Tintin et les oranges bleues

Synopsis: In this live-action adaptation of the comic, Professor Calculus has just written a book called "The Earth is Starving". He appears on television to appeal to the scientists of the world to work towards a solution to the hunger problem. Soon afterwards, he receives a package from a Spanish professor, Antenor Zalamea, which contains a blue orange that can be grown in desert soil. Calculus travels to Spain, but a criminal emir who wants the discovery for himself kidnaps both professors. Tintin and Captain Haddock come to the rescue with the help of some local children.

Genre: Adventure, Comedy, Crime

Director(s): Philippe Condroyer

Actors: Jean Bouise, Jean-Pierre Talbot, Félix Fernández, Jenny Orléans

Production: Procusa


IMDB:: 4.8

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Year:: 1964
: 105 min
: 222 Views

ANDRE BARRE and ROBERT LAFFONT present
an ALLIANCE DE PRODUCTION
an ALLIANCE DE PRODUCTION
CINEMATOGRAPHIQUE (PARIS)
CINEMATOGRAPHIQUE (PARIS)
and PROCUSA (MADRID) co-production
TINTIN AND THE BLUE ORANGES
TINTIN AND THE BLUE ORANGES
with the famous characters of Herg's
cartoons (Editions Casterman)
Story and dialogue by Andr Barret
Directed by Philippe Condroyer
Captain Haddock:
Jean Bouise
Tintin:
Jean-Pierre Talbot
Tintin:
Jean-Pierre Talbot
Professor Calculus: Flix Fernandez
Director of photography: Jean Badal
Director of photography: Jean Badal
Cameraman:
Jean Charvein
Adaptation:
Andr Barret, with the
collaboration of Philippe Condroyer,
Remo Forlani, Ren Goscinny and the
scientific advice of Jacques Bergier
Remo Forlani, Ren Goscinny and the
scientific advice of Jacques Bergier
Music by Antoine Duhamel
Castafiore:
Jenny Orlans
Professor Zalamea: Angel Alvarez
Nestor:
Max Elloy
Nestor:
Max Elloy
The Thom(p)son Twins:
Franky Francois, Andr Marie
Pablito:
Pedro-Maria Sanchez
Francesito:
Salvador Begueria
Special thanks to: Pierre Desgraupes
Special thanks to: Pierre Desgraupes
Director of production:
Rafael Carillo
Director of production:
Rafael Carillo
Sets:
Pierre-Louis Thvenet
Editing:
Madeleine Bibollet
First Assistant Director:
Enrico Isacco
Script Supervisor: Lucie Lichtig
General Assistant Director:
Jean-Pierre Spiri-Mercanton
Production Administrator:
Jacques Brua
Production Secretary:
Jacqueline Choquet
Head of Wardrobe: Tanine Autre
Location Manager: Louis Seuret
Head of Makeup:
Charly Koubesserian
Dog Handler:
Daniel Fernandez
Costumes by:
La Belle Jardinire
Shoes by:
Raoul
GTC Laboratory, Joinville
Paris-Studio Cinema, Billancourt
GTC Laboratory, Joinville
Paris-Studio Cinema, Billancourt
Eastmancolor Film
certification no. 2901 1
There are four books
in today's overview:
by Nicolas Chaumartin -
'A Life of Saint Apostrophe';
Sybille de Bois-Vouvray will present
her latest novel, 'Domestic Loves';
Sybille de Bois-Vouvray will present
her latest novel, 'Domestic Loves';
Jean-Luc Tapon will talk to you about
'The Underwater Trumpet',
and finally we will begin with a book
by Professor Cuthbert Calculus,
by Professor Cuthbert Calculus,
'The Hungry World'.
We should say straight away
that this is no ordinary book.
Firstly because of the well-known
nature of Professor Calculus. . .
Firstly because of the well-known
nature of Professor Calculus. . .
Has it started?
Yes, Professor, it's started. . .
er. . .on the other hand, because of the
very problem addressed by the book,
and which concerns all of us -
the problem of hunger.
Professor Calculus' book is, on
the contrary, a passionate book,
Professor Calculus' book is, on
the contrary, a passionate book,
a sort of generous appeal
to the world's conscience,
so that it helps to find a solution
to this dramatic situation
where every day in the world
thousands of men and women
are dying of hunger.
That's right, isn't it, Professor?
Not at all!
Not at all!
Absolutely not, young man!
It's not a novel.
The book is an appeal.
The development of the deserts
and the cultivation of arid soils
is the only solution.
The future of humanity
will be guaranteed the day we are
able to grow oranges in the Sahara
will be guaranteed the day we are
able to grow oranges in the Sahara
and potatoes at the North Pole.
I am launching an appeal
to scientists the world over
I am launching an appeal
to scientists the world over
to unite and focus - as a matter
of priority, don't you think? -
on this problem on which the future
of humanity depends. . .
on this problem on which the future
of humanity depends. . .
I hope that Professor Calculus's
noble appeal will be heard.
Nestor!
Nestor! My whisky!
Nestor! My whisky!
. . .and the result
of their experiments. . .
. . .and the result
of their experiments. . .
But it's the Professor!
. . .and the solidarity
of all men of science. . .
A few days later at Marlinspike. . .
Tintin, file this one as well under
''of some interest''. There we are. . .
Tintin, file this one as well under
''of some interest''. There we are. . .
Captain?
Professor, your appeal has roused
all of the world's madmen -
look!
What, Snowy? This parcel?
What do we have here?
''Professor Za-la-me-a. . .''
What? What?
''. . . Hacienda. . .''
''. . . Hacienda. . .''
Give it to me, give it to me!
''Professor Zalamea, Hacienda
Bello Horizonte, Valencia. . .''.
Professor Zalamea, one of the
greatest names in modern science!
Zalamea, rival of the great
Vladimir Rataputchin,
who for many years
who for many years
has been working on the selection
of new plant species. . .
Come on. . . Come on. . .
Really, my dear Cuthbert!
Come on. . . Come on. . .
Really, my dear Cuthbert!
You know very well
how clumsy you are!
Cursed string!
A blue ball. . . Look, they're sending
toys now. Madmen, I tell you!
It looks like an orange!
A blue orange!
It looks like an orange!
A blue orange!
No, no!
It's an orange, a blue orange!
No, no!
It's an orange, a blue orange!
It's no doubt the outcome
It's no doubt the outcome
of Zalamea's work on the adaptation
of citrus plants to desert soils.
Oh, a blue orange!
Oh, a blue orange!
Very curious, certainly,
but scientifically speaking,
not incredible.
but scientifically speaking,
not incredible.
No doubt the adaptation to desert
soil produces a mutation in colour.
What I find surprising though,
Captain,
is that there wasn't any letter
with the parcel. . .
The blue orange. . .
We're going to eat this blue orange.
It will be a change
from Nestor's eternal stewed pears.
The blue orange!
The blue orange!
You want to eat the blue orange,
Captain?
No, I'm joking, Tintin. . . I don't want
to eat that orange, bleugh!
It's just to tease our dear Cuthbert
a little bit. . .
Ah!
Nestor, bring us the blue orange!
Nestor, bring us the blue orange!
But Captain, the Professor himself
placed the orange
in the refrigerator.
And he forbade me from touching it.
NESTOR! THE ORANGE!
Sir! Sir!
Sir! The orange!
Bah, what's the matter?!
Put it down there.
Bah, what's the matter?!
Put it down there.
But sir, the orange lights up!
Really my old friend,
you must be mad.
Really my old friend,
you must be mad.
But in the corridor -
sir knows how dark it is -
the orange lit up.
Maybe it's phosphorescent?
Maybe it's phosphorescent?
What!? My orange?!
I forbade you from touching
my orange! I forbade you!
Quick Nestor, turn out the light!
Quick Nestor, turn out the light!
Really, Captain. . .
A thousand thundering typhoons!
As sir says.
As sir says.
A fluorescent orange!
It's disturbing, certainly,
but scientifically speaking,
not incredible.
It's no doubt the Cerenkov Effect.
It's no doubt the Cerenkov Effect.
Oh, oh, sir, sir, listen to this
noise. What's going on?
Oh, blistering barnacles,
I can't see a thing!

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Hergé

Georges Prosper Remi (French: [ʁəmi]; 22 May 1907 – 3 March 1983), known by the pen name Hergé ([ɛʁʒe]), was a Belgian cartoonist. He is best known for creating The Adventures of Tintin, the series of comic albums which are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, Quick & Flupke (1930–40) and The Adventures of Jo, Zette and Jocko (1936–57). His works were executed in his distinct ligne claire drawing style. Born to a lower middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929 on the advice of its editor Norbert Wallez. Revolving around the actions of boy reporter Tintin and his dog Snowy, the series' early installments – Tintin in the Land of the Soviets, Tintin in the Congo, and Tintin in America – were designed as conservative propaganda for children. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Influenced by his friend Zhang Chongren, from 1934 Hergé placed far greater emphasis on conducting background research for his stories, resulting in increased realism from The Blue Lotus onward. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration. After the Allied liberation of Belgium in 1944, Le Soir was shut down and its staff – including Hergé – accused of having been collaborators. An official investigation was launched, and while no charges were brought against Hergé, in subsequent years he repeatedly faced accusations of having been a traitor and collaborator. With Raymond Leblanc he established Tintin magazine in 1946, through which he serialised new Adventures of Tintin stories. As the magazine's artistic director, he also oversaw the publication of other successful comics series, such as Edgar P. Jacobs' Blake and Mortimer. In 1950 he established Studios Hergé as a team to aid him in his ongoing projects; prominent staff members Jacques Martin and Bob de Moor greatly contributed to subsequent volumes of The Adventures of Tintin. Amid personal turmoil following the collapse of his first marriage, he produced Tintin in Tibet, his personal favourite of his works. In later years he became less prolific, and unsuccessfully attempted to establish himself as an abstract artist. Hergé's works have been widely acclaimed for their clarity of draughtsmanship and meticulous, well-researched plots. They have been the source of a wide range of adaptations, in theatre, radio, television, cinema, and computer gaming. He remains a strong influence on the comic book medium, particularly in Europe. Widely celebrated in Belgium, a Hergé Museum was established in Louvain-la-Neuve in 2009. more…

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