Up in the Air Page #15
RYAN:
I haven’t been to bat. I haven’t
been in the dugout.
KARA:
Don’t you talk for a living?
Motivational type stuff?
RYAN:
I tell people how to avoid commitment.
A beat.
KARA:
What kind of f***ed up message is that?
RYAN:
It’s a philosophy.
KARA:
It’s stupid.
RYAN:
Hey, it might have helped you.
A beat of stalemate.
KARA:
Come on, Ryan. You haven’t been
around much. F***, you basically
don’t exist to us. I know you want
to be there for her... Well here it
is. This is your chance.
Ryan takes a breath.
INT. SUNDAY SCHOOL ROOM, CHURCH - DAY
Ryan quietly steps in to find Jim, half dressed in a tux
reading the children’s book “The Velveteen Rabbit”. Jim
sniffles. Ryan goes to leave, when...
JIM:
Ryan?
RYAN:
Oh, hey Jim.
95.
JIM:
You ever read this?
RYAN:
Yeah, it’s pretty powerful stuff.
JIM:
I’ll say.
RYAN:
Kara mentioned you were having
some... thoughts?
Jim puts down the book.
JIM:
I don’t think I can do this.
RYAN:
Okay. What makes you say that today?
JIM:
I was just laying there last night
in bed and I couldn’t sleep. I was
thinking about the wedding and the
ceremony and all. Us buying a house
and moving in together. Having a
(begins to snowball)
... Thanksgiving, Christmas, spring
break, football games, all of a sudden
they’re out of school, getting jobs,
getting married, And then, you know...
I’m a grandparent. I’m retired. Before
you know it - I’m dead... and I just
kept thinking... “What’s the point?”
Ryan gulps. F***.
JIM (CONT’D)
(now asking Ryan directly)
I mean what is the point?
RYAN:
The point?
JIM:
Yeah, I mean, what am I starting here?
RYAN:
(dancing)
It’s marriage... it’s the most
beautiful thing on Earth... you
know, what everyone aspires to...
96.
JIM:
You never got married.
RYAN:
That’s true...
JIM:
You never even tried.
RYAN:
Well, it’s hard to define “try”.
JIM:
You seem happier than most of my
married friends.
Ryan takes a beat.
RYAN:
Jim, I’m not going to lie. Marriage
can be a pain in the ass. And
you’re kind of right - All of this
is just stuff on the way to your
eventual demise.
CUT TO:
KARA EAVESDROPPING AT THE DOOR WITH A LOOK OF COLD FEAR
BACK TO:
RYAN (CONT’D)
We are all on running clocks that
cannot be slowed down or paused and
they all lead to the same place.
Some guys leave marks that last
beyond their own mortality. Not guys
like you and me... But some. But
even those footprints disappear.
(a beat)
There isn’t a “point”.
Jim sinks a little.
RYAN (CONT’D)
I’m not the guy you’d normally want
to talk to about all this stuff...
But think about it - your favorite
memories. The greatest moments of
your life? Were you alone?
97.
JIM:
(thinks about it)
No... I guess not.
RYAN:
I don’t want to sound like a
Hallmark card, but... Life? It’s
better with company.
Jim nods.
RYAN (CONT’D)
Come to think of it... Last night,
the night before your wedding, when
all this sh*t was circling through
your head... Weren’t you two
sleeping in separate rooms?
JIM:
Yeah, Julie went back to the
apartment and I was all alone in
that big honeymoon suite...
Jim chuckles to himself.
RYAN:
Kind of lonely?
JIM:
Yeah.
RYAN:
Hey. Everybody needs a copilot.
This resonates with Jim and he can’t help but smile.
JIM:
That’s a nice touch.
RYAN:
Thanks.
JIM:
What’s the mood like out there?
RYAN:
It’s not good... Emotional.
JIM:
What should I do?
RYAN:
(twinkle in his eye)
Go get her.
98.
INT. ENTRY, CHURCH
Jim walks over to the huddle of bride’s maids. They part and
let him in. He kneels at Julie’s feet...
JIM:
I’m sorry I’m such a f*** up...
Will you be my co-pilot?
Julie gives him a perplexed look before smiling and falling
into his arms. Tears and smiles spread amongst the girls.
Kara walks over to Ryan and pats him on the shoulder.
KARA:
Welcome home.
MONTAGE BEGINS AS A SERIES OF IMAGES:
-Ryan and Alex getting dressed in a little kitchen in the
church. They’re in a hurry and a little sloppy, but there’s a
crooked joy in their faces.
-Jim standing at the alter with the priest getting a pat on
the back from his best man.
-Julie getting walked to the alter by Jim’s uncle. They pass
Ryan, who looks on proudly.
-The priest gives his blessings.
- Jim raises Julie’s veil. They kiss.
-Wedding attendees file into the Chalet Suites Banquet Hall.
-Ryan and Alex mingle with their table.
RYAN:
Hi, I’m Ryan.
WEDDING GUEST:
I’m your cousin... Harold.
RYAN:
Oh, hey!
-Ryan and Alex dance like teenagers.
-The band does a cheesy choreographed dance step.
-Jim makes a speech. He is not good at public speaking, but
the guests are generous with laughter.
- Tammy has her tongue down a groomsmen’s throat.
99.
-Ryan pulls Kara onto the dance floor. She rests her head on
his shoulder and they slow dance.
-Jim and Julie make their farewell and run off.
-Ryan and Alex help pick the center pieces off the tables.
-Ryan and Alex get into the elevator together. She’s wearing
his jacket. We’re about to see them kiss, when the elevator
door closes.
INT. CONCOURSE, MILWAUKEE AIRPORT - MORNING
Ryan and Alex stand between their gates. One sign reads
OMAHA. The other sign reads CHICAGO.
ALEX:
When am I going to see you?
RYAN:
You’re just going to have to come
and visit.
ALEX:
So settled down. You’re not going
to change on me...
RYAN:
Same guy. Just one address.
We hear a boarding announcement for Chicago. Alex begins to
step away to her gate.
ALEX:
Call me if you get lonely.
A beat. And then...
RYAN:
... I’m lonely.
Alex turns for her gate and joins the crowd. Ryan goes to say
something. He has an impulse... but he finally ignores it and
gets in line under the sign that reads “OMAHA”.
CUT TO:
INT. RYAN’S APARTMENT, OMAHA - EARLY EVENING
The door opens and Ryan wheels in his Roll-Away. He walks over
to the window, parts the blinds and checks out his awful view.
100.
We see Ryan opening some mail. We see Ryan laying in bed.
It’s quiet. It’s alone.
INT. CTC HEADQUARTERS, CTC - DAY
Natalie is giving Ryan a tour of the new ONLINE FIRING AREA -
A series of cubicles with YOUNG GUYS ON HEADSETS. She is in
her element and very proud of her work.
NATALIE:
... Some guy sits down in a
conference room somewhere and a
server routes their session to one
of our termination engineers.
RYAN:
You don’t actually call them that.
NATALIE:
I prefer “terminators”, but it
bumped with legal.
RYAN:
Really? I can’t imagine why.
NATALIE:
They follow a workflow that can take
them through anything from a standard
dismissal to a violent aggressor.
RYAN:
Are they actually on line, right now?
NATALIE:
No, they’re beta-testing. Role-playing.
We go live at the end of the month.
(catches one of the guys
making a mistake)
Kyle, you’re running through the
events too quickly. You have to give
them time to acknowledge each
statement. Okay? It’s a legal thing.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Up in the Air" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/up_in_the_air_311>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In