Tin Men Page #23
- R
- Year:
- 1987
- 112 min
- 739 Views
144.
137 CONTINUED:
(4) 137CHEESE BB puts the summons into
What does this have to do his breast pocket and
with the couple who broke exits the office.
up?
CARLY:
We'll get to that once we've
discussed Wilma... they'll
still be broken up... we'll
get to that in a minute.
LOONEY:
How do you know Wilma?
CUT TO:
138 EXT. PIMLICO BAR/RESTAURANT - NIGHT 138
Tilley drives into the parking lot of the Pimlico -- he
heads for a dark corner of the lot where about eight cars
are parked. As he's about to park his car, he sees Wing
talking to Masters in the car next to his. Tilley's a
bit confused, stays in his car watching them. After a
couple of beats, Wing gets out of the car and heads for
the Pimlico. Masters drives off. Tilley gets out of
his car and catches up to Wing.
TILLEY:
Hey, Wing, isn't that the putz
from the Commission?
Points to car driving out of parking lot.
WING:
Masters? Yeah.
TILLEY:
What the hell's he doing hanging
around here?
WING:
He wants information.
TILLEY:
I nailed his ass the other day,
Wing. Can't lay a finger on me.
I was amazing, you should have
been there. I was amazing... I
was respectful, courteous, but I
was slipping and sliding... they
couldn't touch me.
(CONTINUED)
145.
138 CONTINUED:
138WING:
I got a real problem, Tilley.
Come inside, I'll buy you a drink.
CUT TO:
139 INT. PIMLICO BAR - NIGHT 139
Tilley and Wing are sitting at a table. The pianist is
playing, and people are sitting around the piano joining
in with the song.
TILLEY:
You're gonna sell me out to the
Commission? Wing, am I hearing
this right?
WING:
I'm up front with you about this...
I'm up front with ya, Tilley.
I've got my balls in a vice...
what am I gonna do?
TILLEY:
Is this about the money I owe
you? Are you just pissed? You
want to get even because of the
horse race? I told ya it was an
accident.
WING:
Tilley, it's got nothing to do
with the money.
TILLEY:
You're selling me out? You're
gonna let them bury me? Jesus
Christ, Wing... Jesus Christ!
I'm not gonna be able to work in
this business? Wing, this was
my chosen field!
WING:
Masters was gonna take this
company apart. You're the low man
on the totem pole, Tilley. There's
a lot of guys earning a good
living... no sense for it all to
go up in smoke. You understand,
don't you, Tilley? It's just
business.
(CONTINUED)
146.
139 CONTINUED:
139TILLEY:
Jesus Christ!
WING:
Listen, Tilley, you owe me sixteen
plus from the race, and you're in
for over two grand on the books,
so I tell you what... I'll wipe
the slate clean.
He takes out his wallet from his pocket, and peels off
a few notes.
WING:
Here's a thou until you get
yourself set up. I can do no
better than that.
TILLEY:
(looking at the
money)
You'd sell me out for a lousy
three thousand dollars? Three
thousand dollars and I got to go
down the toilet? Jesus Christ,
Wing, how long the two of us
been busting our asses together
... Jesus Christ! We got some
history to this relationship for
Christ sake. Masters puts a
little squeeze on you, you just
sell out. Three thousand
dollars?!
WING:
The bottom line is, I'm running
a business, Tilley.
(he peels off another
couple of hundred
dollars from his
wallet)
Here's another deuce. I carried
you a long time, Tilley. I've
done a damn sight more than a
lot of other guys would have
done for you... and I don't
see no gratitude from you.
He gets up to leave.
(CONTINUED)
147.
139 CONTINUED:
(2) 139WING:
You can finish up whenever you
like.
(throws a few
dollars on
the table)
I'm sorry, Tilley. That's the
way of the world.
He pats Tilley on the back and walks away.
CUT TO:
140 EXT. VACANT PARKING LOT - NIGHT 140
Tilley's Cadillac drives into the lot which overlooks
the harbor. We see the harbor city lights surrounding
the lot.
CUT TO:
141 INT. TILLEY'S CADILLAC - NIGHT 141
The RADIO is playing. Tilley stops the car, turns off
the lights, but leaves the radio playing. He leans into
the back of the car and takes a pillow off the back
seat. He props the cushion up against the passenger
side, and lies down, looking up to the roof of the car.
CUT TO:
142 EXT. CADILLAC IN PARKING LOT - LONG SHOT - NIGHT 142
of the car sitting in the deserted lot.
FADE TO BLACK.
FADE UP ON:
143 INT. BB'S APARTMENT - KITCHEN - EGGS - DAY 143
being fried in a frying pan on a stove.
NORA (O.S.)
(yelling)
Bill! Better hurry up,
everything's ready.
(CONTINUED)
148.
143 CONTINUED:
143ANOTHER ANGLE:
Eggs being slipped onto a plate with some bacon and
hash browns.
ANOTHER ANGLE:
BB comes into the kitchen of his apartment. He is
tying his tie. WIDEN SHOT to include Nora.
NORA:
I can't believe that you're up
so early. This is a rare occasion.
BB:
Yeah. I just got some business
downtown I gotta take care of.
He stands there watching Nora as she prepares the plates
of food.
NORA:
Toast will be ready in a second.
Coffee's on the table.
He continues to stand watching her -- she's not aware
that he's watching her. She waits for the toast to pop
up out of the toaster.
BB:
Listen, Nora. I... um... I... er
... lied to you the other day.
Nora is still waiting for the toast, looking inside the
toaster to see if it's getting brown.
NORA:
How so?
BB:
I went to see Tilley about the
divorce.
She turns to look at him.
BB:
He was not too agreeable, and
one thing led to another, and we
decided to shoot some pool to
settle the matter.
NORA:
What?!
(CONTINUED)
149.
143 CONTINUED:
(2) 143The toast pops up -- she ignores it.
BB:
We played pool. If I won he'd
give you up, if I lost I'd give
you up.
NORA:
You played pool for me?
BB:
Nora, I had no choice.
NORA:
It's the most despicable thing
I've ever heard in my life. I
mean, it's disgusting... guys
shooting pool to determine my
future.
BB:
Nora, I had no choice!
(beat)
Hand me the toast.
NORA:
Get the toast yourself.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Tin Men" Scripts.com. STANDS4 LLC, 2025. Web. 26 Jan. 2025. <https://www.scripts.com/script/tin_men_438>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In