Valley of the Dolls Page #8

Synopsis: Anne Welles, a bright, brash young New England college grad leaves her Peyton Place-ish small town and heads for Broadway, where she hopes to find an exciting job and sophisticated men. During her misadventures in Manhattan and, later, Hollywood, she shares experiences with two other young hopefuls: Jennifer North, a statuesque, Monroe-ish actress who wants to be accepted as a human being, but is regarded as a sex object by all the men she meets, and Neely O'Hara, a talented young actress who's accused of using devious means by a great older star (Helen Lawson) to reach the top, pulling an "All About Eve"-type deception in order to steal a good role away from her.
Genre: Drama, Music, Romance
Director(s): Mark Robson
Production: 20th Century Fox
  Nominated for 1 Oscar. Another 4 nominations.
 
IMDB:
5.9
Rotten Tomatoes:
31%
PG-13
Year:
1967
123 min
1,921 Views


But watch it, my friend.

Find yourself a good girl.

Have kids.

Or one day you'll wind up

alone like me...

...and wonder what the hell happened.

Allison's gotta go. I will not let her steal

the show. She almost did at rehearsal.

- It's too late. It can't be done.

- She hasn't got a contract.

She can be fired right now.

I want her out.

The old star sickness begins to appear.

No more gratitude, just power.

I'm not gonna do it, Neely.

You don't fool me, you're scared.

You wanna stay in good with Merrick.

I should've known this was

gonna happen. Anne warned me.

What the hell does Anne know?

I didn't get dough handed to me because

of my good cheekbones, I worked for it.

She's gone through life on a pass

because of her damn looks.

I wanna tell you something.

Everyone gets payback. Everyone!

I'm not everyone. I don't have to live

by stinking rules for ordinary people.

I licked pills, booze and the funny farm.

I don't need anybody or anything.

That's good, because I'm leaving.

Who needs you? I'm sick of you.

You're just an agent.

And you're just a Helen Lawson.

And not even that,

because she's a professional.

They love Helen Lawson,

then they love Neely O'Hara.

Come on, you guys. Move it.

Come on. Let's go, girls.

- Where's Miss O'Hara?

- She's in her dressing room.

Come on, move it down.

Curtain time, Miss O'Hara.

- Miss O'Hara?

- Where is she?

- She won't open up the door.

- Neely?

Open the door, you're on.

Neely?

- Hi.

- That's your costume for the second act.

- I'll do the second act first.

- Quick, get the understudy.

I'm ready, Mr. Hamilton.

You get lost, sister, I'm fine.

I'm just dandy.

Let go of me, you big jerk!

It's getting late.

I think we ought to go.

The understudy was great.

Thank you.

What happened to Neely?

Are you kidding?

They said she had laryngitis.

- Who had laryngitis?

That new girl was terrific.

She sure was.

It was a lovely evening, nevertheless.

My beautiful little dolls.

Just one, and one more.

We're closing now, Miss O'Hara.

All right, Edward. All right.

Here. Keep the change.

Shall I call you a cab?

I don't need it.

I don't need anybody.

Because I got talent, Edward.

Big talent.

They love me.

Hey! Where is everybody?

Hey, everybody, where are you?

Where are you?

Gone.

Gone.

Everybody's gone.

The hell with them.

Who needs them?

The whole world loves me!

Where are you?

Lyon?

Anne?

Jennifer?

Ted!

Mel.

Oh, God...

God...

God?

I'm Neely.

Neely O'Hara!

Oh, Neely.

Neely! Neely!

For so many years

I prayed for this moment.

Now that it's come,

I don't feel a thing.

Does that mean you won't marry me?

It wouldn't work, Lyon.

Isn't there anything I can do

to change your mind?

No, Lyon, not now.

Anne.

Perhaps someday, Lyon.

I don't know.

Goodbye.

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Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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