Three Strangers Page #4

Synopsis: According to a legend, if three strangers gather before an idol of Kwan Yin (the Chinese goddess of fortune and destiny) on the night of the Chinese New Year and make a common wish, Kwan Yin will open her eyes and her heart and grant the wish. In London 1938 on the Chinese New Year, Crystal Shackleford has such an idol and decides to put the legend to the test. She picks two random strangers off the street, and puts the proposition to them. They decide that an ideal wish would be for a sweepstakes ticket they buy equal shares in to be a winner. After all, everyone needs money and a pot is very easy to divide equally, right?
Director(s): Jean Negulesco
Production: Warner Home Video
 
IMDB:
7.0
APPROVED
Year:
1946
92 min
129 Views


between man and wife...

Aren't intended

for other ears.

I wouldn't dream

of inquiring.

But also,

he advises me

On everyday matters.

He does?

We discuss everything

and everybody.

You in particular he

esteems, Mr. Arbutny.

It's very flattering.

He says I'm to do everything

you say, and anything.

Ahem.

Well, I must be

on my way.

You'll dine with me some

evening, Mr. Arbutny.

I shall be delighted.

I believe dear Robin

will, too.

That's very good

of Robin.

Number, please.

Whitehall 3040.

National securities.

Mr. Case.

One moment, please.

Hello?

Case, Jerome K. Arbutny

speaking.

Yes, Mr. Arbutny.

About that

South African stock,

I wonder if it

would be wise to sell?

It would mean taking

a slight loss.

Yes, I know.

But you see,

it's not exactly

Within my, uh, scope of

operations to speculate.

There's a considerable

amount of money involved.

A very considerable sum.

Well, that's for you to

decide of course, Mr. Arbutny.

But I have it on

excellent authority

That the stock's

due for a turn.

You say excellent

authority?

The very best.

I see, I see.

Well, for the time being,

we'll let the account stand.

Very well,

Mr. Arbutny.

Look here, Fallon,

The crown's got

an excellent case.

Eyewitness

and all that.

This alibi

better be airtight.

Icy's testimony

will be all right.

Yes, but it isn't

enough.

We need corroboration.

All right. We call in

Major Beach.

The major was with us

the night it happened.

All night-Ain't that

right, Icy?

That's right.

Very well, then.

But I better have

a little talk with him.

So long, Fallon.

So long.

Well, what are you

waiting for?

To tell me how much

you miss me?

How'd you know?

What's on your mind?

We need money.

The devil you do! You've

had 2 quid so far this week!

They got to have money

to keep undercover.

Where in heaven's name are

they hiding, in the Savoy?

You know where

they are.

I've given them plenty

for their room and grub.

Johnny gets restless

unless we keep him in booze.

Too bad about Johnny.

If he gets too restless,

he gets caught. So what?

We ain't gonna

let him get caught.

Oh, you ain't?

Seems like you're taking

pretty good care of him.

You got him

in this fix,

I'm going to

get him out.

We need money.

Suppose I say no?

Then I'll say no tomorrow

in the witness box.

For tuppence

I'd bust you up!

And bust your alibi

at the same time?

It wouldn't be

so good.

Make up your mind, Bert.

Do we get the money?

I was with Bert-

Mr. Fallon.

We never left

the house.

You say you had

a visitor.

Yes. Major beach.

Major beach is

a good friend?

Yes.

How long have you

known Major Beach?

Oh, several years.

Then you know all

about Major Beach.

Well, a good deal.

And you would

have me believe

That you and

the prisoner

Spent a pleasant evening with this man,

Whom you say you

admire and respect?

Yes. He told us about something

that we'd never heard of before.

Bert thought it was

wonderful,

And he was going to join

up as soon as he could.

That's all,

miss crane.

Defense:

I call Major Beach.

Bailiff:

George Alfred beach.

Major beach, on the night

of October 16,

Did you call at

the prisoner's home?

Yes.

At what hour?

About 8:
00.

Was anyone there besides

the prisoner Fallon?

Oh, yes, a friend of his. Miss Crane.

How did the 3 of you

spend the evening?

We spent, uh,

a quiet time.

What do you mean

By quiet time,

Major Beach?

A quiet time is

a period of silence

In which the parties present

open up their souls

To the divine spirit.

I take it that

you're interested

In the oxford

movement.

Oh, I am, intensely.

Did you have

a particular purpose

In calling on

Mr. Fallon?

Yes. I wanted to interest

him in the movement.

And did you succeed?

Enormously.

Mr. Fallon told me the quiet

time had been a revelation to him.

He felt like

a different man.

At what time would you

say your quiet time ended?

Oh, uh, it was about 12:00

when I looked at my watch.

Hmm. Cross-Examine.

Major Beach,

Do you hold the rank of

major in the British army?

Uh... well, uh-

As a matter of fact, I-

Answer yes or no.

Well, uh...

"Major" is a sort of

honorary title.

Conferred upon you

by yourself.

Uh, yes... well,

heh heh.

You were in

the army, however.

During the war.

A private.

How long

did you serve

Before you were

court-Martialed?

Oh, well, uh...

A m-Month.

For breaking into

medical supplies,

Stealing drugs, and

attempting to sell them.

On which charges you

were found guilty

And sentenced to

a military prison

For the duration

of the war.

It was a miscarriage

of justice!

When did you become interested

in the oxford movement,

Major Beach?

Oh, well, uh,

let me see...

About 5 years ago,

I guess.

In the past 5 years,

Have you measured

your conduct

According to

the precepts

Of that

organization?

I might say so.

Were you absolutely

pure, Major Beach,

In answering to

a statutory charge

In Melbourne, Australia,

November 9, 1933?

Absolutely.

And were you

absolutely honest

In answering a drug

charge October 13, 1936?

Well, uh-

Was it absolute

unselfishness

Which led on

February 2, 1936,

To your trial

and conviction

In Norfolk

for perjury?

I was entirely

innocent!

Is it absolute love for

Bertram Fallon or for money

That prompts you to give

false testimony here and now?

My lord, this man

is obviously not

A member of

the oxford movement,

Nor of any other

religious body.

Because of the proven

incredibility

And the devious character

of the witness,

I move that his entire testimony

be stricken from the records.

Motion sustained.

Silence in the court!

My lord,

if it please the court,

My client desires

to change his plea

From not guilty to guilty,

and put his fate

Into the merciful keeping

of the court.

If it please your lordship,

he desires to make a statement.

The prisoner may make

a statement.

My lord,

I want to say I took part

in the robbery.

I told a lot of lies

up to now,

But mainly because I wanted to

protect the others.

But I don't see why a man ought to hang

for a crime somebody else committed.

I guess that's what's going to happen

if I don't tell the whole truth.

I'm not asking to be let off,

All I want from this court is

not to be hanged.

If you won't hang me,

I'll turn king's evidence.

"I'll name

the guilty ones

And I'll fix it for you

to catch them. "

I don't want

to hear it!

Well, you said

one of us would blow,

Only you guessed

the wrong one.

Come on, Gabby, don't

tell me that this thing

Has destroyed your faith

in human nature.

All I want is to get

me hands on Fallon.

That's all I ask.

Yes, but just that may be

a little bit difficult.

They're taking very good

care of him these days.

I'll find a way.

Gabby, Gabby,

I'm afraid you have

a vengeful nature.

It can't do you any good,

you know, it's-

Johnny? Gabby?

It's me.

Hello, hello.

Welcome home.

Rate this script:0.0 / 0 votes

John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

All John Huston scripts | John Huston Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Three Strangers" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/three_strangers_21849>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Three Strangers

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the main actor in "Iron Man"?
    A Chris Hemsworth
    B Chris Evans
    C Robert Downey Jr.
    D Mark Ruffalo