Traffic Page #4
INT. OFFICE OF NATIONAL DRUG CONTROL POLICY - DAY
Robert and Sheridan enter the office of outgoing Drug Czar,
GENERAL RALPH LANDRY, 60's, buzz-cut, professional soldier
with a sense of humor.
Landry is putting some personal items in a box.
GENERAL LANDRY:
Jeff, you want to excuse us for a
minute?
Sheridan nods and leaves.
GENERAL LANDRY:
(bemused, off
Sheridan's exit)
Functionaries. Nice people, the
Schedule C's. About twelve graduate
degrees apiece, but it seems sometimes
all they do is start rumors.
Robert and Landry shake hands.
ROBERT:
You've done a fine job here, Sir.
The Office of National Drug Control
Policy is in better shape than when
you found it.
Landry tries to determine whether Robert believes this. He
looks around the office as if the policy is hiding somewhere.
GENERAL LANDRY:
I'm not sure I made the slightest
difference.
(wistful)
I tried... I really did.
ROBERT:
There are a lot of encouraging
statistics. The work's just started,
but I intend to see it through.
You've got my word on that.
GENERAL LANDRY:
You're here for two years, three
maximum. What'd they promise you?
Court appointment? What? District?
Appeals?
(checks Robert's
reaction)
Not Supreme... Supreme?
ROBERT:
I've come in to do a tough job and
that's what I'm going to focus on.
General Landry SIGHS.
GENERAL LANDRY:
When Kruschev was forced out, he sat
down and wrote two letters and handed
them to his successor. He said "When
you get into a situation you can't
get out of, open the first letter
and you'll be saved. And when you
get into another situation you can't
get out of, open the second." Soon
enough this guy found himself in a
tight place. So he opened the first
letter. It said, "Blame everything
on me." So he blamed the old guy
and it worked like a charm.
(beat)
He got into another situation he
couldn't get out of, so he opened
the second letter, which read, "Sit
down and write two letters."
They stare at each other a beat. Then Landry smiles.
CUT TO:
EXT. MANOLO'S STREET, MEXICO - DAY
A cinderblock house. Kids and dogs in the street. A face
we recognize as Manolo's peers out of a curtain into the
street.
INT. MANOLO'S KITCHEN - DAY
The ceiling is stained, the floor sags. A cheap radio plays.
Manolo is at the door. Javi sits at a dinette table.
He talks to Manolo but watches Manolo's wife, ANNA, 20's, a
nice-looking, ostensibly demure young woman, as she moves
around the kitchen.
JAVIER:
Relax. If they were going to kill
us they would have done it in the
desert.
MANOLO:
They wouldn't do it in front of all
these people. They'd send someone
later, when we're alone.
Manolo tenses, and throws open the window.
MANOLO:
(yelling out the window)
Away from the car. Now!
MANOLO'S POV out the window as KIDS play in the car, sitting
behind the wheel.
JAVIER:
Even if that were true, they're not
going to come to your house where
you're waiting for them.
ANNA:
He's right. They'll do it when you're
walking somewhere, make it look like
street crime.
MANOLO:
Shut your f***ing mouth. Nobody's
talking to you.
Anna sets a cup of coffee in front of Javi and stares at
him.
Javi and Manolo cruise through the streets of Tijuana.
JAVIER:
If you want her to stay out of it,
then stop telling her everything.
You should learn how to keep a secret.
MANOLO:
She's nosy. She hears me on the
telephone.
JAVIER:
Anyway, I don't think we'll ever see
them again. Everything's back to
normal.
Tourist hell. A cacophony of street venders, panhandlers,
and vehicular traffic. Javier and Manolo are speaking with
a flustered young American TOURIST COUPLE.
TOURIST WOMAN:
You're a police officer. Aren't you
going to take a report or something?
Don't you want to know what kind of
car it is?
TOURIST MAN:
TOURIST WOMAN:
It was right here. It's been stolen.
I want to file a report.
MANOLO:
Please. Filing a report will not
help you find your car.
JAVIER:
The police won't find your car.
TOURIST WOMAN:
But you're the police.
Javier pulls out a note pad and scribbles a number.
JAVIER:
Call this man, he'll find your car
for you.
TOURIST MAN:
I don't get it --
TOURIST WOMAN:
How will this guy know who has our
car?
JAVIER:
The police will tell him.
There's a beat of confusion.
TOURIST MAN:
Why will they tell him but they won't
tell us?
TOURIST WOMAN:
(getting it)
Because we pay him, stupid.
(to Javier)
Right? And he pays the police.
And then our car appears.
JAVIER:
Yes. Better than filling out forms,
right?
The man reaches in his wallet and offers Javier a twenty.
Javi waves him off.
Javier and Manolo walk back to their squad car when two SUV's
come to a stop in front of them.
Javier and Manolo exchange a look. The doors SLAM and
FOOTSTEPS approach.
OFFICER (O.S.)
Javier Rodriguez.
CUT TO:
EXT. LA JOLLA GOLF AND TENNIS CLUB - DAY
A ladies luncheon in the Nancy Reagan Dining Room overlooking
a putting green. The bejewelled WIVES of successful men
yammer at one another around tables with rich flower
centerpieces.
SUPERTITLE:
LA JOLLA, CALIFORNIA, JUST OUTSIDE SAN DIEGOOne wife, HELENA AYALA, 32, ex-model, with a sweetness and
intelligence that almost contradicts her beauty, stares out
the window at a small BOY, 5, using a putter as tall as he
is. Helena is six months pregnant and radiant.
A waiter brings Helena's starter course. Her friends, NAN
DOBBS, early 40's, post Junior League, a little tipsy,
STEWIE and ALEX, same League, watch her --
NAN:
Duck salad?
HELENA:
Mmm.
Nan can't believe it.
NAN:
Helena, you never order duck salad.
HELENA:
Well, that's true. I don't.
(re:
her belly)I think someone else is asking for
it.
NAN:
Well, he's got good taste. Isn't it
the most wonderful thing you ever
tasted? I mean ever.
HELENA:
It's delicious --
STEWIE:
They're the most marvelous little
creatures. Canard. They fly, swim,
walk. And so cute with their babies
marching along behind.
NAN:
Looking for a nice sauce ala orange.
Everyone laughs. Helena is by far the youngest in her crowd.
ALEX:
It's a very fatty bird. All that
winter insulation. Just like me.
NAN:
You mean all breast, just like you.
ALEX:
You're bad --
NAN:
(singsong)
Jealous, that's all --
HELENA:
I've heard... I can't remember
where... That it's full of that good
kind of fat, the kind you're
supposed to eat --
STEWIE:
Unsaturated fat --
Polyunsaturated.
HELENA:
And now there's a good cholesterol
and bad cholesterol. Everything
they tell you completely changes
every other week. I don't know why
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Traffic" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/traffic_171>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In