Villain Page #3

Synopsis: A killer who teases the entire police department with his flawless crimes, gets chased by a retired stylish cop whose past influence the killer's future with the cat and mouse game getting out of hand.
Genre: Action, Crime, Mystery
Director(s): B. Unnikrishnan
Production: Zee Studios
 
IMDB:
6.7
Year:
2017
143 min
1,845 Views


It's going to be justthe two of us then.

Like old times.

Let us rediscover ourselves.

Dad!

Sreeni?- Sir.

Why are you here soearly in the morning?

Sir, before you leave,the DG wants to meet you urgently.

He told me not to send anyone elseand I myself should take you to him.

Shall we go, sir?

I will come in my car.You get your car too.

I'll also come with you, sir.

All those who were murderedwere important people.

And one of them wasone amongst us.

You haven't been able to give evena primary inference to me so far.

It's not a crime in which we canget to a conclusion quickly, sir.

I was in front of the CM for half an hour,with my head hanging in shame.

For a neat dressing down.

What do you feel?

Any take on this?

I don't feel anything, sir.

Mathew, I need your help.

No one can re-construct acrime as intuitively as you.

This is your kind of game, Mathew.

I'm not game, sir.

Not just that,

I'm no longer part of the force.

Mathew,

what I need now is aguidance from you.

It's not a problem thatyou're not in service now.

The entire team.

The entire infrastructure,is at your disposal.

Mathew,

can't you postpone yourjourney a little?

Sorry sir.

Sir, please.

Please, Sreeni.

Sir...- Leave it.

Sreeni, one second.- Sir.

You wait here.

Mathew, one minute.

I want to sharesomething to you.

What I feared has happened.

The test results came.

It's positive.

The malignancy isin the bone marrow.

The ideal solution for this is supposedto be a bone marrow transplant.

But..

there's no guaranteefor anything, man.

From the next stage onwards,the pain would be excruciating.

And in between all this,when this case also came up,

I am feeling really low.

That's why I asked you to come.

I won't share any ofthis with anyone else.

You are the only one,

who's so close to my heart.

Don't cancel your journey.

Sreeni.- Sir!

You go ahead with the investigation.- Sir!

I'm also coming for thereview meeting today evening.

We'll do our best, sir.

Good.- Sir.

Then I'll call you by..- Sreeni!

Sir?

That officer.. What's her name?Harshitha?

She told you about an incident, right?A girl in a Burkha at a restaurant?

That's pointless, sir.

There's a point, Sreeni.- Sir.

Ask Harshitha and Iqbal,

to come to that restaurant.

I will be there.- So..

you have postponed your journey?

You can cancel the review meeting.

I will come and meet youin the evening, sir.

Thank you, Mathew.

Thank you very much.

He is on, sir.

Sreeni.- Sir?

Every crime is simple.

A murderer will try toexecute a simple logic

in the most simple andeffective manner.

The obscurity and complications areall images that he creates for us.

Don't lose your focus.

Sir!

How long has it been since youjoined the service, Harshitha?

10 and a half months, sir.

How did you connect the incident thathappened here and those murders?

Honestly,I don't know, sir.

But I felt so.

A gut feeling.

Shall I say,

why you linked thesetwo incidents?

Sir!

When you offered to help her,

how did that girl reply?

No.

You can't help us.

Okay.

She didn't say 'me'.

She said 'us'.

Yes, sir.

A slip of tongue that she made.

You felt that as an indication,

that she is not alone andsomeone else is along with her.

You left that feeling there.

Later when you saw 3 corpseslying at an equal distance,

the girl who used the plural 'us',

you posted her tothat scene of crime.

That's what happened.- Sir.

As soon as she opened thedoor and came inside,

she looked outside throughthat glass partition.

As if someone was following her.

Right?

Right, sir.

Have you looked outsidethrough that glass?

No, sir.

Then go and look.

Don't you want to see things fromanother person's perspective?

That's what an efficientcop should do.

Just go and see.- Sir.

Sir, it's not transparent.

Yes.

You said that she looked out through theglass standing there, for around a minute.

If you can't see what'soutside looking through that,

what was she doing?

Sir, that glass has a reflection,

of this table.

She was observing the personwho was sitting at that table.

So that's what it is.

Her fear and nervousness were all,

a drama to grab the attention ofthe person who was at that table.

She expected that the personsitting there would get up,

go to her and askwhat's happening.

So let's find out who wasat that table on that day.

Iqbal,let's get the CCTV footage.

Sir, in this CCTV footage..

Yes. It's me.

For a long time now,

I come here around 8.30 PM,

have dinner,

and I leave by 9.30 PM.

That girl did such an act here,after identifying this habit of mine.

No!No one can help us!

She expected thatI would respond to it.

But that never happened.

But why, sir?

I don't know.

Harshitha, what can youremember about her?

How did she talk?

She's educated, sir.

She had a very urbanizeddiction, sir.

And sir, it's strange!

What?

She smokes.

I think so, sir.

What about her hands?

Fingers?Nails?

Can you remember?

She had long, beautiful fingers.

Violet nail-polish and,

'Ohm' tattooed on her hand.

Whatever that happened here on thatday, I saw it all very casually.

I wasn't bothered.

But I had noticedthat girl's footwear.

That's a habit of mine.

I have a theory that you can see aperson's character and sensibility

through his or her footwear.

She was wearing boots.

Cigarette smell,

Violet nail-polish,

'Ohm' tattoo,

Boots.

With the image of a Burkha-clad girl,

who is running away in fear,escaping from someone,

who can be in danger any moment,

it doesn't match.

No doubt about it, sir.

She means trouble.

We have to trace her.

We should move to themurdered people next, Iqbal.

Why those three together?

Tharakan's Medi City Chairman andManaging Director, Dr. Tharakan.

State Drug Controller, Mohan Nair.

Retired DYSP Vinod Abraham.

What's the connectionbetween these three people?

Sir, I think you remember.

10 months back.

To be precise, onOctober 23rd, 2016.

A huge issue happened atTharakan's Medi City.

Because they used an unlicensedimported drug for dengue fever,

8 children aged between9 and 16, died.

It was a sensationalnews back then.

The government asked the drugcontroller for a report.

Through a contrived report from the drugcontroller, Dr. Tharakan got away.

There's an unholy connection betweenTharakan and drug controller Mohan Nair.

They have invested togetherin properties, sir.

Especially after October 2016.

Even if we think that Tharakanand Mohan being murdered,

is connected to theunlicensed drug usage case,

the third person who was killed, Vinod,

has no connection tothat case whatsoever.

He is an odd man out.

There's something wrongwith this grouping.

Sir, in Tharakan's and Mohan'sreal estate businesses,

this Vinod Sir was themiddle-man for most of them.

Vinod sir used to do illegalland dealings through these guys.

'Joint' Kannappi and 'Pipe' Kunjumon.

That's true.

It's only 46 in the document.

But along with that, another 8.5,Unaccounted.

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B. Unnikrishnan

Unnikrishnan Bhaskaran Pillai (born 14 August 1970) is an Indian filmmaker and screenwriter who works in Malayalam film industry. After completing his post-graduation in English literature, he took M. Phil from Mahatma Gandhi University with first rank, in 1991. He started publishing his writings on literature, politics and culture during early 1990s. Unnikrishnan along with V. C. Haris edited a series of books on postmodernism which was published by DC Books. He began his film career by screenwriting Jalamarmaram in 1999, which won the Kerala State Film Award for Best Screenplay. In 2005, he wrote, directed and produced the telefilm Annu Mayayairunnu, which won six Kerala State Television Awards, including Best Telefilm and Best Playwright for him. In the same year, The Tiger written by him and directed by Shaji Kailas was a major commercial success. He made his feature film directorial debut in 2006 with the film Smart City. His most notable directorial works include Madambi (2008) and Grandmaster (2012). Unnikrishnan is involved in organisational activities in film industry. He is the general secretary of Film Employees Federation of Kerala (FEFKA) since 2008 and All India Film Employees Confederation (AIFEC) since 2014. He is a member in the advisory committee of Cine Workers' Welfare Board and director of Saamskaarika Kshemanidhi. He is the managing director of film post-production studio Vismayas Max and the multiplex Aries Plex SL Cinemas. He owns the distribution company RD Illuminations. more…

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Submitted on August 05, 2018

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