Under Fire Page #5
- R
- Year:
- 1983
- 128 min
- 175 Views
God damn it! F*** me!
Didn't you ship your film to New York,
for Christ's sake?
Nah, I developed it in my room.
Oh, Jesus Christ, Alex!
Come on, slow down, man.
It's not your fault if somebody took your...
Yes, it was.
What about Rafael?
I don't think it's Jazy.
Oates said it was a Frenchman.
How many Frenchmen do you know
who live around here?
I'll look here.
Are we looking for negs or prints?
Anything.
I'll get the door.
Russel? Russel?
He knew I'd find Rafael.
He wanted me to.
Probably even knew he was dead,
and I'd take pictures
He kills people.
Let's get out of here.
Well, we've been to every bar
in town, I still don't see Rafael.
Yeah, well, just hang in there a minute.
This is what I wanted to show you.
Wait a minute.
You brought us through three roadblocks
a half an hour before curfew
to show us a state of Tacho?
It's not Tacho. It's Mussolini.
See, when Tacho went to Italy
to commission a statue of himself,
he found a warehouse
full of il duce on horseback.
Got a great deal on one,
brought it back here.
He switched heads.
You can't tell, can you?
What are we doing here?
I think what he's trying to say,
what we're trying to say,
is that things aren't exactly
the way they seem to be.
Oh, great.
Well, things don't seem to be too great,
so I can't wait to hear this one.
Here we are,
two guys in love with the same dame,
- in the tropics, bullets flying...
- Alex!
- That's not why we're here.
- Oh, yeah?
I left this country because of this man.
I came back because of this man.
Now the cutest couple in town's
got me looking up a horse's ass
on a midnight tour of Managua.
What's goin' on?
Rafael is dead.
- In the picture he's dead?
- He's dead!
- All right, how in the hell did you...
- Who cares how?
one too many bodies.
Somoza is a killer.
I thought the war would end sooner.
How many reasons do you want?
You saw too many bodies?
That's a lot of bodies.
You stupid son of a b*tch!
Did he talk you into this?
No. I wanted Rafael to be alive.
Had you been there, you'd understand!
I've seen a hundred Rafaels.
I've seen a hundred Somozas.
Don't you ever tell me
who's sentimental.
You just served me up your careers.
I could bury both of you!
Look around you! Look at the war!
Can't you see what's going on?
I'm not just talking about Rafael.
That's a lie I despise, but I understand.
I'm talking about the two of you
lying to me, dragging me around town.
I didn't know how you'd take it, Alex!
How could you lie to me?
Now this is a motherfuckin' story!
What am I supposed to do with it?
No, play.
You know, there's a rather strange one
Thought you might have the answer.
You see, there's a rumor
that Rafael is dead.
That Price's pictures are phony.
That's bullshit. Rafael's alive.
All right.
Alex?
Listen, I feel terrible.
- I want to talk.
- I don't.
Listen, tomorrow I want you
to take me to try to find Jazy.
I'll do a piece on this sexy French spy,
and then New York can take it or leave it.
We looked for Rafael
and couldn't find him.
- You owe me one.
- Yeah, right, right.
You sure this is the way to Jazy's?
I hope so.
I might have got turned around
at the last roadblock.
Yeah, when did the fighting
get this close?
Where in the hell are we?
I don't know.
I don't know what's going on down here.
This town looks like
it's ready to go, Russel.
Jesus!
Alex, I don't like this.
Let's get the hell out of here.
Yeah, which way is the hotel?
I'm not sure.
- Turn here.
- Yeah, let's go.
- Take the flag with you.
- I'll ask this old gal.
All right.
You fucks! You fucks!
Psst! Seor!
You.
Ladies and gentlemen! Seoras y seores!
May I have your attention, please?
El Presidente Anastasio Somoza.
It is with great concern
that we announce
the death of Senior Correspondent
Alex Grazier,
who has been murdered
at the hands of the terrorists
operating in the barrio
El Dorado district.
Roving bands of Sandinista hooligans
have made the streets of Managua
unsafe for our peace-loving citizens.
Our deepest sympathies are extended
to the friends and family of Mr. Grazier.
And the international press corps
is herewith informed
that all necessary steps
will be taken to protect its safety.
Mr. Kittle has prepared
statements for you.
Thank you.
Excuse me. Ladies and gentlemen,
I have the statements here,
if you'd like to come up and get them.
Could you get my bill ready?
Can you get me a taxi?
- There are no taxis, sir. No cabs, sir!
- I need a taxi!
You won't get there! The road,
everything is blocked with refugees.
- Claire, I'm sorry.
- Did you hear anything from Russel?
- No, nobody has.
- Well, do you want to help me find him?
It's kind of weird out there, Claire.
There's fighting all over the city.
Jesus Christ, Claire, a human tragedy.
What can I say?
F*** off, Hub.
Russel! Russel!
Alex?
The Guardia did it.
I've got pictures.
Let's go. Yeah.
Let's get out of sight for a minute.
They are friends. They are friends!
The boys are confused.
They think I had their family killed.
You are a murderer.
Murder! Murder is a word for criminals!
I have a job to protect
the stability of a continent.
Please!
And you got caught by boys!
Yes.
Poets too, I imagine.
Is your recorder on?
Yes.
Good. I have a speech to make.
No. No photo.
But I like you people.
But you are sentimental shits.
You fall in love with the poets.
The poets fall in love
with the Marxists.
The Marxists fall in love
with themselves.
The country is destroyed with rhetoric,
and in the end we are stuck with tyrants.
Somoza, he is a tyrant too, of course.
A butcher. But finally,
that is not the point, you see.
If we wish to survive,
we have a choice of tyrants.
And for all the right reasons,
your poets choose the wrong side.
No! No picture.
Yes! Your picture
of Rafael was brilliant.
But I am alive and better-looking!
A good-looking Frenchman
with a sympathetic face,
who is murdered in cold blood
while fighting for the survival
of Europe and America!
You will have another magazine cover.
In 20 years, we will know who is right.
Are you going to take the picture
as the bullet enters the skull
or as it comes out?
It is just a story.
They say that
if somebody is holding a gun on you,
you should never stop talking.
That's the theory.
Who knows? Maybe it's a good thing
that I talk too much.
We gotta get out of here.
The whole f***ing army's looking for me.
Yeah. They're not looking for me.
Let me take the film.
If I can't make it back to the hotel,
I'll come back here.
Look, it's more dangerous being with you
than being alone.
Yeah, right.
Get the flag.
- Yeah.
- We'll put the film in it.
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"Under Fire" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/under_fire_22515>.
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