Tomb Raider Page #4

Synopsis: Lara Croft is the fiercely independent daughter of an eccentric adventurer who vanished when she was scarcely a teen. Now a young woman of 21 without any real focus or purpose, Lara navigates the chaotic streets of trendy East London as a bike courier, barely making the rent, and takes college courses, rarely making it to class. Determined to forge her own path, she refuses to take the reins of her father's global empire just as staunchly as she rejects the idea that he's truly gone. Advised to face the facts and move forward after seven years without him, even Lara can't understand what drives her to finally solve the puzzle of his mysterious death. Going explicitly against his final wishes, she leaves everything she knows behind in search of her dad's last-known destination: a fabled tomb on a mythical island that might be somewhere off the coast of Japan. But her mission will not be an easy one; just reaching the island will be extremely treacherous. Suddenly, the stakes couldn't be
Director(s): Roar Uthaug
Production: Warner Bros. Pictures
 
IMDB:
6.4
Metacritic:
48
Rotten Tomatoes:
49%
PG-13
Year:
2018
118 min
Website
2,820 Views


Keep walking.

Should have seen that look on your...

That wasn't designed

to keep people out.

That was put there

to keep people in.

Dad?

Chasm of Souls.

You're going next.

Pray to survive the

faces of Himiko.

We're getting closer.

The death queen turns day to night.

She must die to bring back life.

Oh, sh*t!

- The floor!

- Lara!

There's gotta be a way to stop this.

Look around!

Come on!

Come on!

Vogel, what's going on?

Pray to survive!

It's a keyhole.

We need a key!

The prayer wheels!

Lara!

- It's not working.

- Check the other prayer wheels!

Try this!

No.

Wait.

It's a color puzzle.

The death queen turns the day to night.

- Black!

- Black! Here!

Sh*t!

Blue!

- No!

- Here!

It doesn't work!

Lara!

Last one!

Yellow!

It's not working.

Just try them all, dammit!

The death queen turns day to night.

- She must die, to bring back life.

- Life.

Come on!

The color of life.

We're running out of floor!

Green!

You always were the brains

of the family sprout.

Let's get going, sprout.

Where's the floor?

Gone.

Flare.

Come on, Lara.

I'm going to look for her.

I'm going with you.

Your father gave life to us.

Himiko's army...

of a thousand hand maidens.

They sacrificed themselves

in ritual suicide...

to serve their Queen,

in the afterlife.

Exactly as your notes.

I found her.

Alright this is it, we're finishing this.

It's not too late to change your mind.

There's a very big difference between

myth and reality, Richard.

Something that you could

never understand.

Gentlemen.

Open it.

You see I told you there was

nothing to be afraid of.

It's just...

an old lady.

Prepare her for transport.

Something doesn't add up.

She's not a monster

in any of these paintings.

It looks like she was taken herself here.

Without being forced.

The death queen turns day to night.

- She must die to bring back life.

- Bring back life.

Spreading death and destruction

with just the touch of her hand.

Come on.

All myths have foundation in reality.

Sacrificing one life is worth

saving millions.

Wait!

She was sacrificing herself.

She was protecting the world.

See?

Smoke and mirrors.

Alright let's pack her up.

They thought it was magic.

She was the carrier.

And she was immune...

It's a disease.

This is what the Trinity

wants, this gets me out.

If you take this out into the world,

it's genocide.

I just need to take a

very small piece of you.

Go! Ger her!

Get her.

This is it, Richard.

All we have to do

is walk out of here.

You're not going anywhere!

Come on, Richard.

Think of your daughter.

Come on!

- Dad?

- Lara.

Vogel's gone.

- You need to go after him.

- Come on, let's go!

No. Stay back!

- What are you talking?

- Stay back!

I'm done for.

I'm infected.

No.

Don't touch me! Don't touch.

You must stop Vogel

and get the hell out of here!

And I'll bury Himiko once and for all.

- I've only just found you.

- Promise me you'll stop him! Promise me!

There must be another way!

Lara,

you're a very very bright young woman.

There's no other way.

I need you.

No, you don't.

You are worth ten of me.

You said you don't believe in magic.

What's this, my darling?

All this time here...

I wish I could see you grow up.

No.

- Now I have.

- No.

It's a miracle.

Chin up, sprout.

There's jobs to do.

Go on, go!

There's no time, Lara!

Go on, go!

Dad loves you.

Do you really want to do this, little girl?

Let's just go home.

You're not saving anyone.

Trinity is everywhere.

Yeah?

I made a promise.

No, no, no!

You're not getting out of here!

No, no!

When you see Richard,

send him my regards.

Send them yourself.

You messed with

the wrong family!

Lara!

Lara!

Lara?

Well.

We're not dead yet.

No sh*t.

Vogel, Vogel, this is Patna transport

Bravo 5, over.

Vogel, Vogel, are you reading me? Over.

Boss.

You're taking us home, yeah?

LONDON.

MISS LARA CROFT.

Officially gone, like magic.

I don't think he has gone.

- I see so much of him in you.

- Thanks, Ana.

Really.

You're in charge now, Lara.

This is a list of all our assets.

Thank you.

Now I think you better stay on top

of the day to day things, Ana.

Well, as you wish...

Board rooms and business deals.

I'm just not that kind of Croft.

Neither was dad, as it turns out.

Are all these companies

owned by us?

Yes.

I know them by name now.

The Order of Trinity.

An ancient militant

organization that...

seeks control of the

supernatural...

in order to rule the fate of mankind.

PATNA:

CONFIDENTIAL.

What kind of work do you do?

Oh a mix of things,

at the mercy of my employer.

Are all these companies

owned by us?

PATNA LTD.

You're not saving anyone.

Trinity is everywhere.

I know it's difficult to accept,

but you really must come in

and sign these papers now.

I think you better stay on top

of the day to day things, Ana.

As you wish...

The only person that I get to talk to...

is on the other end of this phone.

You must understand,

We Crofts, we have

responsibilities...

jobs to do.

TOMB RAIDER:

THE ADVENTURES OF LARA CROF Oh, you again.

I came back for the amulet.

Shame, I was hoping you'd forgotten.

It's got a bloody fortune.

- I did tell you it was your lucky day.

- Yes you did.

At it again, are we Alan?

You have no idea.

I don't know if you've noticed or not, but

You can't be too careful these days,

because the world

has gone bloody mad.

Yes, thank you, Alan.

What you got there is a HK USP,

9 mil, extended mag.

It's my personal favorite.

You like that?

I do.

I'll take two.

Rate this script:3.0 / 1 vote

Geneva Robertson-Dworet

Geneva Robertson-Dworet is an American film screenwriter. She was enlisted by Paramount Pictures as part of Akiva Goldsman's writer's room during preparation for Transformers: The Last Knight. She is also known for having co-written the 2012 Blacklist script Hibernation, has a number of other film scripts in preparation, and in talks to write the upcoming Tomb Raider reboot. more…

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Submitted on August 05, 2018

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