Vacancy 2: The First Cut Page #3

Synopsis: In 2004, the managers of the Meadow View Motel Gordon and Reece use room 6 to videotape the intimacy of the guests to sell porn movies. When the mysterious Mr. Smith checks in with a young woman, they witness the sadistic psychopath guest stabbing and killing his mate. The footage is a success and they decide to make other snuff movies with Smith. When Caleb, who is traveling from Chicago with his fiancée Jessica and his best friend Tanner, decides to rest in Meadow View, they have a nightmarish night and try to survive from the sick intention of the gang.
Genre: Horror, Thriller
Director(s): Eric Bross
Production: Sony Pictures Home Entertainment
 
IMDB:
5.0
R
Year:
2008
86 min
297 Views


If we're gonna do this,

you better get there before they bolt.

Let's do this fast.

- We go in and out, yeah?

- Hold on.

Look how scared she looks.

- I like watching them squirm.

- They'll take off.

No, we won't let them,

but Smith's right.

We shouldn't be

in such a hurry to finish.

Let's play with them for a while.

What the hell are you doing?

Wanna scare them?

Let's scare them.

How do you know he's watching us?

I saw your ass, but once I knew

it was yours, I stopped looking.

I turned it off almost immediately.

I knew I'd find you two together.

If I hadn't, Elsa, I might have gone on

playing it your way.

There's nothing on here.

It might be one of those perv joints

where you can check in...

...and watch the action

in the other room.

- I'm going over to kick that f***er's ass.

- No, the dude's watching us.

He knows we found the cameras.

You go there, the dude's

waiting with a shotgun...

...and some f***ing K-Y Jelly.

We call the cops and wait for them.

Dude, the sheriff's probably

his cousin or something.

Call the cops, they show up,

we get corn-holed.

F*** that idea, let's just go.

We're leaving, right?

- A**holes!

- Caleb, let's just go.

Dude, like always, your beautiful

fiance's dead-on. Come on, dude.

Caleb, get in the car.

- Now!

- Come on, dude.

Sh*t.

I'm telling the cops

soon as we get back.

Whatever, man,

let's just get the hell out of here.

- What?

- You've got to be kidding me.

F***.

- You leave the light on or something?

- No.

Great. You gonna go ask

Norman Bates for a jump or should I?

I know I didn't leave

the lights on, okay?

What the f*** is that?

They're headlights. It's a truck.

- Sh*t. Come on, Tanner. Come with me.

- What are you doing?

- F***!

- Caleb, get back inside. Get back.

Go out the other side!

Go, go, go! Go!

Sh*t!

I'm calling the cops, man.

Oh, my God!

Damn! I can't get a signal!

Sh*t, this is not funny anymore.

Oh, my God. What is he doing?

Can you all scream

a little louder for me?

I'll f***ing kill you!

I seriously doubt that, Caleb.

- F***!

- Where is he going?

Maybe to get a better view.

- A better f***ing view of what?

- Where is he going?

Oh, sh*t!

- We have to get out.

- Where are we gonna go?

- F***!

- Hey!

Go, go!

Come on. Come on. Come here.

This has gone way past some porn

video. What the f*** is happening?

- They tried to kill us.

- They could have if they wanted to.

- They're just trying to scare us.

- No.

They're not just trying to scare us.

This is more than that.

They wouldn't go through that

if they planned on letting us walk.

Oh, my God. He said your name.

What? What?

You didn't say your name

when we checked in.

Oh, my God.

They can hear us.

All right, you guys.

You guys, come on. Come on.

Tanner, grab the door.

All right, so, what else did we say?

Who gives a sh*t? It's not like there's

gonna be a pop quiz at the end.

We told him that we were

coming from Chicago.

We're on our way to Beulah.

He knows we don't know anybody here,

or where to run for help.

Caleb, it doesn't matter where we run,

let's just run.

- I need to get to the trailer.

- F*** that. Let's just go.

Jessica's right.

They're not gonna let us run out.

Yeah, but they're not gonna

just let us sit in here either.

We need something to fight with.

There's a bunch of stuff

in the back of the trailer.

There's kitchen stuff, knives, tools...

No, no, no. I like our chances

better if we just run.

How did you say

you got in here again?

There was an open window

in the bathroom.

But you told us that in our room.

They must have heard you.

Maybe not. It's worth a shot anyway.

Come on.

Let's go.

You guys stay.

All right, Tanner.

You go first, then Jess.

We don't know

what's out there, man.

We know what's gonna be in here

in a second. Now, let's go. Come on.

Careful.

Easy does it. Easy does it.

No!

Run, Jess!

No! Caleb!

Caleb! Caleb!

- We have to go back!

- You can't!

- They'll grab you too!

- No!

Come on. Come on.

- Hold him.

- No! Caleb!

- Tie him. Tie him.

- No!

Where'd they take him?

Caleb! Caleb!

- Caleb!

- What about them?

They won't run. Not yet anyway.

- Caleb! Caleb!

- Not while he's still alive.

Jess!

Caleb!

No! Caleb!

- How many do you see?

- I don't know. I think there's two. Caleb!

- What are they doing?

- Stay here.

Keep banging. Keep banging.

- Where are you going?

- They'll think we're both here.

Caleb!

No!

No!

No! They're killing him!

- Caleb! Caleb!

- Oh, my God.

No!

- They're out here.

- Come on! Come on!

Don't let them

make it out of the trees.

And make sure to get it on camera!

- No. I can't do this.

- No, they'll kill you. Come on.

We have to go back for him.

He would go back.

Listen. Listen to me.

We cannot go back, okay?

We just have to get to the cops.

You see anything?

Oh, sh*t. Come on.

What was that? I heard something.

Okay, let's go.

Sh*t.

Sh*t.

Reece!

- Okay. Let's go. Let's go.

- Come on.

Stop moving!

Tanner, Tanner, come on. Come on.

Are you okay? Come on.

Where'd they go?

Where did they go?

Oh, Jesus Christ.

I told you we should've waited.

The chase is half the fun.

We're gonna go this way.

You take the road.

No, no, no. I know these woods.

- Me and Reece...

- Take the road.

You, move. Let's go.

Come on!

What are you doing?

Maybe we should just hide

until daylight.

- See where we're going.

- No, I am not waiting here.

There'll be cars in the morning.

Somebody will help us.

I don't care. I'm not waiting here

while Caleb is there.

- Caleb is dead, okay?

- F*** you!

You don't know that.

You don't know that.

Yes, I do know that.

And you know too.

I'm sorry.

Let's just keep going, okay?

Let's keep going. Let's go.

Let's keep going.

Over there. Over there.

- Somebody!

- Hello?

Hello? Please help us.

- Over here.

- Hello?

- Somebody?

- Please.

Hello?

Hey, Tanner! Tanner.

- We need your help.

- What do you think you're doing?

- Men were trying to kill us.

- What men?

One of them works at the motel.

Meadow View.

The Meadow View?

Why would they do that?

- We don't know why the f***...

- You watch your mouth, son.

- You are disturbing a Christian home.

- Sorry, there's somebody out here...

No. No, no, listen.

No, listen, he's sorry, okay?

We need to use your phone

to call police.

Like we're gonna let strangers

into our house.

- How stupid do you think we are?

- Otis.

For all we know, this is an act

to get in here and rob us.

We don't give a f*** about

the sh*t in your house.

Be quiet, okay? Be quiet. Listen.

You could call them yourselves.

Please, just call the police. Okay?

All right, but you go on

and get off the porch.

Okay. Okay.

- Hillbilly.

- Don't say anything else, okay, please?

They could turn off

the damn spotlight.

Okay, just shut up. Come here.

- Sh*t.

- Oh, God.

You two. Hey, hey.

Why don't you wait inside

until the sheriff comes?

Doris, what the hell are you doing?

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Mark L. Smith

He wrote and directed the 2006 film Séance, which won the Festival Prize at the Eureka Springs Digital Film Festival and the Horror Genre Award at ShockFest. Since then he has worked as a screenwriter. Smith's writing credits include the 2007 horror film Vacancy and its prequel, Vacancy 2: The First Cut, and the 2009 Joe Dante film, The Hole. Together with Alejandro González Iñárritu, he co-wrote The Revenant, based in part on the novel of the same name by Michael Punke. The film stars Leonardo DiCaprio, Tom Hardy and Will Poulter. Shooting began in September 2014. The film was released on December 25, 2015. more…

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Submitted on August 05, 2018

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