Three Strangers Page #10

Synopsis: According to a legend, if three strangers gather before an idol of Kwan Yin (the Chinese goddess of fortune and destiny) on the night of the Chinese New Year and make a common wish, Kwan Yin will open her eyes and her heart and grant the wish. In London 1938 on the Chinese New Year, Crystal Shackleford has such an idol and decides to put the legend to the test. She picks two random strangers off the street, and puts the proposition to them. They decide that an ideal wish would be for a sweepstakes ticket they buy equal shares in to be a winner. After all, everyone needs money and a pot is very easy to divide equally, right?
Director(s): Jean Negulesco
Production: Warner Home Video
 
IMDB:
7.0
APPROVED
Year:
1946
92 min
133 Views


know what's good for you?

But I... I feel

her presence.

She's not

two paces behind.

Please, be quiet!

How can I be quiet

When I know

the devil's abroad?

The people in the street

should be notified.

I should cry out

the truth.

But you won't!

I will! I will!

It is my duty regardless

of consequences.

I'll shout out a warning

from the housetops

So all may know

and hear the truth.

It is my duty.

You, sir...

You, sir, I have

something to tell you.

Never mind...

My friend had

one drink too many.

If you don't

be quiet now,

I'll leave you

right here.

Let go of me, sir.

I must speak.

The devil's abroad!

Murder has

been committed!

Murder! Murder!

Murder! Murder!

I tell you,

the devil is beside me.

True, you cannot

see her nor hear her,

But nevertheless

she's at my side.

You wish proof?

I'll give it to you.

A stone's throw

from here is the room.

In that room is

a dead woman.

She was murdered!

Man:
been a murder,

he says, a woman!

It's true, and I'd be glad

to lead you to the victim.

Man:
who murdered her?

Why, the devil,

of course,

I was her instrument.

I struck the blow!

The devil was

responsible!

The devil!

I myself struck

the blow,

But the devil

was responsible!

Give us a half-And-Half.

Same here.

Billy Johnson had 5 bob.

I'd have had a bet

on it meself

But me missis

wouldn't have it.

How about you, pal? Did you

have anything on the winner?

What winner?

Blimey, where have

you been?

Haven't you heard that

the cracker won the national?

No-Oh, yes, yes.

Some lucky blighters

was in on it.

I know one woman,

she had a ticket on...

Did you see him?

I was just trying to make a

little polite conversation.

Some blokes can't stand to see

anyone else having any luck.

You forgot this,

Mr. West.

Thank you.

First time I've known you

to walk away from a drink.

You looking

for somebody, ducky?

Johnny! Johnny!

Johnny, I'm so glad

to see you.

Welcome home.

I missed you so,

Johnny.

They let me off easy.

How have you been

getting along, Johnny?

Icy, don't ever get mixed up

with a Chinese goddess.

No, Johnny.

That's the worst thing

that can happen...

The very worst.

Johnny, you're not

in trouble again?

No, I'm not in trouble.

Not anymore.

Found out just in time.

Found out what?

Oh, that things don't

just happen to us,

That we can do

something about them.

The fault lies not

in our stars.

It lies in ourselves.

Yes, some people have to go to

prison to be free, you know it?

I even had to win

a sweepstake ticket.

Sweepstake ticket?

Johnny, do you

mean it?

Yes, that's it.

The winning ticket.

What did they win?

No, Johnny!

Oh, Johnny,

For a minute there

you had me believing it.

So help me, you had.

I thought it was real.

Rate this script:0.0 / 0 votes

John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

All John Huston scripts | John Huston Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Three Strangers" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/three_strangers_21849>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Three Strangers

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "FADE OUT:" signify in a screenplay?
    A A transition between scenes
    B The beginning of the screenplay
    C The end of the screenplay
    D A camera movement