Tom Jones Page #9

Synopsis: In eighteenth-century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the bastard son of one of Squire Allworthy's servants Jenny Jones and the local barber Partridge, was raised by virtuous Allworthy as his own after he sent Jenny away. Tom is randy, chasing anything in a skirt, he's having a sexual relationship on the sly with Molly Seagrim, the peasant daughter of Allworthy's gamekeeper. Tom is nonetheless kind-hearted and good-natured, he who is willing to defend that and those in which he believes. Blifil, on the other hand, is dour, and although outwardly pious, is cold-hearted and vengeful. Despite his randiness, Tom eventually falls in love with Sophie Western, who has just returned to the area after a few years abroad. Despite Sophie's love for Tom, Squire Western and his spinster sister would rather see Sophie marry Blifil rather than a bastard, who Western nonethele
Director(s): Tony Richardson
Production: Woodfall Film Productions
  Won 4 Oscars. Another 16 wins & 20 nominations.
 
IMDB:
6.7
Rotten Tomatoes:
84%
NOT RATED
Year:
1963
128 min
712 Views


- I have procured this pardon for him!

- They can't hang an innocent man!

- They have done often enough before.

They won't have reached Tyburn yet.

We must stop them. Come.

If he swing by the string

He will hear the bell ring

And then there's an end to poor Tommy

Faster, faster, Goody!

Better luck in the next world, Mr Jones.

To die for a cause is a common evil.

To die for nonsense is the devil.

And 'twould be the devil's own nonsense

to leave Tom Jones without a rescuer.

Aargh!

Oh, my dear boy! Forgive me!

Forgive you?

How can I ever make amends for those

unjust suspicions I've held of you?

- You have always used me kindly.

- No, Nephew. I have used you cruelly.

- Nephew?

- Yes.

You are indeed illegitimate,

but your mother was not this lady here,

but my sister Bridget.

- Uncle!

- It is true, Tom.

Ah, this is no time for explanations!

Tom, thou art as hearty a cock

as any in the kingdom.

Go on, after your mistress.

Alas, I fear I've sinned against her

for all time. I doubt if she'll speak to me.

No, Tom, don't say you've lost her yet.

Go to her now.

- Go on, Tom,

- Go to her.

Go on, lad.

I will!

Ah, go to her, lad! To her!

Hark ye, Allworthy, I'll bet thee

a thousand pounds to a crown

we'll have a boy tomorrow nine months.

Happy the man and happy he alone,

he who can call today his own,

he who, secure within,

can say "Tomorrow, do thy worst,

for I have lived today. "

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John Osborne

John James Osborne (Fulham, London, 12 December 1929 – 24 December 1994) was an English playwright, screenwriter and actor, known for his excoriating prose and intense critical stance towards established social and political norms. The success of his 1956 play Look Back in Anger transformed English theatre. In a productive life of more than 40 years, Osborne explored many themes and genres, writing for stage, film and TV. His personal life was extravagant and iconoclastic. He was notorious for the ornate violence of his language, not only on behalf of the political causes he supported but also against his own family, including his wives and children. Osborne was one of the first writers to address Britain's purpose in the post-imperial age. He was the first to question the point of the monarchy on a prominent public stage. During his peak (1956–1966), he helped make contempt an acceptable and now even cliched onstage emotion, argued for the cleansing wisdom of bad behaviour and bad taste, and combined unsparing truthfulness with devastating wit. more…

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Submitted on August 05, 2018

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