Tin Men Page #15

Synopsis: One step short of larceny, the aluminum siding salesmen in this movie sell their wares, compete with each other, and engage in a lot of great dialog. Tin Men focuses on the rivalry between BB Babowsky and Ernest Tilley. At the same time, the end of small world of which they are kings looms near as a government probe investigates their industry.
 
IMDB:
6.5
Rotten Tomatoes:
80%
R
Year:
1987
112 min
739 Views


NORA:

Yeah, I'll have some.

TILLEY:

(shouting to

waitress)

Florence, some coffee here.

(to Nora)

It's for the best.

(beat)

You know, we were kind of fooling

ourselves, weren't we?

(CONTINUED)

94.

101 CONTINUED:
101

NORA:

Yes, it went wrong somewhere

along the line -- I don't know

where though.

TILLEY:

Yes, something went wrong... I

don't know.

Florence walks over and pours coffee for Tilley and Nora,

then walks away.

TILLEY:

So you like this guy?

NORA:

Yeah, I like him.

TILLEY:

All in all I guess it'll all work

out for the best.

NORA:

I'm glad you feel that way.

TILLEY:

Yeah, can you figure it out? A

guy bangs into my car, thinks I

did him in, tries to get even with

me by stealing my wife, you two

people fall in love... can you

figure that out?

NORA:

What?

TILLEY:

You telling me you didn't know

this was the guy?

NORA:

This was that guy?

TILLEY:

Yeah, I told you I ran into

another tin man.

NORA:

He didn't tell me he was a tin

man... he told me he sold baby

pictures.

(CONTINUED)

95.

101 CONTINUED:
(2) 101

TILLEY:

It's your life. All I know is

this guy has a bent weather vane.

Oh, God!

NORA:

Not another tin man.

CUT TO:

102 INT. SUPERIOR ALUMINUM SIDING COMPANY OFFICE - DAY 102

We see and hear the Girls working the telephones, asbefore.

GIRL #1

Good afternoon, this is SuperiorAluminum Siding. We're going tohave...

GIRL #2

... a salesman in your areatoday...

BB is sitting in a chair across from Looney.

LOONEY:

Beeb, why don't you let Stanleywork with you. I'm off to Florida

at the end of the week for some

sun and fun. Let Stanley workwith you, and when I get back,

we'll see how Moe's doing.

BB:

I don't know. To be honest with

you, I think I'd rather work alone... he's too green. Is he a painin the ass?

LOONEY:

No. He don't talk much; he's a

good listener, so he can't really

get on your nerves. He's a lousypool player and he can't playcards for sh*t, but...

BB:

(interrupting)

So what good is he?

(CONTINUED)

96.

102 CONTINUED:

LOONEY:

Studious type... takes a lot of

notes.

BB:

(smiles)

If this is a sales pitch, I think

you got to work a little harder

'cos I don't think you've got

good product.

CUT TO:

103 EXT. INDUSTRIAL WAREHOUSE - ANGLE ON BB - DAY 103

As he comes out of the Superior Aluminum building and

walks towards his car. We see Nora driving her Chevy in

front of BB's car. She drives her car forward, and then

reverses it hard into BB's Cadillac. He runs over to

the driver's side of Nora's Chevy.

BB:

What are you, crazy?!

Nora drives the car forward and then backwards again

almost running BB down. She rolls down the window (automatically)

so that she can yell.

NORA:

You're a goddamn tin man!

Then she backs the car up. BB tries to go around the

front of the car.

BB:

Wait a minute! Wait a minute!

Nora starts to move the car towards him. He moves away,

and her car smashes into the side of his car. She

presses the button to the window and rolls it down

just a shade.

NORA:

You wanted to win me just to

get even with my husband...

screw you!

She rolls up the window, floors the car, and drives

away.

(CONTINUED)

97.

103 CONTINUED:

ANGLE ON LOONEY:

as he walks out of the building. He sees BB's car all

smashed up.

LOONEY:

(to BB)

I think you ought to get rid of

this car... it's bad luck.

Nora's CAR SCREECHES around the corner.

LOONEY:

Is that the guy again?

BB:

No, it's his wife.

LOONEY:

There's some kind of sickness

that runs in that family.

CUT TO:

104 INT. POOL HALL - TIGHT SHOT OF MOUSE - DAY 104

He's singing "The Banana Boat Song."

MOUSE:

'Day-O! da,da,da,da,day... daylight

come and he wanna go home...'

ANGLE ON TILLEY AND GIL

at a table playing pool. Mouse is standing next to his

trusted JUKEBOX, belting out his favorite Harry Belafonte

song. In b.g.:

TILLEY:

(to Gil)

Why can't they get rid of that

f***ing record? It's not a hit

anymore... nobody cares about

this song anymore... it's history.

Mouse continue singing in the background.

MOUSE:

'Day-O! da,da,da,da,day...'

GIL:

We can always smash the juke box,

or break in and steal the record.

(CONTINUED)

98.

104 CONTINUED:
104

TILLEY:

(lining up a shot)

He's getting on my nerves. The

guy eats like an animal, and

sings like an a**hole.

GIL:

Maybe it's me, but I'm beginning

to like it.

Tilley hits the ball and sinks the shot.

TILLEY:

(happily)

Yes, sir... yes, sir!

ANGLE ON SAM:

He comes out of the back room into the pool hall, and

walks over to the table where Tilley and Gil are playing

pool. He drops an open envelope onto the pool table.

SAM:

(to Tilley)

Take a look at this crap.

TILLEY:

IRS? They're not gonna leave me

alone!

SAM:

Home Improvement Commission.

With those words there's a genuine moment of concern from

all of the tin men -- even Mouse stops singing. Tilley

picks up the envelope and pulls out the letter.

TILLEY:

We've got to appear?

SAM:

I think that's the gist of what

they're saying.

Gil looks over Tilley's shoulder at the letter. Mouse

comes over.

MOUSE:

Holy Christ!

TILLEY:

Can't we just ignore it? How do

they know we got the letter.

(CONTINUED)

99.

104 CONTINUED:
(2) 104

SAM:

It's certified.

TILLEY:

What do you think, Sam?

SAM:

I dunno... I don't know what

they've got.

TILLEY:

Why is this happening? Am I

paranoid or something? I mean,

why is this happening? The

government is after me... the

state is after me... Mr. Marengay

... somebody is always after me.

What the hell's going on here?

I'm just this guy. What's the

big deal? They can't get along

without me? The government can't

operate unless they've got Tilley's

money... the Commission's after

my job! This sh*t's driving me

insane! All the lying, thieving,

stealing corporations in this

world, and the IRS takes the

time to come for me? There's

billions of dollars out there

but they've got to come and get

Tilley's four thousand dollars!

(turning to Mouse)

Turn off the f***ing Belafonte

song now, or I'm gonna break the

goddamn machine!!

CUT TO:

105 INT. CORRAL CLUB - NIGHT 105

BB is sitting at the bar, getting drunk. Stanley sits

next to him. A girl approaches (RUTHIE).

RUTHIE:

Come on, Beeb, let's dance.

BB:

Not tonight, Ruthie, my dancing

shoes are on holiday.

RUTHIE:

You sure?

(CONTINUED)

100.

105 CONTINUED:
105

BB:

I'm more than sure.

Ruthie moves off. BB takes a shot of whiskey and downs

it, and then drinks some beer.

STANLEY:

Who was the best you ever saw?

BB:

Best I ever saw? Best tin man

I ever saw?

He holds up his shot glass towards the bartender, and

the bartender fills it up.

BB:

Harry Apel... Dandy Flynn... those

guys had good lines, but they

burned themselves out too fast.

Best? Moe's the best... the best

there ever was. If he's in the

door, he's got a sale. The best

closer ever.

STANLEY:

What's some of the hustles he

used to pull?

Rate this script:4.0 / 1 vote

Barry Levinson

Barry Levinson (born April 6, 1942) is an American filmmaker, screenwriter, and actor. Levinson's best-known works are comedy-drama and drama films such as Diner (1982); The Natural (1984); Good Morning, Vietnam (1987); Bugsy (1991); and Wag the Dog (1997). He won the Academy Award for Best Director for Rain Man (1988) which also won the Academy Award for Best Picture. more…

All Barry Levinson scripts | Barry Levinson Scripts

1 fan

Submitted by aviv on November 02, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Tin Men" Scripts.com. STANDS4 LLC, 2025. Web. 23 Jan. 2025. <https://www.scripts.com/script/tin_men_438>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Tin Men

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film production company made the film Shrek?
    A DreamWorks Animation
    B Walt Disney Animation Studios
    C Blue Sky Studios
    D Pixar Animation Studios