Udayananu Tharam Page #2

Synopsis: Thanks to a script stolen from assistant director Udayabhanu, Rajappan Thengummoodu becomes superstar Saroj Kumar overnight. Udayan is left heart-broken but fate comes in the form of Babykuttan who wants to produce a movie with Udayan in the director's seat. And when Superstar Saroj Kumar starts working in the film, things looked to be in the right track. But when the project nears completion, Saroj walks out from the project due to an ego clash with Udayan. Now Udayan must shoot the rest of the movie without the knowledge of Saroj leading the movie to an exciting climax.
Genre: Comedy
Director(s): Roshan Andrews
 
IMDB:
7.9
Year:
2005
4,070 Views


You've prospered too much.

You're staying in a single room

with your wife and three children.

And in the same room

you are cooking.

And he thinks he's Tata. Single

room Tata Bhaskaran!

As I was obsessed with

the screenplay..

"Rajappan, I didn't see you.

And what's this like Bangladeshis with

a suitcase and all?

I won't tell lie. I've been kicked out of

the house as I didn't pay the rent.

I am lucky that you've finished

writing the story.

It's my luck that I've finished

writing the story.

Are you planning to stay

with me? - No.. - Then?

Udhayan, shouldn't I find some place to

keep this suitcase and the mat?

Don't play that game.

If I help you, it's sure you'll

take advantage of it.

Did you think I would forget

what you did last time?

When you were thrown out of

the house six months ago..

...I gave you the shelter.

Then what did you do?

When you went for

out door shooting..

...I allowed two guys to stay

here and took rent from them.

Who gave you the right to

give my room on rent?

Then should I've allowed

them to stay freely?

Who asked you to make

them stay here?

That's my mistake, I agree and

will not repeat it! - Fine.

I'll tolerate you once more.

But I want to know one thing.

When will you vacate?

Udhayan, for shifting

to a new place..

...at least there should be

Rs.5000 to give advance.

But it's just a matter of

getting a good role in cinema.

Which cinema? And who is going

to give you a good role?

I've spoken to many people

to give a chance.

But that you are doing

it for a long time now.

Rajappan, tell me something

which is practical.

I don't think you'll ever

get a good role. - Udhayan!

Then what? You must have got

award for the best actor..

...In schools for doing the

roles of leprosy and TB patient.

That is not enough

for doing films.

Acting is what reacting

it is behaving.

Do you know what Stansoloski

said about acting?

Please! What has that

good to do now?

Rajappan, why are you still

expecting a good role then?

Mr. Udhayan!

Mr. Udhayan, Madhumati

Amma is missing.

Whose mother?

- Not mother, but Madhumati.

Sir, don't you know me?

I am Vijayan Varkala,

production manager.

I am coming from the

sets of KP Nanappan.

I've something important

to tell you.

Sir, if you could

come this side..

What's it? - Mr. Nanappan

was shooting for a song.

The song was shot on Madhumati.

It was a very good song.

Suddenly Madhumati said

that she is leaving.

She threw the wig and left

the shooting in a car.

Now the whole unit is stand

still. What should we do now?

What you should do

why I should tell?

I just asked you.

- Then I'll tell you one thing.

It's all her wish whether

to come or go.

If Mr. Nanappan thinks that

she'll come back to the set if

...I call then he is wrong. Now

Mr. Vijayan Varkala can go.

If the shoot is canceled today, it isn't

possible to release the film on Christmas.

Christmas will come next year

too. - Sir, don't say like that.

The producer was not having

the money at all.

And so he pawned his wife's

jewellery to do the payments.

That's not a problem. That's

his own wife. - Sir..

It's men like you who gossiped

in the industry that..

...there is something between

Madhumati and me.

The magazines too

wrote about that.

And may be to confirm that

Mr. Nanappan had sent you here.

Oh no! Nanappan is

a very good man.

Do you know what

Mr.Nanappan has told?

That Mr. Udhayan knows the

value of producer's tears.

It's because of your recommendation

Madhumati acted in her first film.

And this reason is enough

for Madhumati to obey you.

Mr. Nanappan is not aware of the heroines

and the gossips you're talking about.

It's when you said now, even

I came to know about it.

Where is Madhumati now?

- I don't have any idea.

But the cell phone is ringing.

And she'll not attend our calls.

But Sir, she'll surely

attend your call.

All right, I'll see. You go and

call me after sometime. - OK.

How did you come?

I came in brother Bhaskaran's vehicle.

Whatever the reason is,

leaving the set in between is not right.

You should have thought of

the loss to the producer...

...and to the colleagues.

Do you think that the

media will keep quiet?

Each second is very precious

so don't waste the time, get back.

Just a minute, at

least listen to..

Madhu, don't you know that shooting

is interrupted, people are waiting for you?

Mr. Udhayan, that means you're

not bothered about my feelings.

Had this director ever made a film that

hasn't questioned human commonsense?

Why are you asking that now?

Mr. Udhayan, I've told you the

attitude of my father and brother.

They are just blindly taking advances

from wherever they could.

Like the animals which

are brought on rent.

They neither want to know

about the story..

...nor they want to know

who the director is.

You should have told you'd act

only if you like the story.

I said that hundred times.

But who is listening to me?

That the director has talked to

my brother about the story.

He said it was fantastic.

And such a story has

never come before.

I heard the story when I went

for shooting yesterday.

It was just horrible.

I even shot for a role

where people teased me.

I couldn't sleep

yesterday night..

...as I couldn't take

any decision.

Do you know how many times

I tried Mr. Udhayan's cell?

You didn't attend the call

after seeing my number.

You called yesterday?

Yes, yes, I forgot.. to take

the cell when I went out.

Didn't you check the missed

calls after coming back?

Perhaps I didn't notice.

You still don't know how to lie

so that others can believe you.

Don't say that. Sometimes

I don't attend your calls purposely.

There may be someone in the room.

Why should we give them

a chance to make stories?

But if I want to ask you

or tell you something..

That's not the way people

look at things.

Madhu, now you are

a well-known star.

It's better for an assistant director

to stay at his place.

So you've decided to

stay away from me.

I didn't mean that.

Mr. Udhayan, don't you've

any share in my success?

If it is so, then why I am not

able to achieve that success?

Even if I hadn't recommended

you for my mentor's movie..

...you'd have been

in movies because..

...you were born for that.

I loved acting, that's

why I came to cinema.

And because of the same reason,

I am ending it.

I already told you regarding

my father and brother Dinesh.

They are bargaining

with the directors..

...like one does in

the street markets.

The beggars can't be choosers.

Do you want good film

or more money?

There is not even a single

good film this year for me.

I am fed up.

Sir, shall I attend?

What's the use of you

being her manager?

When she went out of the sets,

you should have stopped her!

Attend the phone and listen to

the abuses of the producer.

And tell him that

nobody is here.

Go out and play you stupid!

Why are you getting annoyed

Rate this script:3.6 / 9 votes

Sreenivasan

Sreenivasan (born 6 April 1956) is an Indian film actor, screenwriter, director and producer who works in Malayalam films.Sreenivasan has starred in over 200 films. He is most popular for his comedy oriented performances. Sreenivasan wrote the screenplay for films such as Odaruthammava Aalariyam (1984), Sanmanassullavarkku Samadhanam (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Pattanapravesham (1988), Varavelpu (1989), Thalayanamanthram (1990), Sandesam (1991), Midhunam (1993), Mazhayethum Munpe (1995), Azhakiya Ravanan (1996), Ayal Kadha Ezhuthukayanu (1998), Udayananu Tharam (2005), and Katha Parayumpol (2007) among others. He has won two Kerala State Film Awards for Best Screenplay, for Sandesam and Mazhayethum Munpe. As a writer and actor he has frequently collaborated with directors such as Priyadarshan, Sathyan Anthikad and Kamal. As a filmmaker, he scripted and directed Vadakkunokkiyanthram (1989) and Chinthavishtayaya Shyamala (1998). While Vadakkunokkiyanthram won the Kerala State Film Award for Best Film, Chinthavishtayaya Shyamala won the National Film Award for Best Film on Other Social Issues and Best Popular Film Award at the 29th Kerala State Film Awards. He co-produced Katha Parayumpol (2007) and Thattathin Marayathu (2012) under the banner Lumiere Film Company, along with actor Mukesh. more…

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Submitted on August 05, 2018

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