Transporter 2

Synopsis: Frank Martin is the best in the business. The ex-Special Forces operative hires himself out as a mercenary "transporter" who moves goods--human or otherwise. Very simple, he delivers, no questions asked. Frank has relocated from the French Mediterranean to Miami, Florida, where as a favor to a friend, Frank is driving for the wealthy Billings family. There's very little that can surprise The Transporter, but young Jack Billings has done just that; Frank has unexpectedly bonded with Jack, age 6, who he drives to and from school. But when Jack is kidnapped, Frank must use his battle-tested combat skills to retrieve the boy and thwart the kidnappers' master plan to release a virus that will kill anyone with whom it comes in contact.
 
IMDB:
6.3
Metacritic:
56
PG-13
Year:
2005
87 min
3,242 Views


I'm so sorry.

Can you help me? My tire...

Sorry. I have an appointment.

I don't like to be late.

Well, would you rather be late or dead?

- You don't want to do this.

- Step out of the car.

Whoo! Let's go, fellas!

Come on, baby! Yes!

Take it easy. The car's brand-new.

- No problem, buddy. I got this.

- Baby, let's ride. Time to go.

- Your parents know the kind of

company you're keeping?

- Shut up.

- This sh*t ain't working.

- It's coded.

- What's the code?

- I can't give you that.

We'll have to beat it out of you.

Get out the car.

Come on, man. What you got for me?

Kick your ass!

Hold on.

It just came out of the dry cleaner's.

Hands up.

Stop moving or I will shoot you.

Don't you have homework to do?

- Why don't you go and do it?

- OK. I'm sorry.

Late.

Hey! Hey!

- The game, the game, the game!

- What's the first rule when entering a man's car?

- Respect a man's car, a man respects you.

- Rule number two.

- Greet the man. Good afternoon, Frank.

- Good afternoon, Jack.

- Can we play the game?

- I should think you'd be tired after school.

- You're afraid I'm gonna win.

- You'll be too worn out to do your homework.

- It's Friday. I don't have any homework.

- In that case, the game.

- Yes!

- But first, what's the third rule of the car?

Good.

Five points. I'm white,

I'm round, but I'm not always around.

- A tennis ball?

- Tennis balls are yellow.

Four points.

Sometimes I'm half, sometimes I'm whole.

Sometimes a slice of me is all you know.

- A loaf of bread?

- No.

Three points. Sometimes I'm light,

sometimes I'm dark. Sometimes I'm both.

- I know. A light bulb.

- No.

- A pizza!

- No.

Audrey. Audrey! Stop walking away from me.

Listen, we've got to finish this conversation.

Where's he going?

OK, look at me. Last clue for all the points.

Everyone wants to walk on me,

but only a happy few ever have.

Take your time.

- Hey, bud.

- Shh! Mom, it's the game. I'm trying to think.

- Sorry. Hey, Frank. How are you today?

- Well, Mrs. Billings.

- Can I team up with Mom?

- I don't know. It's not in the rules.

Come on. What's the point in having rules

if you can't bend 'em?

- OK. Just this once.

- Yeah!

All right. Give me some clues.

It's round, but not always around. It's light

sometimes, dark sometimes, or both.

Everyone wants to walk on it,

but only a happy few ever have.

- That is a hard one.

- Tell me about it.

- The moon!

- Correct.

Good job. All right. Come on.

- See you Monday.

- Bye, Frank. Thanks.

- Keep your snacks in the kitchen.

- Bye, Mom.

He's really taken to you

in the month you've been with us.

- Likewise.

- Too bad you can't stay on when Tony's back.

It was just a favor.

I don't usually do this sort of a job.

I thought you were a professional driver.

A different kind of driving.

Well, we're all gonna miss you

when you're gone.

And...

thank you for what you did.

For what?

For turning the car around so that

Jack wouldn't have to see us fighting.

- You really know kids, don't you?

- I know fighting.

He hasn't seen Jack in months,

and when he gets back,

all I hear is what I'm doing wrong.

You'd think that after being separated

for a year that he would...

I'm sorry. You don't have to hear this.

It's OK. For what it's worth,

I think you're doing a great job with Jack.

Thank you.

Any time I can be of help,

if there's anything you need.

That's really sweet of you, Frank.

I might have to take you up on it.

I almost forgot. I'm supposed to take Jack to

the doctor tomorrow morning for a checkup,

but I'm organizing a party for him, even

though his birthday's not until next week.

So, while I decorate and his friends arrive,

I was thinking, if you wouldn't mind...

- I'll take him.

- I feel funny cutting into your weekend.

I'm just picking up a friend at the airport

later on in the day.

- That's nice.

- What is?

The guys on security

say you're a bit of a loner. Um...

- So it's just nice to hear you have a friend.

- He's not really a friend.

He's French.

I'll call you back.

Audrey. I'd like to finish our conversation.

If anything comes up before then,

you have my cell.

- Nothing will come up, Mrs. Billings.

- Audrey.

Audrey.

- Yeah, hello?

- Confirmed for tomorrow. 9am.

Tomorrow, 9am. Only change -

the driver'll be taking him, not the mother.

Even better.

Vasily?

- Is it stable?

- Yes, it's stable.

And the antidote?

See you tomorrow.

The drug-enforcement ministers

of six Latin American countries

arrived in Miami for a summit meeting...

Yeah. Martin, Frank.

I'm waiting for an express delivery.

That's what you told me 45 minutes ago.

I don't need anything else.

Just get me the pizza.

- I'm not paying for that...

- Hi.

Hi.

So, it's one medium pie, no mozzarella,

extra olives and extra anchovies,

which amounts to $11.95.

- I hope you're hungry.

- You have no idea.

I apologize for the delay, sir.

Mrs. Billings.

Audrey. Audrey.

- What are you doing?

- What does it look like I'm doing?

- Have you been drinking?

- A little.

You said if I needed anything.

- I can't.

- Why? Because of who I am?

Because of who I am.

I feel so lost. So confused.

Who isn't?

Thank you, Frank.

For the time and...

your respect.

I think it's what I needed the most.

Bye.

- Am I gonna get a shot?

- I don't know.

- Jeez. We're not open yet.

- I need to see the doctor immediately.

Right. Dr. Koblin, if you'll come out here,

please. We have an issue.

You'll have to state the medical problem.

Actually, my problem's not medical.

It's psychological.

Yes, Laura. What seems to be the problem?

Me.

I hate shots.

Number one, there's no guarantee

you're getting a shot.

There's no sense getting worked up

over something that might not happen.

- Give me the news.

- Doctor said I'm cured.

- Frank, it hurts a lot.

- I'd never let anyone hurt you a lot.

- Promise?

- You know my fourth rule?

Never make a promise

you can't keep. Come on.

Close the door.

Come on.

- May I help you?

- Jack Billings to see Dr. Koblin.

He's out sick today. He'll be seeing Dr. Tyberg.

- I like Dr. Koblin.

- Don't worry. Dr. Tyberg's very nice.

Just take him into room 3.

- Where's Laura?

- Who?

- You're standing at her desk.

- That Laura. She's out sick too.

There's a lot of flu going around.

Now, come on. Doctor's got a busy day.

Come on. It'll be over before you know it.

Hey, hey!

I'm Dr. Tyberg.

Can't I wait for my doctor?

Your doctor was called away

on an emergency.

- The nurse said he had the flu.

- That was the emergency.

He came down with flu, very quickly.

So, the sooner we start, the sooner we finish.

Come. I show you something very cool.

I'm sorry. Doctor-patient privacy in room.

You can wait in reception area,

or glass of water, or...

Hey, trust me. I am doctor.

Please. It's phone.

- Yeah?

- All, all. Frank? I am here.

- You're early.

- Yeah, we had fantastic tailwinds.

Put two hours on my vacation, just like that.

Rate this script:0.0 / 0 votes

Luc Besson

Luc Besson is a French film director, screenwriter, and producer. He directed or produced the films Subway, The Big Blue, and Nikita. more…

All Luc Besson scripts | Luc Besson Scripts

2 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Transporter 2" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/transporter_2_22207>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "parenthetical" refer to in screenwriting?
    A A scene transition
    B A description of the setting
    C An instruction for how dialogue should be delivered
    D A character's inner thoughts