Vision Page #6

Synopsis: The life story of the multi-talented German nun Hildegard von Bingen. The film portrays an original woman - best known as a composer and religious visionary - whose grand claims often run counter to the patriarchal world around her. The monks and nuns at the convent become a kind of family, offering both confidants and enemies. For example Jutta, struggling with her jealousy of Hildegard's success, and the young Richardis who worships Hildegard both as an intellectual role model and a mother figure.
Production: Zeitgeist Films
  1 win & 4 nominations.
 
IMDB:
6.5
Metacritic:
68
Rotten Tomatoes:
82%
UNRATED
Year:
2009
110 min
$300,000
Website
412 Views


with a mighty voice:

"Your work is not yet complete.

Up, upl Rise up and drink!"

Bring me food and drink.

And what did the angels tell you?

"Get up, your work is not yet complete. "

I will finally write a work

on the healing powers of nature,

and on the causes

and remedies of illnesses.

And...

I will go traveling to preach.

Traveling to preach?

Yes.

You know what that means?

I do.

It's unheard of.

I'll be the first woman.

- And turn everyone against you again.

And I'll read our clerics the Levites!

Will you accompany me anyway?

"But it pleased the Lord

to touch a small feather

that it flew aloft in wonder.

And a strong wind bore it

so that it did not sink. "

bSubtitle Rip; TheHeLL/b

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Margarethe von Trotta

Margarethe von Trotta (born 21 February 1942) is a German film director who has been referred to as a "leading force" of the New German Cinema movement. Von Trotta's extensive body of work has won awards internationally. She was married to and collaborated with director Volker Schlöndorff. Although they made a successful team, von Trotta felt she was seen as secondary to Schlöndorff. Subsequently, she established a solo career for herself and became "Germany’s foremost female film director, who has offered the most sustained and successful female variant of Autorenkino in postwar German film history." Certain aspects of von Trotta’s work have been compared to Ingmar Bergman’s features from the 1960s and 1970s. She says that it was thanks to Bergman's films that she "‘fell in love’ with the medium and its possibilities for representing inner psychic worlds."Von Trotta has been called "the world’s leading feminist filmmaker." The predominant aim of her films is to create new representations of women. Her films are concerned with relationships between and among women (sisters, best friends, etc.), as well as with relationships between women and men, and involve political setting. Nevertheless, she rejects the suggestion that she makes "women’s films". more…

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Submitted on August 05, 2018

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