Trespass Page #3

Synopsis: Kyle and Sarah Miller have it all: a huge gated house on the water, fancy cars, and the potential for romance in their relationship. He's just back from a business trip (he brokers diamonds) and their teen daughter Avery is sneaking out to a party, when four thugs in security uniforms and ski masks stage a home invasion. They want what's in the safe: cash and diamonds. Kyle stalls them, trying to negotiate for Sarah's freedom. Over the next few hours, the back stories of the four robbers (two brothers, a girlfriend, and the representative of a local drug kingpin) as well as the fault lines in Kyle and Sarah's marriage come into play. Is there room here for heroism?
Genre: Crime, Thriller
Director(s): Joel Schumacher
Production: Millennium Entertainment
  2 nominations.
 
IMDB:
5.3
Metacritic:
37
Rotten Tomatoes:
10%
R
Year:
2011
91 min
$16,816
Website
717 Views


I open it, we lose leverage.

We lose leverage, we die.

I want you to look at this

very pretty face here, okay?

Now, can you imagine what

a 125 gram hollow point

is gonna do to this?

It's gonna f***ing destroy it, all right?

We are moments away!

How about that for leverage?

This is a negotiation.

You have the power to take our lives,

but I have the power to make you rich.

Let her take the car and

drive away and I'll do that.

I'll open the safe and make you rich.

Oh, her? You sure

she's worth it, Kyle?

A million dollars?

Yes, that's right, kid!

You did it!

You hit the mother load!

You saw me sign for a

million with your own eyes.

And it's right there just inches away.

All you have to do

is just let my wife go!

And then, come on down and grab it!

Come on! Elias!

No!

No! No! No!

Of all the stupid mistakes, that

man just about said your name.

So you get your people in order!

You let my wife leave.

And then I'll give you what you want.

Hey, go get the magic wand.

Succinylcholine.

It's a paralytic.

On the operating table

it makes you think that someone

else is getting all cut up

instead of you.

Now, it's a hell of a kick

and this much would kill you,

but with Papa Bear and Mama Bear

and little Baby Bear,

it's just about right.

It'll knock you flat,

give you a hell of a ride

but it won't kill you.

So this is the rope, the handcuffs

which I have to say, Kyle,

are a little bit kinky,

don't you think?

But he was good,

though. Huh?

Wasn't he good?

You are a piece of work.

"Get your people

in order!"

The man's a born deal maker.

One minute.

Come on, hero.

You open that big guy up, okay?

I'm gonna stick you with this sh*t.

You'll fall asleep.

By the time you wake

up, we're in Mexico.

This is all a bad

dream with insurance.

I want you to listen to me,

listen to me really good, okay?

You may have noticed that I don't really

have control over the big guy, okay?

So you have to ask yourself why

I'm gonna bring someone like that

to a job like this.

Maybe I don't have a choice, all right?

Now, I don't wanna

hurt you or your wife.

But he does and he will.

I'm not giving you anything

until after you let her go.

Come on, man, don't

do this to yourself.

Time's up.

Ugh!

Kyle! Kyle!

Leave her alone!

Leave her the f*** alone.

What the f*** are you doing?

Keep his dirty f***ing

hands off of her.

You agreed to shut your mouth.

Please, help me.

Help us.

You told me nobody was gonna touch her.

You promised!

You're gonna shut your f***ing mouth.

Did you take your pills?

Yes, I took my f***ing pills!

F*** you! F*** you!

F*** you! F*** you!

If you touch her,

I will f***ing kill you.

F F***!

Well, the contractor

keeps calling and calling.

I don't know what you

want me to do here, Kyle.

Come one. This is

what you wanted.

I thought we were happier

in the old house.

Don't yell at me.

I was just asking, Kyle. What do you...

Okay. Okay.

I'll talk to you later.

Bye.

Oh.

Um, no, I'm sorry, I...

I couldn't help overhear.

Are you-you okay?

Yeah. Yeah,

yeah, I'm fine.

Okay.

Did you design this whole

place by yourself?

The house? Yeah. I did.

You are very talented.

Thank you.

It's a little bigger

than we needed, but...

Well, if you're gonna

dream, dream big. Right?

Yeah.

I'm all finished here today, so.

Well, thank you.

Well, I'll see you tomorrow.

Take that off!

Oh, did I remind you of someone?

Take it off!

It's not yours.

It is now.

Are you sure this is

the right location?

Uh-huh.

Look, if it's about the money, I'll

take you where you want to go.

No, no, my my house

is right here. I'm fine.

You sure?

Uh-huh. Thank you.

No. No. No.

I'm taking Sarah for a

little walk with me.

No!

Sarah!

Kyle!

Come with me.

Help!

You know, you don't see a lot of

biometrics on home security systems.

Fingerprint scanner?

Ugh.

You know, you're gonna put your thumb

on that thing sooner or later.

The only question is, whether it

will still be attached to your body.

Serve me.

Serve me.

Pour me some wine.

I want you to serve me.

Would you serve me?

Would you serve me?

Like you served my baby brother?

Huh?

Yes, you recognized

him. I saw you.

No.

Yes.

No, I didn't.

Drop the f***ing thing.

Don't even try.

Drop the f***ing knife or I'll

bite your f***ing ear off.

You know why we're here, Sarah,

because you f***ed around

with my little brother.

And for that reason, I have to tell

you something. You're gonna die.

And I think you know deep down

inside you that you deserve to die.

And I need you to tell

me "I deserve to die."

You go to hell.

Not go to hell, Sarah.

Not go to hell.

I'm not doing this for me, Sarah.

It's for you. There's a reason they

send priests to guys on death row.

It's their last chance for moral clarity.

Let's get really clear on one thing here.

Only you can save your husband

and your little girl.

We will come back for your little f***ing girl

and she doesn't deserve

to die, does she?

No. No.

So, I need you to say it.

What?

I need you to say it. I deserve...

I..

Say it.

Say it.

I..

deserve

to die. Say it, Sarah.

I deserve

to die.

Good girl.

Good girl.

Now, you're gonna help

me get that money, okay?

How do I do that?

I think you'll find a way.

And I will make sure that your husband

and your little girl are taken care of.

And they will never have to know...

You promise?

Yes. And I think

you'll find a way

'cause I think you know your

way around men, don't you?

Now, you come with me.

I'd prefer not to make a mess.

But I do when I have to.

Nothing personal.

I'm a collector, you see?

I'm here to collect on a debt.

Ugh!

Ah!

Hey, I don't owe you anything.

Who said it was your debt?

Sarah! Sarah!

No. Kyle. Yeah.

Tell me where they are.

Tell me where they are!

Mom? Mom?

Run, Avery!

Run, Avery!

Avery!

Sh*t.

Where did you go? Huh?

Where did you go? Sweetie?

Did we scare you?

I promise we won't hurt you.

Where the f*** are you?

All right.

Come on.

No!

Avery! Avery!

Oh, my God!

Avery! You sh*t

f***ing animals!

It's all right.

Sweetie.

Dad.

Av... Avery.

It's all right, baby.

It's all right. I got you.

Okay, man. Okay, okay. Hey. Hey.

You know what? You did good. All right?

You did good.

You held your ground.

Now it's just your bad luck that

your little girl showed up, okay?

I'm glad that you feel

this way, though.

Now you know how I feel, man.

I'm a family man, too, okay?

That's why we're here.

My Mom...

My Mom got herself beat up every night

by her drunken, a**hole husband.

Because she thought that

if she was getting beat up,

we weren't getting beat up.

And she got beat and she

got beat and she got beat

until she got renal failure.

You know what that means?

She needs a new f***ing kidney, Kyle,

which is where you come in.

I got a broker that's gonna get us one

but it's gonna cost us

$180,000, all right?

So, I have a choice.

I have to leave here with a $180,000

Rate this script:0.0 / 0 votes

Karl Gajdusek

Karl Gajdusek is an American screenwriter, producer, and playwright. Karl Gajdusek was born in 1968 in San Francisco, California, United States. He was the showrunner for the first season of the Netflix series Stranger Things and the co-creator of the TV series Last Resort with Shawn Ryan. They were both also executive producers for the series. Gajdusek also wrote for the series Dead Like Me and wrote the film Trespass (2011). He co-wrote the screenplay for the 2013 Tom Cruise movie, Oblivion. and November Man, which was released in 2014. more…

All Karl Gajdusek scripts | Karl Gajdusek Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Trespass" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/trespass_22247>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Trespass

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "character arc"?
    A The physical description of a character
    B The backstory of a character
    C The transformation or inner journey of a character
    D The dialogue of a character