Udayananu Tharam Page #8

Synopsis: Thanks to a script stolen from assistant director Udayabhanu, Rajappan Thengummoodu becomes superstar Saroj Kumar overnight. Udayan is left heart-broken but fate comes in the form of Babykuttan who wants to produce a movie with Udayan in the director's seat. And when Superstar Saroj Kumar starts working in the film, things looked to be in the right track. But when the project nears completion, Saroj walks out from the project due to an ego clash with Udayan. Now Udayan must shoot the rest of the movie without the knowledge of Saroj leading the movie to an exciting climax.
Genre: Comedy
Director(s): Roshan Andrews
 
IMDB:
7.9
Year:
2005
4,062 Views


Do you have any dream character?

- Yes, I have.

Which is that?

- Karnan.. Karnan, Arjunan..

...Nelson Mandela, Gandhi-ji.

Actor Prasad Chandran too

wanted to act as Karnan.

That Karnan is not this Karnan.

Then Gandhi-ji too would

be different, isn't it?

When Saroj Kumar does

it, it's different.

It is said that you stole

the story of Udhayabhanu..

...and became hero

in your first film.

Me? Stole a story!

By the way who is Udhayabhanu?

I am hearing such name

for the first time.

Does Udhayabhanu have the

caliber of Thakazhi and MT?

Udhayabhanu!

The Malayalam films are in the

hands of thief like him.

Idiot! Stupid!

Mr. Udhayan, you should

go along with..

For that, you'll not get me!

Do you've the money to

honor the cheque..

...given to Baby Kuttan

in your account?

Somehow we paid the rent

of the house last month.

To do a film according

to Mr. Udhayan's wish..

...a producer may come,

but till then"

I am also thinking

about these things.

There may be some work to do.

Brother Bhaskaran.

- Where are you these days?

I called once.

Udhayan had gone to native

place, isn't it? - Yes.

Brother Bhaskaran, are you busy?

I want to talk to you

about something.

No, I am not busy. Tell me.

The MD of KC Group, Joseph

Cherian's brother..

...do you've any connection

with him now?

He is a big shot now.

He has 5-6 restaurants

in the city.

He is a nice guy, but I've

seen him long before.

What's the matter?

I don't think my film

will come out soon.

I thought of working as

assistant as I used to.

But nobody has the film.

I am not alone now, isn't it?

Can you tell.. Joseph Cherian

for a job.. - No problem.

I heard that he deals with..

...out door catering and

many other things.

That won't look good

for you, Udhayan.

I've to do it. - Then come,

there is no need to postpone.

You should've called me.

You were bathing. But I forgot

and made tea just for me.

I had it in the morning.

When I saw that, you

were sleeping nicely.

Are you not going

for the discussion?

Discussion? For what?

That's nice question. Daily

morning you get ready..

...and go to discuss

the film story.

And now you are asking me

what discussion? - That.

Madhu, that story is

not going to happen.

What happened? - He went

out to conquer the world.

But gradually he lost his

soldiers and weapons.

Now life is staring at him

and asking the question.

You want the world or food

to kill the hunger.

That is the question

to deal now.

If you get the world, then

food is not a problem.

Conquering the world

is a dream now.

And we need food to survive.

Everything will be all

right, Mr. Udhayan.

I knew you were in a bad mood.

Other than asking about

the household items

...you rarely talk to me.

I came to know the reason now.

These obstacles are

for time being.

Everything will be all

right and I am sure.

Mr. Udhayan will become

a well-known director.

I don't have any hope now.

Since many days I was

thinking something.

There are many who do acting

even after marriage.

Then why should I sit idle?

Madhu, it was you who

decided not to act.

That was because I was fed

up doing bad characters.

Did anybody call you

for good roles? - No.

Maybe it's because, they think

I've stopped acting.

And there is no use of seeing

if it's good or bad.

There are many films

which we don't like..

...and people like

them very much.

You understand things very soon.

You are fed up with this

small life, isn't it?

There were lot of fans and lot

of people at your command.

Now you are missing the

glamorous world, isn't it?

Mr. Udhayan, what

are you saying?

Our life belongs to both of us.

And I should do my

part, isn't it?

So it's because of that and

not because you want to act.

You want to share equally.

And to be more clear Madhu,

you are afraid..

...that my income is not

sufficient to carry on, isn't it?

The one who can write stories

can say that way too.

Then Madhu tell me,

how should I say it?

You once got out of the set

as the scene was not good.

And now you are telling

there is no need..

...to see if the role

is good or bad.

OK, I won't go and act. I'll

try for some other job.

No, not now. if I were

a big director and..

...had sufficient money,

I'd have allowed it.

If you do job under

these circumstances..

...that will hurt my ego.

Mr. Udhayan, you have

these complex too?

Yes, of course.

I never thought. - I'd have

said if you had asked.

Madhu, don't take it out

what's there inside.

Don't argue and give

me peace of mind.

I didn't argue, I was

asking opinion..

This is argument!

This is an argument!

You are drinking too much.

How many did you have?

I saw when you came. But

thought not to disturb you.

Do you know me? I am the

producer of Chuvanthangi.

Jomon Kandathil.

We've met couple of times.

- I don't remember.

But we cannot forget.

You are lucky, lucky.

You've grabbed the beautiful

actress of Malayalam cinema.

I became a producer to make

her heroine in my film.

I am late. But I'll

tell you one thing.

A heroine means is the property

of in the industry.

And to keep them closed

in a room..

...without letting them to

act is not a good thing.

If Madhumati is willing to act,

I'll produce film again.

That's my wish. Tell me would

you allow her to act again?

I'll give you another offer.

You can direct the

film she is acting.

C'mon, I am ready

for the arguments.

C'mon, what's your problem?

Tell me everything, one by one.

But I tell you, this is one

and only day you can argue.

Here after no arguments.

I want peace of mind.

C'mon speak UP!

You.. you don't have

anything to say.

OK, then good night.

Don't stare at me like that.

If I were in America, police

would charge the one staring.

You know something..

...I used to drink occasionally

to celebrate.

Now I drink for peace of mind.

That's the difference.

I had peace of mind

when I was alone.

Every time I used to think

just about the cinema.

It has gone. I lost everything!

Everything.. everything.

Everything.

Hello.

- I am Madhumati.

Who?

- I am Madhumati.

Mr. Udhayan, I came that day

without your permission.

The same way I've

come from there.

We lived together without

understanding each other.

Now we'll not continue,

Mr. Udhayan.

You can go your way and I'll

go mine, good-bye. - Madhu?

It's my fault, not her fault.

The girl who lived luxuriously,

I closed her in a small room.

Did I give her good food,

good clothes?

Did I take her anywhere?

No, I did nothing.

I did nothing.

No one can handicap me and

go ahead, ridiculous.

What Udhayabhanu?

He can't do anything.

What did he do to Rajappan

who stole the screenplay?

God is sending everyone

to ruin my life.

I don't have anything left.

There is no cinema.. no family..

I don't have anything left.

Cinema has gone.. my family..

Gone.. she.. has gone.

Udhayan come. Get

into the vehicle.

I don't have anything left.

Rate this script:3.6 / 9 votes

Sreenivasan

Sreenivasan (born 6 April 1956) is an Indian film actor, screenwriter, director and producer who works in Malayalam films.Sreenivasan has starred in over 200 films. He is most popular for his comedy oriented performances. Sreenivasan wrote the screenplay for films such as Odaruthammava Aalariyam (1984), Sanmanassullavarkku Samadhanam (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Pattanapravesham (1988), Varavelpu (1989), Thalayanamanthram (1990), Sandesam (1991), Midhunam (1993), Mazhayethum Munpe (1995), Azhakiya Ravanan (1996), Ayal Kadha Ezhuthukayanu (1998), Udayananu Tharam (2005), and Katha Parayumpol (2007) among others. He has won two Kerala State Film Awards for Best Screenplay, for Sandesam and Mazhayethum Munpe. As a writer and actor he has frequently collaborated with directors such as Priyadarshan, Sathyan Anthikad and Kamal. As a filmmaker, he scripted and directed Vadakkunokkiyanthram (1989) and Chinthavishtayaya Shyamala (1998). While Vadakkunokkiyanthram won the Kerala State Film Award for Best Film, Chinthavishtayaya Shyamala won the National Film Award for Best Film on Other Social Issues and Best Popular Film Award at the 29th Kerala State Film Awards. He co-produced Katha Parayumpol (2007) and Thattathin Marayathu (2012) under the banner Lumiere Film Company, along with actor Mukesh. more…

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