Udayananu Tharam
- Year:
- 2005
- 4,061 Views
Everybody get ready
for the shot.
Lights!
Junior, a little stronger.
Starting.
Running, one by one
take one, clap!
Action.
This is a film related to films.
The Lumiere brothers
made films a reality.
You look arrogant.
talking to audience.
OK. - OK Sir.
This is a film related to films.
Lumere brothers.. - Cut it!
Listen! Don't try to be a
joker. Don't be too gentle.
You try to be specific,
that's all. - Yes Sir.
This is a film related to films.
The Lumere brothers
made films a reality.
Thereafter, many great
film makers came..
...and gave new definition
to films.
There was laughter inside
the cinema theaters.
emotions of the characters..
under trying conditions.
Thousands of people came to Madras
to try their luck in films.
They were many who made it big &
many who were ruined in this film city.
We know only those made it big.
one who couldn't succeed.
The hero of this story, Udhaybhanu
had come to Madras 12 years ago.
He was an assistant director.
And was trying to become
an independent director.
Cinema was not just his
ambition, but it is his life too.
The screenplay of the first
film is in progress.
'Om Satyajit Ray Namaha.'
'Om Spiel Berg-aya Namaha.'
'Priyadarshanaya Namah.'
'Kurasova, Aravinda,
Chaplin-aya Namaha.'
Oh God! Give me a great
climax to this story!
Anusha and Ravi met on the
platform unexpectedly.
But to shoot on the
railway platform.
...a deposit of Rs. 5
lakhs is required.
And if producer is not
ready for that, then..
I'll make the film for the
one who is ready do that.
Anyway, the dialogues of Anusha
should be brilliant.
Look Ravi.. I don't
want to invite you..
Ravi in my life, which
is cloudy. Sh*t..
Stupid dialogues! Would anyone
talk like this in real life?
Cloudy.. Nonsense!
There is no need of 'Look Ravi.'
It feels like a serial.
You've come to see the one who
is running away, isn't it?
You're standing here just because you've
a platform ticket & you can't go beyond.
The one who watches us will
think we are very close.
But it's only we know how
far we are with each other.
Good! That's good!
Let us pray so that Udhaybhanu
gets a good climax.
This city is full of cinemas.
We are on our way
to a film studio.
The heroine of this story,
Madhumati is in the studio.
She was awarded the best
actress of the university.
It was Udhaybhanu who introduced
Madhumati to his mentor.
The very first film itself
was a very big hit.
And Madhumati is
a big star today.
Though Madhumati is indebted
to Udhaybhanu..
...and she likes him, but there is
nothing like love between them.
But Udhaybhanu is restless
about the unwanted gossips.
This is Rajappan Thengamulli,
sorry these are his legs.
He has been looking for a good role in
Malayalam cinema for a long time now.
Is it because of his looks that
is not getting a good role?
Or is it because of his
color and figure?
He has done many
small bit roles.
But he is still waiting
for his dream role.
He has a darker complexion
than me.
And he isn't so handsome,
yet he is a superstar.
Gad!
The one's wearing suits
go to Wing A. - Yes sir.
It's a Telugu movie, a
company meeting scene.
The rest are all for Shivaji's
garden. A Tamil film.
You will get your dress, guns
everything there. - Yes sir.
And if you have any doubts,
then call me.
OK sir. Come on people.
Go on in this auto.
Sir! Do you have any role?
- There are many.
What, will you come? - Is there
any dialogue in the role?
No, it's a landlord's film.
You will get the uniform,
and guns there.
You will get lunch and snack
in the evening too.
And 100 rupees.
So will you come?
If there isn't a dialogue.
Hey when everyone is shooting who will
think about dialogues. - That's right.
Rajappan, earlier the house
owner had come. - Is it?
It was nice that you left
early. He shouted a lot.
He would have beaten
you if you were here.
Then. - Then nothing.
Thomas has kicked Thadimadi out of
the house because he didn't pay the rent.
He deserves it.
Last week, he didn't give
me a loan of Rs. 50..
You have been kicked out too!
- But I was not there.
He broke your lock and he
locked it with a new one.
have been thrown out. - Is it?
I took it and kept
it at my doorsteps.
You should have kept
it inside your house.
I decided not to do that
after thinking a lot.
You will come in along
with the suitcase.
That is risk. And it's just because two
scoundrels have come from native place.
And there is no breathing space.
Why don't you try Udhay's place?
No chance, he is writing
the story.
And while writing story, he'll behave like
a dog who gave birth to the new born.
He'll cut me into pieces.
Rajappan, then go and try
at some other place.
Why don't you work as a junior artist
at least for a couple of times like me?
At least you can earn
enough for your rent!
Dear Rafiq, I am not like
you. I have an aim.
And I'll do anything
to reach there.
Once you become
a junior artist..
...you'll be a junior artist
till your death, understand.
I got the climax!
Brother Bhaskaran, sister
Sharada, I got the climax!
A fantastic climax!
Krishnaswamy, I got the climax!
I've got a great climax!
What's the matter?
Brother Bhaskaran.
- Yes.
I got the climax! Such a climax
that nobody expects!
The climax that Malayalam
cinema has never seen.
I was working for the last ten
days to get a good climax!
I got the climax,
a real thriller!
A stunning twist! A
nail biting finish!
Udhayan, what is the climax?
Ravi is coming back to the place
from where he ran away, isn't it? - Yes.
As Ravi got of the train and
came out of the station..
...no, no, I'll not
tell the climax.
Brother Bhaskaran will lose
I have to make some corrections
in the screenplay.
I'll see you later. I will see
you later. I've got the climax!
I've got the climax!
He is a bit normal today
after 3-4 months.
He was screaming and shouting
all these days in the room..
He used to come out..
...stare at the sky and
shout something.
Then run in again. It was as if
he was going to hang himself.
Is writing a screenplay
that tough a job?
I haven't tried it yet.
- Then you should try it.
Will you get a chance
in Udhayan's film?
No, I don't have
that star value.
If you know that why are you
wandering here in Madras?
You are here for
a long time now.
Why don't you go to your native place &
stay with your wife and children?
You are staying here with your wife
and children for a long time now...
Why don't you go for pilgrimage and
give them peace of mind?
It's because of this you
are not prospering.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Udayananu Tharam" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/udayananu_tharam_22447>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In