Tonight and Every Night Page #7

Synopsis: A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love affair between star Rosalind Bruce and a British flyer.
Genre: Drama, Musical
Director(s): Victor Saville
Production: Columbia Pictures
 
IMDB:
6.4
APPROVED
Year:
1945
92 min
42 Views


Yes, here I am with

something I never counted on.

A real honeymoon.

A long one in Canada.

I'm being sent there.

And she tells me she's going

to stay here in the theater.

But Paul, don't you...

Oh, no, she's not.

She's going to Canada.

There you are. Tommy knows

what he's talking about.

Not always, but I do now.

Good luck, Roz,

and lots of happiness.

Everybody on stage

for the finale.

Places quickly.

And if you're still in town when that

ship sails for Canada, I'll fire you.

Good luck, Roz.

Good luck.

Have you seen Tommy, Fred?

Tommy?

Well, now, come to

think of it, yes. Where?

Heading across the street

to the pub, Judy.

Thanks.

Hello, Judy.

Hello, Tommy.

Thought I'd have a little

celebration on my own. Join me?

Thanks. Sherry, please.

Have you got something

to celebrate, Tommy?

Certainly.

When an old pal gets married it calls for

a private toast from her two best friends.

To Roz.

To Roz.

It's going to be sort of empty

without her, isn't it, Tommy?

Oh, yes. Yes. Sure.

Especially to us.

We started something,

the three of us.

And now?

Well, take one away from three

and you've got two.

A nice comfortable

figure, two.

A very nice figure, two.

You were very sweet

to Roz, Tommy.

I could kiss you for it.

Well, who's stopping you?

That was a close one.

I hope everyone's all right.

What happened?

Any damage, Sam?

Pretty near.

Has anyone seen Tommy?

He should be on the roof

on fire watch. He's not there.

He must be

in his dressing room.

Roz!

Well, he must be someplace

in the theater.

If he is,

we can't find him.

The pub!

They got the pub!

Stand back there.

Keep under cover.

Tommy wasn't at the party.

No, he wasn't.

I didn't see him.

Judy!

Where's Judy?

Dear God, please!

Not Judy, not Tommy.

Oh, Paul, I can't stand

it. I've got to go.

Rosalind, you mustn't.

Judy?

And Tommy.

Overture and beginners.

Better call it off, Sam.

We can't go on.

We can't do that,

Mrs. Tolliver.

That's the way it is.

One falls out,

another steps in.

Soldier or civilian.

Very well, Sam.

We'll have to make some

changes in the running order.

Let me see.

Switch the gold number

next to the opening, and,

we'll have to cut

Tonight and Every Night.

Tolly.

Don't cut Judy's number.

I'll do it.

Okay, Roz.

We'll have it

next to the closing.

Children,

the curtain's going up.

Make it

a great performance.

Oh, Paul!

You don't have

to tell me. I know.

You're staying.

You...

You understand?

I understand.

And what we need

is a few more guys

from St. Louis.

Oh, darling.

If you've a faith like mine

The stars are about to shine

The skies will all be bright

Tonight and every night

Every night

So keep your spirits high

The clouds will all go by

We've got a goaI to sight

Tonight and every night

Every night

Say hi there, chum

why so glum?

Things could be much worse

Be worse

And how about you lad

Why so sad?

Tell me how could

we go forward

When you're in reverse?

If you agree with me

Let's have some harmony

Do-re-mi-fa-so-mi

So what if it's not right?

So, what?

Whatever song is played

Will help your worries fade

And make your cares

take flight

Tonight and every night

Every night

We're gonna win

Come on, win

Therein lies our might

Our might

We'll go on

and on and on

Tonight

And every night

Tonight, and every night

Tonight, and every night

Tonight

And every night

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Lesser Samuels

Lesser Samuels (26 July 1894 - 22 December 1980) enjoyed a 20-year career as a Hollywood screenwriter. He is best known for back-to-back Oscar nominations for the racial drama No Way Out in 1950 and Billy Wilder's lacerating critique of tabloid journalism Ace in the Hole the following year. Samuels also wrote and served as associate producer on the notorious Biblical flop The Silver Chalice - a film which its star Paul Newman deemed one of the low points of his career - in 1954. Samuels co-authored the book for the 1960 Frank Loesser musical Greenwillow. more…

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Submitted on August 05, 2018

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