Violent Saturday Page #3

Synopsis: A number of otherwise insignificant small-town stories erupt into drama when a gang of hoodlums decides to rob the local bank. A father looking for pride in his son's eyes, a timid clerk who is a peeping tom by night, a man striving to rewin his wife's love, an Amish farmer faced with viciousness, and a proper older woman turned thief, all find themselves entangled with the bank robbers as a peaceful weekend turns violent.
Director(s): Richard Fleischer
Production: 20th Century Fox
 
IMDB:
6.9
Rotten Tomatoes:
80%
NOT RATED
Year:
1955
90 min
106 Views


From sympathy. No crush.

You please him. She said.

I'll remember.

I mount it in my room.

Wood here, Boyd.

I would like to talk to you.

A speech? Which one?

I ruin the health drink so much?

No...

Or the divorce?

You want to be a free woman?

Libre, you already are.

In the freest sense.

Let's not fight tonight.

Do not start again.

Let's talk as the beginning of our marriage.

At the time I did not drink and

thought you liked me?

I loved you then.

I love you forever.

A weekend two.

To hear you, you look like you just

having big trouble.

You stopped loving me?

No, alas...

I'm the fool who always

love you, drunk or sober.

If you console think I worked hard.

'I struggled, but in vain.'

I said that I made an effort.

Thank you for your good intentions.

What good.

While you were sleeping,

I thought so many things to tell you.

I wanted to ask your forgiveness,

you propose from here.

We might start,

far from the city, this mine.

But it would have been for nothing.

We would come to nothing.

It never changes... the rest of us.

You're a drunk and me...

I am a drag.

Where shall we go?

Where?

I spoke up.

Could not remain hidden nowhere.

It would eventually show.

I feel your eyes observing me.

Must try.

Nothing exists, if you're not there.

Historically,

I feel that excruciating discomfort.

When you leave,

Wonder where you are and with whom,

it chokes me.

When this girl is gone,

I went to sit in the dark.

It is easier to tell his truths in the dark.

I remembered everything

I want to forget as soon as it emerged.

Why did I all these things?

What drives me? Am I sick?

A sick to be cured?

I have heard of women like me.

These are sick people well should avoid.

Do not say it, Emily.

Do not talk that our projects start.

Can we go?

- Of course yes.

There is nothing that we retain.

Absolutely nothing.

I love you, Emily.

I love you, Boyd.

I was vile and despicable...

...but I have not stopped loving you.

We assemble the rifle

when Slick will be there.

Everything seems too easy.

It worries me.

There is 12 minutes.

Do not leave fingerprints.

Nothing beats cleanliness,

to succeed once.

You get ready for a war?

You have spent time in jail?

- Trop.

I was stuck there 3 times.

Including one because my

firecracker was empty.

Never again.

I spend what time?

- To 14.30.

Be wise.

- Yes, Dad.

Hello, Mr. Martin.

- Hello.

I bought equipment for big fish.

Your children are equipped?

- Not yet.

It will come.

I hope to go fishing

before closing with Stan.

I hope so too.

Can you drop me off?

You will find a taxi there.

Do not resist and all will be well.

I want your car.

Left, then straight.

Let mount both waiting.

Take the car and set me free.

Do not tell me my job.

Let's go.

All right, then right by the high street.

What is it?

We need a car.

It is you, the guy.

There is no shortage of

empty cars that park.

The flight would soon be reported.

Do not exceed 45 km / h.

Fetch bags.

Monte.

Trailer his eyes.

- With pleasure.

You are just in time.

The farm is less than a kilometer.

The farmer, his wife

and this one is in the barn stick.

You will not have a door

monitor pending us.

In the barn, everyone.

Go all in.

You look ill, Mr. Reeves.

A migraine.

I go look for aspirin.

I have.

I'll buy.

The air will do me good.

I would like two cartridges

of these cigarettes.

You really recovered well.

For once, I love the sun.

Thanks for bringing debris tonight.

I envelope?

Do not bother,

I'll put them in the suitcase.

You're leaving?

- Yes.

Emily and I decided to take a trip.

I take nothing.

The traffic police?

There was just an accident...

Very serious.

30 km north of Bradenville,

on the highway.

We go to New York and then in London.

Mr. Reeves.

- Hello.

My wife awaits to take travelers checks.

I go immediately.

Give me one more.

2 more minutes. Warn Dill.

I stay near the door.

You come to golf tomorrow?

No. I travel.

Traveling?

- Yes, for long.

My husband.

Ah, I see.

I'm happy for you.

For both of you.

Thank you. Farewell.

Sorry to keep you waiting.

I would travelers checks.

Certainly. For how much?

For 5000 dollars.

There is plenty to do around the world.

We seek to enjoy a renaissance.

How?

Not important.

How do you compensate?

Cash.

Excuse me.

I received impertinent letters.

I delete my current account home.

This looks Miss Dowd.

I want to settle with yourself.

This letter was signed by you.

I sign all mail.

You have hidden talents,

Mr. Reeves.

Excuse me, closure approach.

See the second wicket, Miss Braden.

Checks $ 100 you go?

I think so.

You have not seen where is the driver?

No, I'm sorry.

Let us seek dad.

- Encaissons first check.

Hello, Mrs. Martin.

- Hello, Molly.

I want a receipt.

Nobody move. This is a holdup.

Do not resist and all will be well.

Get out of your cage.

Let your hands visible.

Do not move.

The vault opens in 2 minutes.

This is my money. Give it me.

Enough. Leave her alone.

Sit,

I'll buterais quickly.

Drop it.

Come here, boy.

Paste it up in the mouth and goes to

your place.

Thank you.

- Nothing.

Do not do that anymore.

The trunk is opened.

Let us of what we have.

A few bundles.

We've had enough. Come on.

Everything is ready.

Clear the way.

Off.

My name is Martin.

They forced me to drive my car in.

There is nothing cutting edge here

to cut my links?

Down?

They removed the ladder.

There remains a with a shotgun.

Push your legs.

Eh. You.

Help.

Who was that?

Which called?

I release you and I back off.

Thank you, brother.

Is he dead?

- Yes.

God forgive you.

- It was him or us.

Vengeance belongs only to the Lord.

We will discuss later.

They'll be back.

Must quickly from their truck.

We leave point here.

No sermons.

This is put yours away.

Let no one near the door.

It is out of the barn?

Where is Slick?

- Maybe in the truck.

I'll take a look.

He cartridges on him?

I can not bring myself to an act of violence.

You want them to kill us?

The Lord will protect us.

It is not in the truck

and the key is not there.

This is a bad sign.

- Wait.

Can you hear me, in the barn?

Yes, I hear you.

Where is our friend?

Come and get it.

It must have the gun... and the key.

Take his car.

- It would soon be spotted.

Let the truck.

- Must be the key.

Let us first if the rifle.

We'll know.

Now we know.

Can you hear me in the barn?

Yes. I see you, too.

Is not looking for stories.

Start key and hand.

Do not play the hero.

There are currently no other way?

Load the bags in the truck.

Fetch other at the front.

You have two minutes...

...and then setting fire to the barn.

Brother...

Do not be afraid of evil.

Did you hear?

They will set fire to the barn and

force entry.

Only God willing.

Are you ready for the rififi?

If by 'Rififi' you mean resistance to evil,

we are ready for Rififi, brother.

So, you decided?

Brings stone.

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Sydney Boehm

Sydney Boehm (April 4, 1908 – June 25, 1990) was an American screenwriter and producer. Boehm began his writing career as a newswriter for wire services and newspapers before moving on to screenwriting. His films include High Wall (1947), Anthony Mann-directed Side Street (1950), the sci-fi film When Worlds Collide (1951), and the crime drama The Big Heat (1953), for which Boehm won a 1954 Edgar Award for Best Motion Picture Screenplay. Boehm was born in Philadelphia, Pennsylvania on April 4, 1908 and died in Woodland Hills, California on June 25, 1990 at age 82. more…

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Submitted on August 05, 2018

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