus again. And again. Cyrus stumblesbackwards, regains himself, smiles, then goes afterArthur.
CYRUS:
Well, well... it's nice to see
you have some of the family blood
in you after all.
The two men go at it.
Arthur's fighting for his life. He's like a wild man,
throwing everything he's got, hitting Cyrus everywhere.
In the face, the body...
ARTHUR:
You took away everything I loved,
you monster. Everything!
(with every blow)
Now. I. Want. It. Back!
But Arthur has never been a warrior. Cyrus, spotting his
opportunity, retaliates. Cyrus connects with Arthur inthe face, knocking him down. Then he kicks Arthur in the
gut a few times, making sure he stays down.
CYRUS:
How dare you stand in the way of
history, Arthur! You are nothing,
you hear me. Nothing! I
dedicated my entire life to this.
Every goddamn day. When have you
ever shown that kind of dedication?
Huh? To anything?!
He kicks Arthur repeatedly, like a sick mind kicking adog to death.
CYRUS:
You make me sick.
87 INTERCUT -CLOCKWORKS ROOM 87
Maggie slowly comes to, awakened from the irritatingnoise of the CHANTING. The huge gear works before her
(CONTINUED)
THIRTEEN GHOSTS -Rev. 11/1/00 97.
87 CONTINUED:
87She notices Kalina's bloody, squashed remains in theglass beyond.
MAGGIE:
(reacting to Kalina)
Jesus...
(rubbing her head)
Man, what is that noise?!
Then she notices the reel-to-reel machine on the table.
Maggie reaches the machine and looks for an off switch.
Can't find one. The CHANTING sound is unbearable.
She finally shoves the MACHINE off the table, and it goesCRASHING to the floor.
Arthur regains himself... when Cyrus appears over him.
CYRUS:
(out of breath)
The world hasn't time for small
people, Arthur. People like you,
or Dennis. Or Kalina. It needs
those who are willing to do
anything, without question, for
what they believe in.
ARTHUR:
You sonofabitch!
Arthur rises to attack, but Cyrus stops him with a steelsword he pulls from his cane. He points the blade
beneath Arthur's chin. Arthur's eyes dart around,
searching for a last way out. Cyrus spots Arthur
thinking...
CYRUS:
I'm sorry, Arthur. Unlike Jean,
you haven't got a choice this
time. Now make the sacrifice. Or
your. Children. Will. Die.
The CHANTING sound suddenly ENDS. Silence.
Cyrus looks around in shock and confusion. As does
Arthur.
That's when he sees Bobby's scooter come rolling behindCyrus from the other side of the corridor.
(CONTINUED)
88
THIRTEEN GHOSTS -Rev. 11/1/00
CONTINUED:
98.
88
Arthur quickly seizes the moment and kicks Cyrus's legs,
throwing him off balance and stumbling backward, rightinto the path of the scooter.
Like a banana peel, Cyrus slips on it and lands on his
ass.
Arthur scoops up the cane, as Cyrus struggles to getback to his feet.
When Cyrus turns back around, Arthur cracks him acrossthe chest with the cane... sending Cyrus sailing downthe hall. He lands at the opening of the Great Hall,
stunned by what just happened.
He glances back at the scooter, then over to where it
came. Nothing. He slips on his glasses for a moment,
and there standing casually in the corridor is the ghostof Dennis Rafkin.
RAFKIN:
... never bet against humannature, Arthur. You'll always
lose.
Arthur smiles in thanks.
CUT TO:
CYRUS:
just as he comes to on the floor. He looks up and
there's nothing there. Arthur puts on his glasses andsees 12 very deadly ghosts standing around Cyrus. The
ghosts of the house reach down and grab Cyrus -CYRUS
Get away!! No!!!!
Arthur watches as the ghosts tear into Cyrus. It's a
feeding frenzy. The last one in to tear in is the
Breaker. Cyrus suffers a horrible ending.
CYRUS:
Let me go! Noo!!!
88A INT. GREAT HALL -GHOST POV 88A
Cyrus is borne into the hall on the shoulders of theghosts he enslaved.
(CONTINUED)
THIRTEEN GHOSTS -Rev. 11/1/00
A98A.
88A
CONTINUED:
88AFROM CHILDREN'S POV
He's floating in, kicking and screaming all by himself.
BACK TO SCENE:
The children aren't sure what to think. They only knowthey too will join their uncle unless something happens.
Their father rushes to the door -
ARTHUR:
(to his kids)
Don't look...
GHOSTS' POV
The ghosts lift Cyrus above their heads, all bloody andbroken bones, bleeding and mangled... and throw him intothe spinning gears of the Ocularis.
(CONTINUED)
THIRTEEN GHOSTS -Rev. 10/27/00 98A.
88A CONTINUED:
88ABlood and Bones and flesh go flying.
This, and the damage Maggie has caused down in thebasement causes the Ocularis to go haywire.
88B INT. CLOCKWORK ROOM -CONTINUOUS ACTION 88B
Maggie stands before the mad machine as it whirls out ofcontrol.
MAGGIE:
Oh, sweet Lord. What did I do?
Maggie backs toward the door. The clockworks are
breaking apart all around her. She tries the handle.
It's locked.
MAGGIE:
Mutherfucka...!
The clockworks begin flying apart. Gears and bits of
machinery start bursting through the glass walls of theclockworks room.
88C INT. GREAT HALL -CONTINUOUS ACTION 88C
The GREAT GLASS GROANS DEEPLY as the torquing of theclockworks causes sheets of glass to fall from theirframes.
Two more rings have FLIPPED UP, the blades getting closerto the center of the Ocularis and the kids.
GLASS begins to BREAK UP all around Arthur. Shards of
glass rain down. He knows he hasn't much time.
Kathy holds Bobby close, protecting him.
BOBBY:
Daddy!!
Arthur doesn't know what to do, but he does know that he
can't leave them there the same way he did with Jean.
ARTHUR:
Just hang on! I'm coming!
Arthur backs up, and takes a running jump through thespinning blades, just barely landing on the center islandof the Ocularis, with Kathy and Bobby.
(CONTINUED)
THIRTEEN GHOSTS -Rev. 10/27/00 98B.
88C CONTINUED:
88CHe looks for a way off but between the glass and theblades he knows there's no way they're getting out ofthere.
Arthur holds them both tight, covering their eyes.
ARTHUR:
Don't move! Keep your head down!
88D
INT. CLOCKWORKS ROOM -BASEMENT 88D
As Maggie's eyes go wide.
88E
INT. BASEMENT GLASS CORRIDORS -VARIOUS ANGLES -SAME 88E
TIME:
Huge bits of the clockworks come flying out the walls ofthe clockworks room, SHATTERING all the GLASS in the
basement.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Thirteen Ghosts" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/thirteen_ghosts_282>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In