True Romance Page #5
- R
- Year:
- 1993
- 119 min
- 1,903 Views
CLARENCE:
This is Dick's number in Hollywood. We don't know where we'll be, but you
can get a hold of me through him.
Clarence turns toward Alabama and yells to her.
CLARENCE:
Bama, we're outta here. Kiss Pops goodbye,
Alabama runs across from where she was and throws her arms around Cliff and gives him a big smackeroo on the lips. Cliff's a little startled. Alabama's bubbling like a Fresca.
ALABAMA:
Bye, Daddy! Hope to see you again real soon.
CLARENCE:
(mock anger)
What kind of daughterly smackeroo was that?
ALABAMA:
Oh, hush up.
The two get into the Mustang.
CLARENCE:
(to Cliff)
We'll send you a postcard as soon as we get to Hollywood.
Clarence starts the engine. The convertible roof opens as they talk.
CLIFF:
Bama, you take care of that one for me. Keep him out of trouble.
ALABAMA:
Don't worry, Daddy, I'm keepin' this fella on a short leash.
Clarence, slowly, starts driving away.
CLARENCE:
(to Cliff)
As the sun sets slowly in the west we bid a fond farewell to all the
friends we've made... and, with a touch of melancholy, we look forward to
the time when we will all be together again.
Clarence peels out, shooting a shower of gravel up in the air.
As the Mustang disappears Cliff runs his tongue over his lips.
CLIFF:
The-son-of-a-b*tch was right... she does taste like a peach.
INT. DICK'S APARTMENT - DAY
Dick's apartment is standard issue for a young actor. Things are pretty neat and clean. A nice stereo unit sits on the shelf. A framed picture of a ballet dancer's feet hangs on the wall.
The phone rings, Dick answers.
DICK:
Hi, Dick here.
INT. HOTEL SUITE - LAS VEGAS - SUNSET
Top floor, Las Vegas, Nevada hotel room with a huge picture window overlooking the neon-filled strip and the flaming red and orange sunset sky.
Clarence paces up and down with the telephone in his hand.
CLARENCE:
(big bopper voice)
Heeeellllloooo baaaabbbbbyyyy!!!
Note:
We intercut both sides of the conversation.DICK:
(unsure)
Clarence?
CLARENCE:
You got it.
DICK:
It's great to hear from you.
CLARENCE:
Well, you're gonna be seein' me shortly.
DICK:
You comin' to L.A.? When?
CLARENCE:
Tomorrow.
DICK:
What's up? Why're leavin' Detroit?
Clarence sits down on the hotel room bed. Alabama, wearing only a long T-shirt with a big picture of Bullwinkle on it, crawls behind him.
CLARENCE:
Well, there's a story behind all that. I'll tell you when I see you. By the
way, I won't be alone. I'm bringing my wife with me.
DICK:
Get the f*** outta here!
CLARENCE:
I'm a married man.
DICK:
Get the f*** outta here!
CLARENCE:
Believe it or not, I actually tricked a girl into falling in love with me.
I'm not quite sure how I did it. I'd hate to have to do it again. But I did
it. Wanna say hi to my better half?
Before Dick can respond Clarence puts Alabama on the phone.
ALABAMA:
Hi, Dick. I'm Alabama Worley.
DICK:
Hello, Alabama.
ALABAMA:
I can't wait to meet you. Clarence told me all about you. He said you were
his best friend. So, I guess that makes you my best friend, too.
Clarence start dictating to her what to say.
CLARENCE:
Tell him we gotta go.
ALABAMA:
Clarence says we gotta be hittin' it.
DICK:
What?
CLARENCE:
Tell him we'll be hittin' his area some time tomorrow.
ALABAMA:
He said don't go nowhere. We'll be there some time tomorrow.
DICK:
Wait a minute -
CLARENCE:
Tell him not to eat anything. We're gonna scarf when we get there.
ALABAMA:
Don't eat anything.
DICK:
Alabama, could you tell Clar -
CLARENCE:
Ask him if he got the letter.
ALABAMA:
Did you get the letter?
DICK:
What letter?
ALABAMA:
(to Clarence)
What letter?
CLARENCE:
The letter I sent.
ALABAMA:
(to Dick)
The letter he sent.
DICK:
Clarence sent a letter?
CLARENCE:
Has he gotten his mail today?
ALABAMA:
Gotten your mail yet?
DICK:
Yeah, my room-mate leaves it on the TV.
ALABAMA:
(to Clarence)
Yes.
CLARENCE:
ALABAMA:
(to Dick)
DICK:
Not yet.
ALABAMA:
(to Clarence)
Nope.
CLARENCE:
Tell him to look through it.
ALABAMA:
(to Dick)
Get it.
DICK:
Let me speak to Clarence.
ALABAMA:
(to Clarence)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"True Romance" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/true_romance_735>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In