True Lies Page #3
- R
- Year:
- 1994
- 141 min
- 1,048 Views
28 INT. / EXT. VAN - MOUNTAIN ROAD - NIGHT
GIB'S VAN takes an icy turn in a hairy slide.
INSIDE Gib is peering upslope, trying to see what's going on.
All he can see are lights and gunfire.
GIB:
Harry, what's your twenty? I
need a position, buddy--
Suddenly a skier in a black tux launches across the road from
the slope above, RIGHT OVER THE VAN, and lands deftly
downslope.
GIB:
Uh... right! I'll catch you on
the next bend.
Behind the van, pursuing guards leap across the road. Only
about half can make the jump. The rest crash horribly. The
helicopter thunders overhead.
29 EXT. MOUNTAIN SLOPE - NIGHT
Harry sees the chopper start an attack run. He comes out into
the open, going straight downhill like a rocket. The chopper
gets suckered in... trying to hit him, getting right down
behind him... and suddenly-- Harry slides to a stop in an
explosion of powder and whips up the rifle. P-P-P-POW! He
rakes a burst across the windshield. The startled pilot
swerves and-- Suddenly two tall pine trees are right in front
of him.
K-WHACK! The main-rotor blade snaps clean off and the chopper
drops into the snow, plowing into a snowbank. It slides right
to the edge of a steep ridge and stops, teetering.
Firing from a snowmobile, one of the guards puts a burst right
across Harry's path. Harry's skis are hit and he tumbles,
comes out of it... running down the hill like a juggernaut in
his heavy boots. He has lost the rifle somewhere in the snow.
Harry takes cover behind the burning wreck of the downed
chopper, which still has its engine running. The ski patrol
opens fire from upslope. Rounds whacking against the disabled
helicopter.
Harry looks down the slope and gets an idea. He jerks the
unconscious pilot out and pushes on the fuselage, rocking it.
It slips over the edge. He leaps inside as it topples forward
and slides down the slope.
30 INT./ EXT. HELICOPTER - MOUNTAIN SLOPE - NIGHT
Harry adds throttle and works the footpedals, using the tail-
rotor to steer. The chopper had snow-skids, and Harry is
skiing the damn thing down the mountain.
The copter is burning as it rockets down the slope on its*
skids. Bullets are hitting the fuselage, and everything around
it. Skiers are wiping out, hitting trees. A snowmobile hits
a rock and flies spectacularly into a ravine.
GIB (OVER)
Harry! Where are you!
HARRY:
In the helicopter.
31 INT./ EXT. VAN - MOUNTAIN ROAD - NIGHT
Gib slides the van around a curve.
GIB:
(deadpan, to Faisil)
He's in the helicopter.
Big is scanning above for the chopper. Then upslope he sees
the burning fuselage skiing expertly among the trees.
The chopper hits a jump and launches into the air-- It crashes
through trees, still soaring and-- Gib looks up, screaming as--
The chopper drops right toward him-- He hits the brakes and--
BLAMMO! It drops onto the road ten feet in front of the
skidding van... then slides over the edge and tumbles into a
rocky canyon where is BLOWS UP! The fireball lights up the
night.
Gib and Faisil jump out of the van. They look downslope at the
burning wreckage.
GIB:
Harry? HARRY?!
HARRY:
What?
Gib and Faisil spin to look behind them. Harry is lodged in
tree-branches hanging over the road. Gib hands his MP-5K*
machine gun to Faisil and reaches up to Harry, who grabs his*
hand and pulls. Harry tumbles down into the snowbank. He
stands, brushing snow off his tux, and clomps toward the van in
his ski-boots. He is completely unruffled.
HARRY:
Let's go. We can still make our
flight.
As Faisil is getting into the van behind Harry, TWO GUARD TEAMS
ON SNOWMOBILES roar around the bend behind them, fish-tailing
on the ice. Faisil OPENS FIRE. One snowmobile swerves over
the embankment. The other pulls up broadside, and the guards
duck behind it. Gib floors it and the van roars down the
mountain. Faisil is still Ramboing on full-auto.
FAISIL:
This is GREAT!! I never get to
shoot!
CUT TO:
32 EXT. DULLES AIRPORT - NIGHT
An American Airlines 747 touches down amid puffs of tire smoke.
33 EXT. SUBURBAN D.C. STREET - NIGHT
A NON-DESCRIPT SEDAN pulls to the curb in a neighborhood of
modest middle-income tract homes. The street is deserted. It
is 4 A.M. Gib is at the wheel, dropping Harry off at his
house.
34 INT. SEDAN - NIGHT
Harry is emptying his pockets... passport, business cards etc.
All documents under his name "Renquist". He double checks that
his pants and jacket pockets and empty. Gib fastidiously puts
the items into a plastic zip-lock.
HARRY:
Empty. Go.
Gib starts handing him items from a briefcase. This should all
feel like a tired ceremony between them.
GIB:
Harry Tasker wallet. Harry
Tasker passport. Plane ticket
stub, hotel receipt, Tasker. Two
postcards of Lake Geneva. House
village.
Gib snows him how is snows when you shake it up and turn it
over.
HARRY:
What's this for?
GIB:
For Dana, schmuck. Bring your
kid something. You know. The
dad thing.
HARRY:
Got it. Nice touch. Okay, pick
me up at eight. The de-brief is
at ten hundred.
Harry opens the car door.
GIB:
Hey, hey, hey... what are we
forgetting?
Gib holds up Harry's gold wedding band. Harry puts it on.
HARRY:
What a team. See you at eight.
GIB:
Yep. Sleep fast.
Harry slips inside. He sets down his suitcase and walks
quietly down the hall. He pauses at a door with lurid labels
and stickers plastered all over it (Toxic Waste, STAY OUT!, IF
IT'S TOO LOUD YOU'RE TOO OLD, etc.)
Harry silently opens the door and looks in at his sleeping
daughter, DANA. She looks like an angel in the moonlight
coming in the window. In fact, she is a typical 14 year old
girl, and therefore hardly an angel. But to Harry she is
unflawed.
36 INT. MASTER BEDROOM - NIGHT
Harry, undressed now, slips into bed next to... a lump in the
covers which we presume to be a human being. This is HELEN
TASKER, Harry's wife of 15 years. He kisses her on the cheek
and she stirs. She rolls toward him, giving him a sleepy hug
and a kiss.
HELEN:
(a drowsy murmur)
Hi, honey. How was the flight?
HARRY:
Fine, honey. Stay asleep.
HELEN:
Okay.
As she drifts off, Harry puts his head on the pillow and stares
at the ceiling.
DISSOLVE TO:
37 INT. TASKER HOUSE - DAY (MORNING)
TIGHT ON SWISS VILLAGE. It is snowing.
ON DANA, reaching to the present Harry just gave her.
DANA:
Hey, thanks dad. I never had one
of these.
They are in her room, which is your basic room from Hell.
Pearl Jam posters, and an unbelievable clutter of junk,
magazines and cheap jewelry. Harry kisses her on the cheek, to
which she submits dutifully. He looks at his watch and heads
for the door.
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