Toxic Rage Page #7

Synopsis: In the shadow of a toxic disaster, one man's anger ignites a firestorm of defiance. In a small town tainted by a toxic train derailment, Big Joey Cassidy's life takes an ominous turn. Once a sergeant in the army and a pro wrestler, he now fights a different battle—one against apathy and corruption. When his family falls victim to the hazardous aftermath, Joey's rage becomes a force to be reckoned with. The toxic air and water have stolen their health, but they won't let it take their hope. As the town's cries for justice are silenced by bureaucracy, Big Joey steps into the spotlight, determined to make the culprits pay. From the sinister government agencies to the faceless corporate villains, he unleashes his fury, ready to tear down the walls of indifference. In this pulse-pounding political thriller, he fights for more than his family; he fights for the voiceless, the forgotten, and the betrayed. As the stakes escalate, Joey's journey becomes a battle of wills, a clash between an or
Genre: Thriller
Original Story by: Ted Lazaris
Year:
2023
249 Views


JOEY:

(angry, whispering)

This was no accidental drug overdose; Jason was murdered.

GREG:

(serious, nodding)

I know. But why? They got that damned document back, didn't they?

Suddenly, a NOISE. Footsteps. Both men tense up, ready to act.

INT. UNDERGROUND MEETING SPOT - CONTINUOUS

Joey reaches for a GUN tucked in his belt. Greg's hand moves towards a SWITCHBLADE in his pocket.

JOEY:

(angry)

What the hell is going on here?

SUDDENLY, a group of MASKED MEN burst into the room, guns drawn.

MASKED MAN #1:

Freeze!

JOEY and GREG exchange a glance, then act in unison. Joey FIRES his gun, hitting Masked Man #1. Greg throws his SWITCHBLADE, hitting another.

INT. UNDERGROUND MEETING SPOT - CONTINUOUS

GREG:

(urgent)

We've got to go, now!

JOEY grabs a BAG full of DOCUMENTS from a hidden compartment on the wall.

JOEY:

(grim)

Not without this. Mia's info is in here.

EXT. UNDERGROUND MEETING SPOT - DUSK

Joey and Greg burst out from the underground, breaking into a RUN.

GREG:

(focused)

Where do we go now?

JOEY:

(determined)

We find Mia. Whatever she knows, it's the key to all this.

A BLACK SUV starts following them. Joey and Greg pick up speed.

EXT. CITY ALLEY - DUSK

JOEY and GREG dart into an alley, barely missing the oncoming FIRE from the SUV.

GREG:

(out of breath)

What's the plan?

JOEY:

(intense)

We have to disappear, lay low until we decode Mia's information. And we have to protect our families.

INT. JOEY'S LIVING ROOM - NIGHT

JILL sits anxiously on the couch, with young BOBBY. JOEY bursts in, locks the door, and then fortifies it with a CHAIR.

JILL:

(worried)

What happened?

JOEY:

(determined)

It's time to go. Pack only what you need. I’ll explain on the way.

EXT. JOEY'S BACKYARD - NIGHT

JOEY, JILL, and BOBBY rush to their CAR, throwing bags in. JOEY takes one last look at his HOME.

JOEY:

(resolute)

They'll pay for this. Every last one of them.

The car speeds off into the night.

FADE OUT:

INT. SECRET MEETING ROOM - NIGHT

The room is dimly lit, the atmosphere heavy with tension and secrecy. A long table dominates the space, its surface covered with scattered documents and electronic devices. At one end sits SENATOR GRAYSON, a man in his late 50s, exuding an air of authority. Surrounding the table are the REGALCORP EXECUTIVES, their expressions a mix of seriousness and apprehension.

SENATOR GRAYSON:

(snarling)

We've got a goddamn mess on our hands. That son of a b*tch, Big Joey, is causing havoc we never anticipated.

EXECUTIVE #1

(nervously)

And Mia's flash drive? What if she's managed to get evidence against us?

SENATOR GRAYSON:

(leaning forward)

That's what's keeping me awake at night. We need to find her, and that flash drive, before she brings the whole operation crashing down.

The room vibrates with tension, the air crackling with a sense of impending doom.

EXECUTIVE #2

(raising his voice)

And what about Jason? He's dead, for f***'s sake!

SENATOR GRAYSON:

(banging his fist on the table)

Don't you think I know that? We can't afford loose ends like him. We need to control this situation, and fast.

The sound of his fist hitting the table reverberates like a gunshot, sending shivers down everyone's spines.

EXECUTIVE #3

(wiping sweat off his brow)

What's the plan, then? How do we neutralize them?

SENATOR GRAYSON:

(fixing his gaze on each of them)

We have connections in law enforcement, in the media. We're going to dig up dirt on each of them, tear down their credibility. Make them look like paranoid fools.

The scent of anxiety fills the room, mingling with the acrid undertones of tension.

EXECUTIVE #1

(bitterly)

And if that doesn't work? What if they manage to expose us?

SENATOR GRAYSON:

(gritting his teeth)

Then we play dirty. Threats, blackmail, whatever it takes to keep them in line. If they won't back down willingly, we'll make them wish they had.

The room is suffused with a chilling aura, the sense of danger palpable in the air.

EXECUTIVE #2

(swearing under his breath)

This is a goddamn nightmare. We never should've gotten involved in this mess.

SENATOR GRAYSON:

(turning his gaze on him)

We're past the point of no return. We either clean up this mess or risk losing everything we've worked for.

The taste of desperation hangs in the air, a bitter reminder of the stakes involved.

EXECUTIVE #3

(voice shaking)

What if they find out about this meeting? About us?

SENATOR GRAYSON:

(leaning back)

They won't. We've covered our tracks well. But we stay vigilant. No loose ends, remember?

The sound of their breathing is heavy, punctuated by the tension in the room.

EXECUTIVE #1

(clenching his fists)

And what if Mia's already given that damn flash drive to someone? What if it's already out there?

SENATOR GRAYSON:

(leaning forward, his eyes cold)

Then we find it. No matter what it takes. We track down that flash drive and destroy anyone who stands in our way.

The room seems to close in, the walls bearing witness to their ominous words.

EXECUTIVE #2

(voice trembling)

What about Big Joey? He's relentless. He won't stop until he brings us down.

SENATOR GRAYSON:

(snarling)

Then we give him a taste of his own medicine. Find his weaknesses, exploit them. Break him if we have to.

The room feels like a pressure cooker, the intensity almost suffocating.

EXECUTIVE #3

(whispering)

What if they come after us, Senator? What if they expose everything?

SENATOR GRAYSON:

(standing up, his voice a low growl)

They won't. And if they even try, we'll bury them so deep they'll wish they were never born.

The room feels electric, charged with an ominous energy that hangs in the air.

As they continue to strategize, their voices escalate, creating a crescendo of tension and fear. The room becomes a pressure cooker of emotions, a place where the balance between control and chaos hangs by a thread.

Dissolve to:

INT. ENVIRONMENTAL CONTROL AGENCY CONFERENCE ROOM - DAY

The room is electric with tension. SENATOR GRAYSON bursts through the door, slamming it behind him so hard it echoes like a gunshot.

SENATOR GRAYSON:

(shouting)

Listen up, you incompetent pricks!

NANCY:

(tightly gripping a dossier)

We've been following the guidelines, Senator. Our team went to East Palestine—

SENATOR GRAYSON:

(slams palms onto table, papers and coffee scatter)

Guidelines? Your damn guidelines have killed a man, Nancy! A government official!

Suddenly, Grayson kicks his chair back and paces around the room, seething.

SENATOR GRAYSON:

(still pacing, livid)

Not to mention the townspeople who are f***ing dropping like flies!

MARK:

(nervously looking at a buzzing smartphone)

We've managed to keep a lid on most of the media, but they're starting to catch a whiff.

Grayson picks up a glass paperweight off a shelf and hurls it across the room, narrowly missing a flatscreen TV showing news tickers about the environmental disaster.

Rate this script:0.0 / 0 votes

Ted Lazaris

Ted Lazaris is a celebrated Writer, Producer, and Director, currently managed by the Film Co-Operative. As the author of the highly successful DragonMan series, he has penned a total of 18 best-selling novels which led him to earn the title of a #1 Amazon Best-Selling American Author. Lazaris’ impressive repertoire in the film industry includes many writer, producer, and director credits, notably his work on the forthcoming “DragonMan: The Adventures Of Luke Starr,” which is presently in pre-production. Despite his lifelong struggle with dyslexia, Lazaris has proven that no obstacle is too great to overcome. The learning disability posed challenges in reading, writing, and spelling throughout his school years and persists to this day. However, instead of being deterred by this condition, Lazaris adopted a step-by-step approach to his goals, never losing sight of the smaller tasks at hand for the overwhelming enormity of the bigger picture. In his journey, Lazaris achieved the extraordinary feat of debuting his book, “DragonMan: Face Of The Unknown,” at NUMBER #1 on AMAZON KINDLE, triumphing over established authors like David Baldacci and James Patterson. This accomplishment highlights Lazaris’ tenacity and talent, displaying his knack for captivating storytelling. In addition to being an accomplished author, Lazaris is also a respected screenwriter, motion picture producer, songwriter, and director under his banner, DragonMan Productions. His exceptional contributions to literature and the film industry garnered a Letter of Commendation from former First Lady Laura Bush. His screenwriting credits encompass seven screenplays, all adapted from his published novels of the same names. The DragonMan series is based on these original characters and stories, bringing to life the immersive universe created by Lazaris. He is currently managed by Nuala Quinn Barton, the CEO of Mania Entertainment, and President of The Film Co-Operative, who has aided in the development and expansion of his illustrious career. Ted Lazaris’ inspiring story and immense success in the face of adversity demonstrate his enduring determination and creativity. His contributions to the literary and film industry continue to captivate and inspire audiences worldwide. more…

All Ted Lazaris scripts | Ted Lazaris Scripts

1 fan

Submitted by tedlazar on August 28, 2023

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Toxic Rage" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/toxic_rage_27258>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the role of a screenwriter during the film production process?
    A Directing the film
    B Writing and revising the script as needed
    C Editing the final cut of the film
    D Designing the film sets