Transporter 2 Page #2

Synopsis: Frank Martin is the best in the business. The ex-Special Forces operative hires himself out as a mercenary "transporter" who moves goods--human or otherwise. Very simple, he delivers, no questions asked. Frank has relocated from the French Mediterranean to Miami, Florida, where as a favor to a friend, Frank is driving for the wealthy Billings family. There's very little that can surprise The Transporter, but young Jack Billings has done just that; Frank has unexpectedly bonded with Jack, age 6, who he drives to and from school. But when Jack is kidnapped, Frank must use his battle-tested combat skills to retrieve the boy and thwart the kidnappers' master plan to release a virus that will kill anyone with whom it comes in contact.
 
IMDB:
6.3
Metacritic:
56
PG-13
Year:
2005
87 min
3,179 Views


From now on, it's the only way I'm flying.

Tailwinds or nothing.

Glad you made it.

Hello. Sorry, Dr. Dunietz is not in today.

Call back Monday.

I'm a little tied up. You mind taking a cab?

You have the address, yes?

Oh, thank you. I heard the fish down here

is fantastic. I could make us a bouillabaisse.

You like bouillabaisse, Frank, no?

I gotta go.

Frank!

Maybe we'll wait for his regular doctor.

It's important that he receives immunizations.

- I'm sure. But a week won't make a difference.

- No, we're doing it now.

Get going, Jack!

Look at me. Look at me.

- Remember my promise?

- Yes.

- It's... It's me!

- Get out!

Frank.

Sh*t.

The patient's not cooperating.

Prep the vehicle.

Come on, hurry.

Don't worry. Everything's gonna be OK.

- Freeze! Put your guns on the ground!

- Get down!

- Si.

- They got away.

- Cazzo!

- Plan B?

Yes. Plan B.

Oh, you made it.

- Oh, what's that?

- Jack's birthday present.

Baseball uniform, cleats, glove and a bat.

- It's his favorite sport.

- It was. Last year.

He's on a soccer team now. He's good.

- You know, you should see him sometime.

- Hello.

- Mr. And Mrs. Billings! They're coming!

- Hide, everyone. Hide!

- Yes.

- Good morning, Mr. Driver.

- Who is this?

- Look in your rear-view mirror and you'll see.

I know what you're thinking.

Bulletproof glass.

So tell me, in your experience - which judging

from the performance you put on in the office

goes way beyond driving children to school -

does bulletproof glass stop

a 7.62 armor-piercing round?

Frank, why have you stopped the car?

Don't look,

they are triangulated over 300 feet away.

Frank, pick up.

You screwed up my plan.

I am going to tell you how to set things right.

Someone is going to appear in a few seconds.

Let her in.

Driver.

Good boy. Good boy.

Hi.

Leave it on.

Personally, I hate kids. I don't know

what your feelings are on the subject,

but if you ever want to have any, make

no moves but the moves I tell you to make.

You're in her hands now. They can be gentle

hands, but they can be the hands from hell.

- Trust me on this one.

- Trust him on this one.

Now, drive.

Make a left.

I said left.

Listen, we keep doing this your way,

they're gonna catch us.

- Do this my way, no one gets hurt.

- Where's the fun in that?

Let's save the fun for later.

Hey!

Not bad.

Didn't your mother

teach you to say thank you?

She tried, and failed miserably.

- I think we lost them.

- Think again.

Thought complete. Let's go.

You can't find him? He's one man in one car.

He's a chauffeur, for chrissakes.

Not exactly, sir.

There's a possibility he was in on it.

- That's impossible.

- How would you know?

He could have been setting this up the

whole time, and you wouldn't have known.

- And you are an expert on knowing people.

- His background.

He's ex-Special Forces. Headed a commando

unit. Specialized in search and destroy.

Been in and out of Lebanon, Syria, Sudan.

The man is a hunter.

I don't care what his skills are

or where he's from.

This is not a war zone,

this is an American city!

Where's my son?

Last stop. All out.

You're quite a guy.

Another time, another place -

you and me, baby,

the pleasure we could have.

Beauty.

Frank.

Frank!

Frank!

Not what you expected when you reported

for work this morning, is it, Frank? No?

Is that what passes for wit in this circle?

In this circle, my friend,

wit is not a requirement of the job.

Brutality, yes.

An ability to inflict pain, absolutely.

A certain psychotic, moral ignorance,

blind obedience, all required.

- But not wit. How was it?

- Fun.

Only the beginning, my love.

- What's this all about?

- A timely question.

Max.

Pardon me.

- Hello.

- Put me on the speaker.

In the next two hours,

you'll get five million dollars in $100 bills.

Put them in a waterproof suitcase,

go to the Bayfront Park - personally.

There will be a blue Chrysler parked there.

Place the suitcase in the trunk, and leave.

I don't know if I can get

five million dollars in two hours.

I read the newspapers. When you were

appointed to your current position,

your net worth exceeded 100 million dollars,

so you won't even feel the bite.

What guarantee do I have

that you won't harm my son?

"Guarantee"? Mr. Billings,

I am not a car dealer.

Don't let the charming accent

and my impeccable syntax mislead you.

I live in the jungle, and in the jungle

you either eat or be eaten.

But, in the spirit of business,

here is the guarantee.

Ten minutes past the deadline,

if the money doesn't arrive, I send a finger.

Sounds like we have a deal.

You have a deal.

Could we please speak to our son?

Mommy! Mommy!

You have two hours, Mr. Billings.

Starting now.

- Just get my son!

- All right. All right.

Frank, you promised

you wouldn't let anybody hurt me!

- You promised!

- Never make promises you can't keep.

I don't. It's one of my rules.

Wow.

Bravo. A man who leads his life by rules.

In my world rules are meant to be broken.

- Not mine.

- You're gonna have to make an exception.

Go.

Prego.

- Go.

- Hey, driver!

No, no, wait, wait.

A little distance between us isn't a bad thing.

Andiamo!

Now.

Hold on. The signal.

- Hello.

- It's me.

- You son of a b*tch.

- Look, I had nothing to do with this.

- One scratch on his head...

- Let me speak to who's in charge.

- This is US Marshal Stappleton.

- Act fast. There are three boats.

- Tell us where you are.

- Get a plane. They're heading north.

- Tell me where you are.

- Just tell us where you are!

Hello, Frank?

Got it.

- All.

- Tarconi, it's me. Get out of the house.

- I was just putting the Madeleines...

- Forget the Madeleines, just get out.

- And go where?

- Anywhere. Go to the beach.

Oh, the beach. The famous Miami Beach.

Oh, my dream.

I would love to go to the beach.

Maybe not.

- Freeze! Who the f*** are you?

- I'm the cook.

Oh. This is a mistake. A terrible mistake.

Why we can't all just get along, you know?

- Hello.

- It's Frank. Pretend it's someone else.

Hi, Susan.

No, I'm just here at home.

I didn't do it, Audrey.

She had a gun on Jack. I had no choice.

Yeah, I saw that. What do you know?

- It's more than a kidnapping.

- They asked for a ransom.

The doctors, they were fake. They were trying

to give Jack a shot. When I interrupted them...

I promised Jack I wouldn't let anyone

hurt him. I'm not gonna break that promise.

- Frank.

- I'll call you back.

Audrey.

- Is everything all right?

- That's a pretty stupid question to ask, Jeff.

All right. So tell me again, Inspector Tarconi,

why you didn't immediately

identify yourself as a police officer.

Oh, I was overwhelmed

by the effectiveness of your operation,

the sophistication of your equipment.

You know, I work in a small office

in a small town. We only have small crimes.

- I must admit I was a little insecure.

- You and Frank Martin are friends, right?

A friend? Oh, I wouldn't say exactly a friend.

Rate this script:0.0 / 0 votes

Luc Besson

Luc Besson is a French film director, screenwriter, and producer. He directed or produced the films Subway, The Big Blue, and Nikita. more…

All Luc Besson scripts | Luc Besson Scripts

2 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Transporter 2" Scripts.com. STANDS4 LLC, 2024. Web. 4 Oct. 2024. <https://www.scripts.com/script/transporter_2_22207>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "montage"?
    A A single long scene with no cuts
    B A series of short scenes that show the passage of time
    C The opening scene of a screenplay
    D A musical sequence in a film