Wedding Doll Page #3

Synopsis: Hagit, a young woman with mild mental deficiency, works in a toilet-paper factory. She lives with her mother Sarah, a divorcée who gave up her life for her daughter. Hagit strives for independence and Sarah is torn between her desire to protect her, and her own will to live. When a relationship develops between her and the son of the factory owner, Hagit hides it from her mother. The announcement of the closing of the factory shakes Hagit and Sarah's life and jeopardizes Hagit's love story.
Genre: Drama
Director(s): Nitzan Giladi
  5 wins & 11 nominations.
 
IMDB:
6.0
Metacritic:
66
Year:
2015
82 min
34 Views


My daughter came in

for a job interview. Hagit.

Seamstress.

-Oh. her.

Yes. her.

She never heard back from you.

And she waited f0r your caII.

I...

At Ieast you couId ve caIIed

instead of Ieaving her hanging.

-I...

Yes, I'm sure you're very sorry.

Hagit?

Hagit.

Didn't I ask you?

You said I co0uId trust you.

I Iove your sketches.

-BeaIIy?

It takes time.

How much time?

It took a I0ng time

for the big designers, too.

It took some of them years,

they tried and tried

and didn't make it untiI...

with experience and practice

and perseverance

they finaIIy made it.

That's how it goes.

But I'm aIready big.

She toId you she's looking for

a seamstress, right? -Bight.

Y0u have to Iearn to Iisten.

Here.

You're stubb0rn

when you want something.

That's right.

I'm stubborn.

It doesn t aIways

go smoothIy at first.

I have to take it step by step

and Iearn to Iisten.

And then it II happen.

Bight.

Who cares if she doesn't call?

There are a th0usand more ads,

we'II find something better,

I pr0mise.

Something nearby

so you w0n t have to commute so far.

Okay?

It's coId. Let's go inside.

I'm staying here.

-What?

I m waiting. Y0u can go.

-Who are you waiting for?

I'm...

You can go.

What II you do here?

Let s go, Hagit.

-N0, I want to stay.

You aren't staying here aIone,

you hear me?

Why not?

PIease come downstairs,

come on,

what'II you do here in the dark?

Why do you have to ruin everything?

I want to stay.

Let's go. PIease.

-Stop it, Mom...

Y0u re coming downstairs

with me now.

You don't aIways have to...

You don't aIways have to...

Y0u don't have to.

You re coming down with me,

you hear me?

Stop it. -Let s go.

-That hurts.

Come on. -That hurts!

you re hurting me!

Mom. Are you aII right?

I'm sorry, I didn't mean to.

Omri.

Omri.

-What?

I need your heIp.

Mom's waiting at the bank

and I need this order done today.

Okay. -Bye.

-Bye.

Omri.

What?

Come here a sec.

Okay,

I'm back.

Omri.

Omri.

What?

I need you to pick up the check

from ofer. -Okay.

What, now?

-Yes, now, and don't argue.

I m busy, Dad.

-Busy doing what?

Why do you aIways

have to argue with me?

Stop what you're d0ing

because I asked you to,

what d0n t you get?

Okay.

Omri.

What?

Dad wants to taIk to y0u.

What?

Sit down.

What is this?

Inf0rmation about the university.

I saved up so you couId study there.

Dad, I m not going to Canada.

You II never get accepted here.

You'II Iearn EngIish there,

you can stay with your sisters.

Forget it. It's coId there.

At Ieast take a Iook.

What do you have here?

Don't bother coming in tomorrow.

What?

I'm cIosing up.

You promised to give it

an0ther chance.

Mom said you got a Ioan.

Didn't they approve the Ioan?

Dad didn't want to sign.

Why not?

I Iose money every day.

I toId you, Dad,

we have to grow.

Omri.

-Just a sec.

Stay out of this.

I know what I m doing.

What s that?

-Open it.

Where did you get that?

With this money

we can fix up the factory.

We II get more workers

and increase producti0n.

We'II start working

with other middIemen.

Dad, you have to change

your attitude.

WeII?

What do you say?

I don't want you

to hoId on to the factory.

Give it another chance.

Give it a few years and

we'II make an exit. -A what?

An exit.

Bight, Mom?

An exit to where?

What the heII are you thinking?

It's a Iost cause.

Mom, say something.

Dad's right.

He's right?

Take this money

and the money you saved

and invest in the factory.

Dad, I m teIIing you,

bring in more workers Iike Hagit,

they're cheap

and they do a great job.

Forget the workers,

forget the factory,

and forget Hagit, you hear me?

What?

You heard me.

Hey, Haim.

-Hey.

I'm sorry, but I can't go out tonight.

-BeaIIy?

So we'II just

go on and on Iike this?

You know what?

HoId on a sec, 0kay?

Hagit, I...

I'm going out and

I'II be right back, okay?

Okay.

Get undressed and go to bed,

aII right?

Yes. Mom.

Where are you going?

I'm going to...

work.

there's a party for

a friend who's Ieaving.

I can trust you to...

go to sIeep, you promise, right?

Yes.

Bye. -Bye.

Kochava.

Kochava.

Kochava, open up.

Kochava, I have to go out,

pIease open up.

Kochava, open up!

Hagit, for God's sake!

What are you doing?

Get down.

I'II open up.

Get down.

Wait, Hagit, what's the matter?

She promised not to lock me in.

You locked the door.

Where's your key?

I can't find it.

I can't find it!

Let me show you. Come.

Hagit, wait, Hagit,

wait.

What happened?

Everybody's looking at me.

-Who? -Everybody.

They aren't used to seeing me like this.

-What do you care?

Yeah, what do I care?

What?

I didn't think you'd come.

I haven t gone out

since Moshe and I broke up.

I don't Ieave Hagit by herseIf.

Y0u have to stop bIaming y0urseIf.

I wasn't there.

She was aIone.

-Okay.

But it's not your fauIt.

What's the matter?

What is it? -What?

What's the matter?

Nothing.

Nothing, nothing.

Hagit.

Hagit.

Leave me aIone.

Hagit, get in the car.

Leave me aIone!

Go back to that man of yours.

PIease.

Leave me aIone!

What now?

-WiII you fiII in for me? Last time.

Sara, YoeI is mad at you.

You're getting y0urseIf into troubIe,

you'II end up Iosing your job.

I know.

but I can't find a soIution for Hagit.

The rooms are fairIy spacious,

they each have their 0wn room,

it feeIs Iike home.

Fo0d and cIeaning

are taken care of.

what do you say?

I'm looking.

-How does it look?

There's no view.

There's a room with a view on

the other side, maybe they can trade.

Are aII the rooms the same size?

-More or Iess.

Wh0a!

F***in' heII, what a car!

Kickass.

-Yeah.

Nice.

Where'd you get the money?

Y0u're kidding me.

Dude, I was gonna teII you...

I'II pay you back within a week.

I'm Ieaving tomorrow.

Where to?

The big city.

The big city?

What for?

I'II find a good job.

As what, a plumber?

I'm leaving this dump.

Tomorrow?

-Hey, he s serious.

Were you...

just gonna Ieave

without teIIing us?

Of course not.

We'II do something tonight. -Oh.

Are you reaIIy Ieaving?

Tomorrow?

Yeah.

Hey.

Hi.

She s so beautifuI.

Want to hoId her?

Yes.

Come here...

What a view. huh?

The onIy good thing about

this pIace, huh, Omri? -Yeah.

But what about your dad?

He's packing in,

the business is unprofitabIe.

-Unpr0fitabIe? BuIIshit.

Y0u hardIy pay for workers,

y0u're aII famiIy.

What do you pay Hagit, peanuts?

Yeah, peanuts.

That s how it is.

She was great for what we paid her.

She s worked with us for years.

She s something speciaI.

It's gonna be hard to Ieave her.

Hard to Ieave her?

HeIIo.

-Yes?

I made an order.

Just a second. Dad.

HeIIo, darIing.

-HeIIo.

Is it ready?

It's ready, exactIy as you asked.

It came out reaIIy nice.

Thank you.

Hey. -Hi.

What s up, Hagitush?

-How are you?

I'm fine.

What's that?

Hoops for a wedding dress

I'm making.

I just have to buy the fabric,

it s an oId-fashioned dress.

Nice. -Dude, Iet her go.

-Just a sec.

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Nitzan Giladi

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Submitted on August 05, 2018

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