Twilight Page #2
CHARLIE:
I put Grandpa's old desk in your
room. And I cleared some shelves
in the bathroom.
BELLA:
(grimacing)
That's right. One bathroom.
Bella's eye lands on a PHOTO of a much younger Charlie and
Rene, on vacation, beaming with love.
CHARLIE:
I'll just put these up in your room
-
BELLA:
I can do it
-
They both reach for the bags, bumping one another awkwardly.
Bella backs off, letting Charlie carry the bags upstairs.
An antique rolltop desk sits in a corner. The room is filled with
childhood remnants that have seen better days. As she unpacks her
CD case, loneliness finally overwhelms her. She sits heavily on
the edge of the bed, tears threatening..
.
Then we hear a HONK outside. Bella runs across the hall and looks
out the window to see
-
11 OUTSIDE - A FADED RED TRUCK, CIRCA 1960 pulls up... 11
6.
EXT. CHARLIE'S HOUSE - DAY
Bella exits to find Charlie greeting the driver, JACOB BLACK,
16, Quileute Indian, amiable with long black hair, and hints of
childish roundness in his face. The two of them help Jacob's
father, BILLY BLACK (from the photos), into a wheelchair.
CHARLIE:
Bella, you remember Billy Black.
BILLY:
Glad you're finally here. Charlie
hasn't shut up about it since you
told him you were coming.
CHARLIE:
Keep exaggerating, I'll wheel you
down the hill.
BILLY:
Right after I ram you in the ankles.
Billy takes several rolls at Charlie, who dodges. Jacob shakes
his head at their two fathers as he shyly approaches Bella.
JACOB:
I'm Jacob. We made mud pies
together when we were little kids.
BELLA:
Yeah... I think I remember..
.
(re:
the dads)Are they always like this?
JACOB:
It's getting worse with old age.
Charlie then pats the hood of the truck, addressing Bella
-
CHARLIE:
So what do you think of your
homecoming gift?
BELLA:
No way. The truck is for me?
CHARLIE:
Just bought it off Billy, here.
JACOB:
-
BELLA:
It's perfect!
7.
She beams. It's the first genuine smile we've seen on her.
She rushes to the truck. Jacob eagerly joins her.
JACOB:
Okay, so you gotta double pump the
clutch when you shift, but -
-
He hands her the keys as she climbs in.
BELLA:
Maybe I can give you a ride to school.
JACOB:
I go to school on the reservation.
BELLA:
Too bad. Would've been nice to
know at least one person.
As she starts up the truck we MATCH CUT
-
12 EXT. FORKS HIGH SCHOOL - BELLA'S TRUCK - DAY 12
Loud, belching and turning heads as Bella parks, mortified. All
eyes are on her as she climbs out of her truck and steps in
a
PUDDLE, soaking her sneakers. She slinks toward school, as we
begin
-
13 INT. HIGH SCHOOL - A SERIES OF SHOTS - DAY 13
-- Bella (never without her IPOD) makes her way thru kids who
stare openly; a few brave ones say hi. They're all talking
about her. This is her hell.
-- Bella wanders the walkways looking for room numbers, lost.
-- Constant stares at Bella, the outsider..
.
SERIES ENDS when a sweet, nerd-cute, motor mouth boy, ERIC,
appears in her path.
ERIC:
You're Isabella Swan, the new girl. Hi.
I'm Eric. The eyes and ears of this
place. Anything you need. Tour guide,
lunch date, shoulder to cry on.
Bella just looks at him. Is he for real?
BELLA:
I'm kind of the “suffer in silence” type.
ERIC:
Good headline for your feature
-
I'm on the paper, and you're news,
baby, front page.
8.
BELLA:
I -- no, I'm not news -- I'm, seriously,
not at all
-
ERIC:
Whoa, chillax. No feature.
BELLA:
(relieved)
Would you mind just pointing me
toward Mr. Varner's class?
He leads her away, enjoying the attentive stares, as she cringes
from them
-
ERIC:
You've missed a lot of the semester,
but I can hook you up - tutor, cliff
notes, medical excuse..
.
The boys' basketball team runs drills on half the basketball
court. A girls' volleyball game occupies the other half.
Bella, in gym clothes, avoids the volleyball like it's
radioactive. An energetic, athletic team captain, JESSICA,
motivates the players.
JESSICA:
Block it, Chloe! Yeah! Good attack!
Unfortunately, the volleyball heads toward Bella. She closes
her eyes and flails at it, SMACKING it. It flies off court
-
-- and beans a basketball player in the head. He is MIKE
NEWTON, good looking, affable, with blond spiky hair.
MIKE:
Ow!
BELLA:
(hurries to him,
embarrassed)
Are you alright? I warned them not
to make me play.
MIKE:
It's only a flesh wound.
Mike grins and she smiles, relieved. A BELL RINGS, class over.
MIKE:
You're Isabella, right?
9.
BELLA:
Just Bella.
MIKE:
I'm Mike. Newton.
He looks at her a second too long, clearly taken by her -
-
Suddenly, Jessica appears, stepping between them. Subtle,
but possessive as she nudges Mike.
JESSICA:
She's got a great spike, doesn't
she?
(to Bella)
So, you're from Arizona, right?
Aren't people supposed to be tan
down there?
BELLA:
That's why they kicked me out.
Mike laughs, and because he does, Jessica does. Bella just
feels uncomfortable with the attention..
.
FOLLOW Bella, Mike and Jessica as they carry their trays to
a
table. Eric appears, and squishes into a seat next to Bella.
ERIC:
Mike, you met my home girl Bella.
MIKE:
Your home girl?
JESSICA:
(to Bella)
It's first grade all over again,
and you're the shiny new toy.
Bella smiles awkwardly. Suddenly, a FLASHBULB blinds Bella.
She looks up at the photographer, ANGELA, Jessica's sweet,
low key, insecure friend.
ANGELA:
Sorry, needed a candid for the feature
-
ERIC:
Feature's dead, Angela. Don't bring it
up again.
(to Bella)
I got your back, baby.
10.
ANGELA:
(disappointed)
Guess we'll just run another editorial on
teen drinking.
BELLA:
Sorry. There's always eating disorders,
or Speedo padding on the swim team
-
ANGELA:
-- Wait, that's a good one..
.
But Bella's attention is now riveted to
-
BELLA'S POV - THE DOUBLE DOORS OF THE CAFETERIA
They swing open as four of the most astounding people Bella's
ever seen enter (IN SLOW MOTION): THE CULLENS. Two guys, two
girls, all chalky pale, purplish shadows under their eyes..
.
and all devastatingly beautiful.
They move through the room with effortless grace, and take a seat
at a table furthest from Bella's. Bella leans over to Jessica and
Angela.
BELLA:
Who are they?
ANGELA:
The Cullens.
Jessica leans in, swinging into gossip mode.
JESSICA:
Doctor and Mrs. Cullen's foster
kids. They all moved down here
ANGELA:
They kinda keep to themselves.
JESSICA:
Because they're all together.
Like, together together. The
blonde girl, Rosalie, and the big
dark-haired guy, Emmett..
.
ON ROSALIE, 18, long blonde hair, model beautiful, knows it.
Alongside her is EMMETT, 17, big, brawny, like a weight
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Twilight" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/twilight_122>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In