Thr3e Page #2

Synopsis: Innocent lives hang on the whim of an elusive psychopathic murderer whose strange riddles and impossible timelines force three people into a mission to end the game before one or all of them die.
Genre: Drama, Horror, Mystery
Director(s): Robby Henson
Production: 20th Century Fox
 
IMDB:
5.1
Metacritic:
34
Rotten Tomatoes:
5%
PG-13
Year:
2006
101 min
$978,908
Website
56 Views


- Damon, back in your house.

No! You have to growl at that dog.

You have to use more authority,

more discipline!

I say there, canine. To

the kennel with you...

- or it shall be the whip for your blasted hide.

- Firmer!

- Come here, beast.

- More English.

Stay! Stay, I say.

Put him in the house.

Very good!

Very good!

Ke-Kevin, I have a new computer.

You wanna see it?

- Stay!

- It's a brand-new computer.

- Princess gave it to me. You wanna see it?

- Yeah.

- Stay in your place.

- It's so great.

I can play with it

up till 10:
00 at night.

- Then it's bedtime.

- Very good!

- No!

- No, no, no, no, no. You wait. You wait here.

Damon! Damon!

Damon! Damon!

- What did I do?

- It wasn't you!

- Where's Damon?

- I know who.

It was you.

You did this! Why?

Why? To hurt me again? Huh?

- No.

- Puppy!

Someone's trying to kill me.

Shut your lying, filthy mouth.

We hate you!

That's right, traitor.

You go! Go!

Leave!

Leave!

Leave!

Who's there?

Sam.

Mmm.

I missed you.

You look good.

So do you.

There's some dirt on your face.

I love this place.

You okay?

I don't know.

- You know, you shouldn't be here.

- Of course I should.

- No, Sam. Someone's stalking me.

- I'm not leaving.

They blew up my car.

They killed Damon.

I just don't want you near this.

- Look, I'm near criminals every single day.

- I know.

You know, I've got a cop

right across the street.

Yeah. He's asleep.

I have no idea what he meant.

What falls but never breaks?

What breaks but never falls?

Night falls and day breaks.

The answer could be

day and night.

Meaning what though?

I don't know yet.

I'm gonna take this and give

it to a friend at the lab.

- Take it.

- Do you have a bag or something?

Yeah, probably in the kitchen.

I should probably

check into a motel.

Just stay here.

I mean-

You know what I mean.

I'll stay on the couch.

- This okay?

- Yeah.

I'm gonna need your spoon...

so I can get a control sample

and exclude your prints.

Staying here... probably

wouldn't be the best idea.

Why?

Probably stay up talking all night,

and you need to rest.

Hey, we can't talk

to the police.

Okay, but we might have to.

I just don't want you to get hurt.

Kevin? Hi, Kevin.

- Hi, Sam.

- Let's go.

I can't.

Balinda won't let me.

So?

- I can't.

- Why not?

- We could take the bus together.

- I know, but my mom likes teaching me.

She's not your mom.

She's your aunt.

So, do you have

a boyfriend at school?

I have a boyfriend,

but he doesn't go to my school.

- Who is he?

- It's a secret.

He's my knight in shining armor.

Come closer and I'll tell you.

What benefit did you get from

those things which you are now ashamed?

For the end of those things

is death.

What?

- What's going on?

- We're trying to get into the club.

- Yeah, sure. Go home.

- I don't have-

Hey! You girls are 15.

Hey, sorry. Sorry.

We're both 21. Can you not just let us in?

We were here the other day.

- No chance. Just go. Please.

- What do you mean, "Just go"?

I could lose my job.

Let me help you.

Ooh!

Kevin Parson?

I want to ask you a question

about the Riddle Killer.

- I understand you've been talking to him.

- Get a real job.

I got a real job.

And that's private property.

Yeah, well, this could trigger

a repeat attack.

We need to talk.

Hope you take it with milk.

Hey!

Sorry about your brother.

- You look like you've been up all night.

- I have been.

Is this the only way

in and out?

There's a fire escape.

Close to your brother?

Yeah.

Who was the visitor?

Someone I grew up with.

Samantha Sheer. She, uh- She saw

what happened to me in the news.

She's an insurance investigator.

What, and she came by

to check your life insurance?

She's a friend.

Anyone else?

He was in here.

He left a cell phone in a book.

What did he say?

Nothing. Hejust-

Hejust called me names again.

Well, show me the cell.

It's gone. I think he

came back in here and took it.

- Well, can you show me the book?

- Sam has it.

Do you know who

we're dealing with?

Three people have died.

I need that book.

So call your friend. From now on,

make sure I see everything first.

Okay.

You ever play chess?

What does that have to do

with any of this?

He made a move

and you countered and he liked it.

He'll move again.

Great.

He'll be watching

and listening to everything.

- What? You mean, like now?

- Shh!

He said no police.

You're a cop.

He said no police. You're a cop.

Kevin always was a nasty little tattletale.

Help me. Help me.

Please help me. Help me.

You'll need to get this together right away.

to be here at 9:
00.

I don't wanna die!

Get it off me!

Please!

Two questions:

How did he choose you?

And why did he choose you?

How did he choose your brother?

Oh, Roy was a means

at getting... at me.

L- I wrote a book

he didn't find very authentic.

He didn't like me going on

talk shows, promoting it.

Anyway-

Yeah, maybe I did get

a little too full of myself.

Pride comes before a fall.

Writing a book is no sin.

Well, neither is going

to a seminary.

So let's start yesterday

and work back as far as you can...

every place you ever went.

You wanna hear

my whole life story?

I have a full tank.

It won't take a full tank.

A guy just walked into precinct

headquarters with a bomb strapped on him.

Hold still!

- "Wages of sin"!

- What?

The wages of sin.

He left a message. The wages of sin.

The wages of sin is-

- Death.

- It's a Bible verse.

Your stalker doesn't like seminary students.

He went after one of your classmates-

- HenryJameson.

- Henry? Oh!

- Give me the book and verse number.

- It's from Romans.

Look in Romans.

- Where's the bomb squad?

- They won't make it in time.

- Maybe we should just move him.

- What?

- Keep it clear. Keep it clear.

- Wait here!

- Let's go! Let's go!

- Okay, now!

- Get out!

- Okay.

Okay. Here it is right here.

Romans 6:
23.

"The wages of sin"-

Okay.

- Kevin! Kevin!

- Get him.

Help me! Help me! Help me.

"What benefit did you get from the things

which you are now ashamed?

- "For the end of those things is-

- Help me.

Death. "

Help me!

What's the third number?

We need a third number.

Okay. There's six letters

in "Romans. "Let's try 6-6-23.

Get out! Everybody out!

What are you doing here?

Get out! Out!

- Everybody out!

- Clear the building!

- Get it off me!

- Come on!

- Your stalker went after someone else?

- Please hurry.

- What happened?

- It's my fault if he dies.

- You can't blame yourself for this.

- Six.

- Six.

- Get it off him!

Hey, you! And you!

Out now! Go!

- Get it off!

- Okay. Let's go. Let's go, Kevin.

- Twenty-three.

- Hurry, please!

Go, go.

Go, go. Go!

Okay. Okay.

I hate the way you pukes look.

The way you speak.

The way you smell. Liar.

You're all rotten to the core.

Liar.

Liars!

You remember everything.

It's the boy.

- What boy?

- The boy in the park.

- When we were kids and used to sneak out together.

- Yeah, okay. I remember.

Rate this script:0.0 / 0 votes

Alan B. McElroy

Alan B. McElroy is an American screenwriter, producer, and director of film, television, comic books, and video games. He is best known for his collaborations with Todd McFarlane on the Spawn franchise, and for penning horror films such as Halloween 4: The Return of Michael Myers and Wrong Turn. more…

All Alan B. McElroy scripts | Alan B. McElroy Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Thr3e" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/thr3e_21825>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Thr3e

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does the term "subplot" refer to?
    A The closing scene
    B A secondary storyline that supports and enhances the main plot
    C The opening scene
    D The main storyline