Wallace & Gromit In The Curse Of The Were-Rabbit Page #4

Year:
2005
472 Views


Every man for himself!

Help! Help! Help me!

Put me down at once,

you great big hairy thing, you!

Stop! Stop!

Mob supplies!

Get your angry mob supplies here.

Put her down, you great ugly brute!

I'll bagsy the lucky rabbit's foot.

Help me, someone! Help me!

Yes.

No. No, no, no!

Put me down! Put me down, you...

Whatever you are! Help!

What is it?

What are you staring at

with those beastly eyes?

Wallace.

Oh, Wallace.

What ever have you done to yourself?

Well, don't you worry.

I'll protect you.

Get your hairy mitts off

my future wife, you big brute.

No! Victor!

You don't understand.

The hunt is off.

It's... We made a terrible mistake.

No. You commissioned me

to rid you of Pesto,

and that's just

what I intend to do.

Pesto?

Why, you knew

it was Wallace all along.

Oh, all right.

So what if it is that blithering idiot.

No one will ever believe you.

And if I can't have your money,

I can still bag your bunny.

My eyes!

Run, rabbit, run!

I rather like your hair pinned back.

No, Victor, no! Stop! Please!

Victor!

You can hop,

but you can't hide, Pesto.

Beware the moon!

Stupid interfering mutt.

Stand back! There may be

a large rabbit dropping!

Looks like the buck stops here.

Eat karat, bunny boy!

Potty poo!

No one beats Victor Quartermaine!

Is that so?

Consider yourself dumped.

He's in there!

- There he is!

- Surround him!

There he is! Over there!

Phillip, help me! Phillip!

Do something.

Destroy! Drive out the monstrosity!

Well, let's see how he likes it.

Wallace?

Oh, Gromit.

Well, at least now he's at peace.

The rabbit's gone.

If only there were a way

to bring back Wallace.

Lovely cheese, Gromit.

Gromit?

Don't forget the crackers.

Cheese?

Cheese!

It's me again. I'm back!

Gromit! You clever mutt.

Well done, old pal!

- Totty!

- Wallace! You're...

Thanks, lad.

Oh, look!

Well, I think

you deserve this, Gromit.

For a brave and splendid melon.

We've all got a lot to thank you for.

Every dog has his day.

And thank you, Wallace.

You've saved me

from a terrible marriage.

All the same,

it is going to be rather lonely

at Tottington Hall now.

Unless...

I have a little proposal

for you, Wallace.

I'm so thrilled you agreed

to go through with this.

My pleasure, Totty.

One for the album, Gromit.

I declare this bunny sanctuary

officially open.

When you're ready, lad.

Fire up the old BV6000.

Oh, it's simply marvelous.

My home, a safe haven

for all things fluffy.

I do hope you'll still

come visit, Wallace.

I'd rather got used to

having you around.

There'll always be a part of me

here at Tottington Hall.

Give it some more welly, lad.

Cheese!

Rate this script:0.0 / 0 votes

Steve Box

Steven "Steve" Box (born 23 January 1967) is an English animator and director who works for Aardman Animations. His early work in animation included the popular British claymation television series The Trap Door for Bristol-based animation studio CMTB Animation. Box joined Aardman Animations in 1990. He directed the video for the Spice Girls' "Viva Forever" in 1998. He won a BAFTA Award in 1998 for his 11-minute animated film Stage Fright which he wrote, directed and produced. He also provided the voice for the character of Vince in the TV series Rex the Runt. He was the key animator for Aardman's film Chicken Run and was an animator for the Wallace and Gromit films The Wrong Trousers and A Close Shave, before co-writing and co-directing the feature film Wallace & Gromit: The Curse of the Were-Rabbit with Nick Park. The film scooped his second BAFTA and his first Academy Award for Best Animated Feature. The film has also collected another 22 international awards and 12 other nominations for other awards. The film was a massive success at the Annie Awards where it won 10 Annie awards out of its 16 nominations. Box was most recently announced as the director behind the upcoming TV series, Moominvalley, based on the Moomins series. After a successful crowdfunding campaign, the series was announced to debut in 2019. more…

All Steve Box scripts | Steve Box Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Wallace & Gromit In The Curse Of The Were-Rabbit" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/wallace_%2526_gromit_in_the_curse_of_the_were-rabbit_23028>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Wallace & Gromit In The Curse Of The Were-Rabbit

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The final scene
    B The introduction of characters
    C The opening scene
    D The highest point of tension in the story