Truth Page #8
COLONEL CHARLES:
(not looking up)
Many things are crazy. Tell me what
specifically you feel is crazy.
LUCY:
The fact they kept this secret for
so long.
Colonel Charles looks over to Mary dozing a few seats away.
COLONEL CHARLES:
You know why Mary didn't get this
story done in 2000, don't you?
Lucy shakes her head.
COLONEL CHARLES (CONT'D)
Her mother died. Right in the middle
of it. So this story never got
finished and the election happened.
An election decided by 537 votes.
(pause)
Sometimes I think if Mary's mom hadn't
died that summer, there's a good
chance Al Gore would be President
right now.
LUCY:
What about her father?
COLONEL CHARLES:
Mary's father is a drunken piece of
sh*t who hated himself so much that
he beat his daughters. The more
outspoken they were, the harder he
hit them. How do you think she fared?
Lucy looks at Mary's sleeping form.
LUCY:
She'd get beat up for asking
questions?
48.
COLONEL CHARLES:
That's right.
LUCY:
And this is what she does for a
living.
Dan retakes his seat next to a sleeping Mary as the Colonel
and Lucy watch.
COLONEL CHARLES:
People are funny sometimes. That's
part of what it is between her and
Dan, I think. Why they work so well
together. Why they need each other.
(shakes his head)
Fathers and daughters.
Lucy doesn't know how to respond. Pan to Mary. The plane
flies on through the night.
INT. CBS NEWS -- LOBBY -- MORNING
September 6th - 2 Days To Air. The lobby of 555 West 57th.
Our team strides across it bleary eyed.
MARY:
Tell me about the document examiners.
LUCY:
There are four. We have Marcel Matley
coming in from San Francisco today
to do on-camera. Linda James in
Texas wants to see the originals-
MARY:
So would I, but we don't have them.
LUCY:
That's what I told her. Jim Pierce
in Los Angeles just got started today
and Emily Will in North Carolina
wants you to call her...
As they step into the elevators
EMILY WILL (O.S.)
I think you have a problem.
49.
INT. MARY'S OFFICE/EMILY WILL'S OFFICE -- DAY
Mary sits at her desk unpacking her carry-on, on the phone
with Emily Will - Document Examiner. INTERCUT:
EMILY WILL:
I've been doing some internet
research. The President was in
Alabama when these were written, so
there's no way they could be true.
MARY:
Have you found anything wrong with
the documents themselves?
EMILY WILL:
No, but-
MARY:
Do they appear forged in any way?
EMILY WILL:
Without the originals to ink test-
MARY:
Let me worry about the investigational
side of the story.
EMILY WILL:
I always work the whole thing.
(pause)
Do you know where these originated?
Establishing exact chain of custody
would go a long way towards
determining authenticity.
MARY:
We're working on it...
Burkett, on the phone with Mary. INTERCUT:
BURKETT:
I give you the memos, you verify
them, that was the deal. You call
the Kerry campaign for me yet? They
can't lie down on this swift boat
sh*t.
50.
MARY:
If I could just confirm where you
got the memos, we would be home free.
BURKETT:
I told you, I can't go on the record-
MARY:
You wouldn't have to. Just give me
the name. That's all I need.
A beat. Burkett exhaling. Then:
BURKETT:
George Conn. Buddy of mine in the
Guard. He was there for the
scrubbing. But you call him and
he'll deny it.
TIME CUT TO:
Through Mary's phone:
ANSWERING MACHINE (O.S.)
You've reached the Conn Residence,
please leave a message at the beep.
MARY:
Colonel, this is Mary Mapes, I'm a
producer at 60 Minutes. If you could
call me back at your earliest
convenience, it's regarding a story
She hangs up as Colonel Charles pokes his head in.
COLONEL CHARLES:
Matley's ready.
INT. CONFERENCE ROOM -- DAY
Now set up for an interview. Several ENLARGEMENTS of
signatures hang on a board. Marcel Matley - Document Examiner
stands taking Dan through them as the CAMERA ROLLS.
MARCEL MATLEY:
I would say based on our available
handwriting evidence, yes, this is
the same person.
(MORE)
51.
MARCEL MATLEY (CONT'D)
Now, this signature on the June 24th
document shows some conspicuous
differences, but it also shows what
I call inconspicuous similarities to
Colonel Killian's handwriting.
DAN:
Why might differences like that exist?
MARCEL MATLEY:
The content of the memo is highly
stressful, Killian telling a higher
up that he cannot rate Bush during
his absence. This is enough to
explain differences in the penstrokes.
Dan just stares at him.
DAN:
Would you give us a moment?
He turns and walks over to where Mary stands.
DAN (CONT'D)
It's like listening to someone
describing paint dry-
MARY:
He said it, though. It was in there
somewhere. Can you get the bite?
Dan nods and walks back to Matley.
DAN:
Are you saying that if I present
these to the American public and
say, to the best of our knowledge,
these documents were all signed by
the same man, I am going to be on
solid ground?
A beat. Everyone leans forward to hear. On Matley.
MARCEL MATLEY:
Yes.
TIMECUT TO:
52.
INT. CONFERENCE ROOM -- DAY
After the interview. Matley has departed, the equipment
sits dormant. Dan stands with Mary, Lucy, and Colonel
Charles.
LUCY:
Matley's a yes, Jim Pierce is a yes,
Emily Will's still working and Linda
James wants more documents, but says
she'll defer to Matley.
MARY:
All the dates and content in the
Burkett memos mesh perfectly with
the official record - I'm trying to
have graphics mock something up to
show it visually.
They look to Dan. He shakes his head.
DAN:
We don't have it yet.
Groans from the others. Dan presses forward.
DAN (CONT'D)
Someone has to confirm the content
of the memos. Someone who knew the
players.
COLONEL CHARLES:
No one from the Guard is gonna step
up for that. Look at what happened
to Burkett - you talk, you get your
head chopped off.
DAN:
What about Killian's family?
MARY:
Super Pro-Bush so they'd never go
for it, plus there was a divorce
there. I don't know if she'd know
anything.
DAN:
Who were Killian's commanders again?
53.
MARY:
Buck Staudt, who has figuratively
and literally told me to go f***
myself, and Bobby Hodges, who I've
left eighteen messages for.
Dan stares at her. His meaning clear.
MARY (CONT'D)
Fine, I'll go do nineteen...
INT. MARY'S OFFICE -- NIGHT
Smith lies on the couch. Colonel Charles tosses a ball back
and forth between his hands nervously. Mary dials her phone.
SMITH:
You want to get pizza?
(to Colonel Charles)
We should get pizza.
The phone is ringing. Picked up. Through the receiver:
GENERAL HODGES (O.S.)
Hello?
Mary blinks, surprised.
MARY:
General Hodges?
GENERAL HODGES (O.S.)
Yes.
Mary snaps her fingers for them to pick up a second line to
listen in.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Truth" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/truth_577>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In