Trance Page #5
It's in a red Alfa Romeo in the
underground car park in Marble Arch.
I love you, Simon.
I love you, too.
Please, Simon.
Calm down, you've got it all wrong.
It's not what you think.
She's using you, Simon. She's
using you like she used us.
She has been using you
from the start, Simon.
Elizabeth?
Elizabeth?
So where has
she gone? Huh?
Don't let her get away.
Not after all this.
I know, Franck.
I know what you
were going to do to me.
She put that there.
It's not real.
She's not coming back, Simon.
Once she gets it, she's gone!
If I wanted to kill you,
why aren't you dead?
Because she loves me.
And I love her!
That's what
she thinks of you.
It's my gun. It's empty.
She took it from my apartment.
Where the f*** do you
think you're going?
I got this.
So...
...who knows?
She does.
You leave her alone.
He found it the first time.
The first time
he came to see me.
Remember?
You thought you'd just
found your car keys.
But you were
right, it's in there.
It's in the car. I took it to pieces.
It's not in there.
No, it's not in his car.
In the other car.
The red one.
Where is it?
Please, I can show you.
I can show you.
Get him dressed.
Go and get it.
And take him with you.
What is this? You're lucky
you're still in, Franck.
Go and get it.
Bring it back here and we'll
keep an eye on her. Promise.
Say something.
Allow the mushy sh*t.
Doesn't give up,
does she?
Go and get it, boss.
Like he says, you're
lucky you're still in.
Drink?
Yeah. Cheers, mate.
Franck.
You see what she
gave to me, Franck.
That's what she thinks of me.
Oh my God!
Allow me, bruv, I didn't touch her.
Wait, wait.
F***!
You knew.
You...
Help me!
...you knew...
...what I would like...
...didn't you?
Help me. Help me.
Okay. Get down the stairs.
Get down the stairs!
No, no, no...
Please?
Please don't.
He can help us. Simon?
Please.
You go.
Okay.
It's really silly of me.
I've been out
of the country. And...
...I'm such an idiot. Everything's a
mess and I can't find the ticket...
...but I really need the car.
1,848.
Not a mistake
I'll make again.
Not here.
Franck knows a good place.
Don't you, Franck?
You can drive.
On you go.
You, too.
You sit in the back.
Tie your hand on to the wheel.
Tie it tight.
Tighter than that.
Here you go.
I would like to
know what happened.
It's all inside
my head, isn't it?
There's something hidden...
...inside me.
What is it?
It's a memory.
A memory?
Suppressed?
Yeah.
Simon...
...maybe there are some things
it's better never to remember.
Don't!
Franck, you're alive because I allow
it, but I can change my mind.
I have free will.
Don't I?
Yeah, yeah.
Don't I?!
Yes.
All right, then.
All right, then,
let's see if I do.
You take me to it.
So...
...it's a year
and a half earlier.
You wanna stop gambling.
That's all.
All in.
You select
a hypnotherapist at random.
And so you go to meet her.
Simon Newton.
Thank you very much.
Hello.
I'm Elizabeth Lamb.
Hello, there.
Nice to meet you.
Simon Newton. Hello.
Have a seat.
Thank you very much.
So...what would you
like to talk about?
Now I have a moderate problem
with online gambling.
I still have enough money to pay
for dinner and things, though.
You get along well.
There is an immediate rapport.
And so treatment begins.
But your addiction
is hard to crack
and repeated sessions
are required.
Cheers. We should do this with alcohol.
You grow close
to the therapist.
I miss you
when I'm not here.
Too close.
And so you
begin an affair.
A strongly sexual affair.
You stay there.
She knows
that it's wrong.
She shouldn't do this, not with a client.
But she does.
If you look at
the Sistine Chapel,
there's tons of flesh
but there's no hair.
of our biology. Our origin.
But without it there's a
perfection, untainted.
Anyway, art moved on,
as it must, it has to.
But, actually,
no, it was Goya's fault.
'The Naked Maja'. After that,
it's always there, the hair.
Yeah, that's the lady.
That's modern art.
No perfection anymore.
Hey.
Okay, I get it.
She will do
anything for you.
You fall in love...
...with a kind of perfection.
The kind you like.
You're an elephant?
No, I'm not an elephant.
No, it's the Goya. It's 'The Witches In The Air'
that I was telling you about.
But then
you become possessive.
Suspicious. Night and day...
...you fear that you will lose her.
It torments you.
And you become jealous.
- Who are you texting?
- Sorry, work.
you depend upon her.
That without her
you will die.
You start to hate her
as much as you love her.
And then one evening...
...after you've accused her
You keep
your mouth shut!
Why don't you just sit down. Don't
they make a beautiful couple?
You can just look at him now.
Just feast your f***ing eyes!
Elizabeth. No, I'm leaving.
I'm leaving.
She knows
she has to get out.
She has to break it off
but you won't let her go.
You persist.
You apologize. You write long letters
vowing never to do it again.
You weep, you call.
She is frightened.
I need to talk to
you for 2 minutes.
Really frightened now.
Please let me come in.
And she knows
if this goes on...
...there can be
only one outcome.
Hi. How are you doing?
I just need you to let me
apologize and see that you accept that.
I need to see
that in your eyes
and then I'll leave
you alone. I promise.
In the end...
...she knows that you will kill her.
Please, stop!
Simon, you're hurting me.
It's okay.
No, it's not okay.
The police are not interested.
Lawyers advise her to change her
name, to leave the country...
...but she will not do this.
She will not be
a victim twice over.
Instead,
she will take control.
So she perverts
the therapy...
...you've insisted
on continuing.
Simon...
...it's not the gambling
that you want to forget.
It's me.
You want to forget me.
You made me forget?
She makes you
want to forget.
You're forgetting me.
You're forgetting us.
And you feel so much more relaxed.
So much more free.
Leave.
And gradually--
day by day...
...week by week you do.
You call less often.
The passions subside.
You're late for therapy.
Then one day
you don't come at all.
At last you have suppressed
the memory of me.
But you knew.
You knew I'd come back...
...one day.
Your memory
is not destroyed.
It is locked in a cage.
And with enough...
...force...
...enough violence...
...the lock can be broken.
It comes back,
the memory.
Not completely.
Not entirely,
...to make you feel
you have been cheated.
Enough to make you angry.
Franck!
What did she look like?
You.
God, are you all right?
Elizabeth.
No, I'm not Elizabeth.
Shall I call
for an ambulance?
I remember.
I remember everything.
Why don't I take
you to hospital?
As the memory comes back...
Okay?
Shall I help you with your seat belt?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Trance" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/trance_22191>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In