Toby Tyler, or Ten Weeks with a Circus Page #2

Synopsis: Taken in by distant members of his family after being orphaned, Toby Tyler runs away to join the circus.
Genre: Drama, Family
Director(s): Charles Barton
Production: Walt Disney Productions
 
IMDB:
7.1
G
Year:
1960
96 min
160 Views


And watch for yourself, sonny.

Bass, Will, go!

Come on, Gidap.

I want to say directly.

I do not like children.

Especially those who have escaped from the house.

They are weaklings.

The child has a good family.

Suddenly, what had happened - and he ran away.

Then he learns that he is

does not fit.

And wants to go back home.

Go ahead, jump.

Nobody miss you will not.

I bet you was worth getting lost.

Jump. Do not be afraid.

I'm not afraid.

And you too, I am not afraid.

Well, well, sun.

My name is not the sun.

My name is Toby Tyler.

Well, the sun.

We'll call you Toby.

And now, even though it was not my thing

Toby

but I think you better

get some sleep.

Here the morning comes early.

- I do not want to sleep.

- As you wish.

# And why am I going, where,

# I do not understand, either now than ever.

# And it's better not to know

I do not care

# And why am I going, where ...

Hey.

Get up, get up.

# I am not sad

# And reason, as I want

# I do not understand, either now than ever.

# And it's better not to know

I do not care ...

You better get up and get down to business,

until Gary Tupper.

Thank you for having taken care of yesterday

about me, Ben.

- I think I fell asleep

- What is the difference.

I do not like you fell off the wagon

and accused me.

Anyway, thank you.

I will not you dopekat.

Glad to hear it.

Call Mrs. Connor and tell girls

To keep track of this sheet.

For such a big guy weird

tow a small shadow, eh?

- Yes.

- I suppose I should tell him

that ties him trudge from the apron?

I'm not saying anything.

Hey, DOTS

did you see our car?

- Can I wash up there?

- It's the same water, no?

- Yes, sir.

- Well, well.

And now, please be so kind

get out of my eyes.

- Well, what is it?

- Do you have a bad mood, sir.

Suppose you do not care.

You work for Harry Tapper.

- A real nice guy.

- At least he is friendly.

Yeah, exactly.

And by chance

Here Comes Mr Friend,

looking for you.

Why should I run for you?

Good morning, Mr. Tupper.

I just washed.

Somehow, just when I came.

Come on.

Come on.

Move, move.

Come on. Come on.

Listen. We do not want to stagger

throughout the camp,

when there is full of work, right?

Now go, boy.

Id ...

- Put me!

- No, Ben, it's my fault.

Do not go, boy.

You have nothing to do with it.

Take away from me, your dirty

hands.

And now, Mr. Tupper.

Now.

So, I do not believe in cheating,

Mr. Tapper,

but I think you're mistreating

with his assistants.

I do not like it.

This boy works for me

and I do with it what I want.

Of course, Mr. Tupper.

Just tell him that you need from him.

And if he does not, you fire him.

And if I look again,

How did you happen to be managed,

I have to do this.

No, Ben, do not!

And you better listen Mr. Tapper.

Work honestly and do it in time.

He's your boss. Respect it.

Yes, sir.

Can start work immediately after

breakfast. The kitchen is over there.

Well?

Oh, Mr Tapper

you are all wet.

There.

# And why I'm going where ... #

- This is for you.

- Thank you.

Why do not you sit here?

Oh, thank you.

You're new here, huh?

- Yes, ma'am.

- Who is it?

- I wanted to find out.

You can not sit here.

This table is for artists.

Come on, Ajax.

I called him here.

You heard what I said?

And look at me when I'm talking to you!

- Oh, Ajax, leave me alone on it.

- He should not sit at our table.

Come on. Get out.

Well, well, there you are, my boy.

Col. Castle specifically asked me to

find you.

Me?

This season, you take

alias

or will you speak

under his own name?

- I think, under his own.

- Under what?

- Toby Tyler.

- Well, of course. Beautiful name.

I always liked it.

Can I submit to you Mademoiselle

Janet and Monsieur Ajax?

I hope you've heard

of Toby Tyler.

My God, I did not know it was him.

Well, too late to apologize.

You have breakfast with me

and my family?

- Yes, sir.

- Fine. Come here.

Let me introduce myself.

My name is Sam Treat, I'm a circus clown.

- Clown!

- At your service.

O.

What are you doing here with the circus,

Mr. Tyler?

I, I ... bu ...

Boo-fet-chik.

Boo-fet-chik?

In the words of Papa Schultz

"How can there be a circus without a butler?"

Come on. Kids will be happy

to meet you.

- You have a big family?

- In different ways.

In most cases, I would say,

about four or five people.

- Sit down.

- Thank you.

So, kiddies.

Breakfast.

God, when you said that you have a family,

I thought that you ...

Correctly.

They are like family to me.

I think, not what

what you're used to.

In truth, I also have no

permanent family.

So I went to the circus.

- Oh!

- You know, I fled.

- I would never have guessed.

- Not because they did not want me to live with them,

but because they are terribly poor,

and I for them was a stone around his neck.

Stone, eh?

That's bad.

Of course, bad.

Have you thought about

to go back?

I think not.

Until such time as I did not earn

enough money to help them

and prove that I'm not the same

as they thought.

You know, Papa Schultz

always said:

"All that thou hast,

revert back to you.

You should invest

into something. "

- And who is the father Schultz?

- Old Clown, with whom I was close.

I have always tried to make people

happy as he is.

- So I ran away and the circus.

- Have you run away?

Dad gave me this purse,

so I saved money.

He said:
"The Circus - for elephants

and Papa Schultz.

And the rest must accumulate

money and go home. "

But you have not returned.

Listen, Toby.

Kopi money.

Do not wait until it's too late.

Thank you, Mr. Treat.

I'll collect the money

and a lot of work,

and do all that I shall command

Mr. Tupper, and ...

- Oh!

- What is it?

I forgot.

I was waiting for Mr. Tapper.

Goodbye.

Goodbye. Come on.

Nuts, popcorn,

apples in sugar.

Nuts!

Nuts, popcorn, apples in sugar.

Nuts, popcorn, apples in sugar.

So, guys. Right here -

lemonade with ice. Exhilarating.

Nuts, popcorn,

apples in sugar.

Nuts, popcorn,

apples in sugar.

And now, ladies and gentlemen,

you see

two extraordinary young

Riders

with its famous trained

stallions.

Mademoiselle Jeanette

and Monsieur Ajax.

Nuts, popcorn,

apples in sugar.

Nuts ...

Hey boy, can not you sit down?

Thank you, sir.

Lemonade with ice.

Pink, cool and refreshing.

- Great idea, right?

- Yes, sir.

Nuts, popcorn,

apples in sugar.

Lemonade with ice.

Pink, cool and refreshing.

Dollar, thirty,

thirty-five, forty,

sixty, sixty-five ...

And what's this?

You're just a bad beginner.

What, can not distinguish between money

from a piece of metal?

Sorry, Mr. Tupper.

I do not know much about the money.

Do not know?

Okay, I'll teach you.

Lesson number one.

I'm going to replace your

earned five pence a piece of it.

Yes, sir.

And what do I do with these?

- Where did you get them?

- They are superfluous.

When I wanted to give them back

They said:
"Let the change itself."

This is a guy, what a circus is called

"Tip."

- Understand?

Rate this script:0.0 / 0 votes

Lillie Hayward

Lillie Hayward (September 12, 1891 – June 29, 1977) was an American screenwriter whose Hollywood career began during the silent era and continued well into the age of television. She wrote for more than 70 films and TV shows including the Disney film The Shaggy Dog and television series The Mickey Mouse Club and Walt Disney's Wonderful World of Color. She was also remembered for the films Her Husband's Secretary and Aloma of the South Seas, the latter written in part with the help of her sister, actress and screenwriter Seena OwenLillie Hayward died in 1977 and was interred at Hollywood Forever Cemetery in Los Angeles. Her husband of seventeen years, Jerry Sackheim, was also a Hollywood writer with whom she had worked on The Boy and the Pirates (1960). more…

All Lillie Hayward scripts | Lillie Hayward Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Toby Tyler, or Ten Weeks with a Circus" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/toby_tyler,_or_ten_weeks_with_a_circus_22001>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Toby Tyler, or Ten Weeks with a Circus

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "The Social Network"?
    A Christopher Nolan
    B Aaron Sorkin
    C Quentin Tarantino
    D David Fincher