Wendigo Page #5

Synopsis: George is a high-strung professional photographer who is starting to unravel from the stress of his work with a Manhattan advertising agency. Needing some time away from the city, Jake, his wife Kim, and their son Miles head to upstate New York to take in the winter sights, though the drive up is hardly relaxing for any of them. George accidentally hits and severely injures a deer that ran onto the icy road; after George stops to inspect the damage, he's confronted by an angry local named Otis who flies into a rage, telling George that he and his fellow hunters had been tracking the deer for some time. An argument breaks out, which leaves George feeling deeply shaken. When George and Kim arrive at their cabin, they discover that it's next door to Otis' property, and they soon find that a dark and intimidating presence seems to have taken over the cottage. Since, when they stopped at a store en route to the cabin, a shopkeeper told Miles about the legend of the Wendigo, a beast from Ind
Director(s): Larry Fessenden
Production: Magnolia Pictures
  3 wins & 6 nominations.
 
IMDB:
5.0
Metacritic:
63
Rotten Tomatoes:
58%
R
Year:
2001
91 min
Website
240 Views


I didn't know if it was | hot or cold.

But then I saw the blood, | I must have fainted.

When I woke up, | it was like I'd been drowning

and this was | my last breath of air.

Like if I didn't | take this breath, I'd--

I'd slip away | for good...

into some euphoria.

I was tempted, | but I made myself get up.

I found the house, | it was easy.

It was like I was | carried by a big wind

and dropped at the door.

This is it, | I can feel it.

I'm only half here, Kim.

Daddy's gonna be all right, Miles.

Daddy's gonna | be all right.

This is an emergency. | My husband...

has been shot.

I need to know where | the hospital is in Danbury.

F***.

I'm heading west | on Route 19.

Okay.

I need you to call | the sheriff

and have him | meet us there.

And-- are you serious?

What's the number? | What's the f***ing number?!

- | - What's the f***ing number?

Don't be scared, | kiddo.

Don't be scared.

It's going to be okay.

Hey, hey, hey! | Listen to me--

remember that little thing | you got from the store?

What was it-- | yeah, there it is!

Yeah, it's got | magic powers, right?

Huh? Isn't that | what you told me?

Right? Huh?

I was listening, | Miles.

Miles, I was | listening to you.

Don't be scared, | kiddo.

Don't be scared.

It's going | to be okay, huh?

Oh, Kim, oh baby.

What a f***ing waste.

What a f***ing waste.

Give me your hand, Miles. | Give me your hand, buddy.

Yeah...

Watch the door.

Okay, somebody get | his feet!

One, two, three.

It's his abdomen. | Right in here.

Yeah. | Just a second.

I want you to tell Charles I'm | definitely not doing that reshoot.

- Shut up, George. | - What are you going to do...

when you got no one to shush?

I love you. Hang in there. | I got separation issues, you know?

Yeah, I know.

S-s-- s-e-p--

a-r-a-t-i-o-n.

- Dad? | - Hey, Miles.

Miles, | listen to me,

I want you to take care | of your mom.

- All right? | - Dad, what happened?

I don't know, kiddo.

Kimmy, Kim.

Ohhh, Kimmy!

Oh, such a beautiful day.

God, I remember | so much about today.

Those eggs and--

a drive, and--

we went sledding, | Miles and me.

You're my family, | my family, my family.

Oh, Kim, Kim.

Kim, you remember-- | do you remember?

Do you remember | his first week home?

Do you remember he kept us up | for two nights screaming?

Yeah, I thought we'd | never make it through.

Listen, I'm always going | to be with you.

Come on, sweetie, | it's going to be okay.

Take my hand-- my hand.

Second down and 9

at the 35...

I'm sorry, sweetie.

Um, excuse me. | Mrs. McLaren?

- Yes. | - Hi, I'm Tom Hale.

Hey, there, | buckaroo.

I'm the sheriff.

Do you mind telling me | what happened?

My husband--

my husband was shot.

I think he was, | by this man

who we saw at--

at Braintree Road. | His name was Otis.

- Otis? | - Do you know who he is?

Mmm, yeah, well--

I'd seen him before. | He was--

he seemed capable of--

Now, Mrs. McLaren, | we don't know for certain

that your husband | was shot.

Mrs. McLaren?

Your husband was shot | once in the side

with a high-powered rifle.

The bullet grazed his liver | and the doctors

are recommending | emergency surgery-- immediately.

There'll be some papers | for you to sign,

so if you'll | wait right here...

Well, do you | know him or not?!

Yeah, Otis Stooky.

- What? | - Pardon?

That's the place | we're staying,

- the Stooky house. | - Really?

That's where Otis | grew up.

- What? | - Yeah, his mother died,

and then she left it | to Otis' sister.

Sister sold the place | and moved down to Florida.

Christ.

You mind telling me exactly | what happened, Mrs. McLaren?

Last night we--

we hit a deer with our car.

It was a fluke. | These men came out of the woods

and one of them was named Otis. | Oh, I can't believe this!

Wrong place, | wrong time.

Mrs. McLaren?

With your permission, | the y'll get started right away.

Oh, God! | I cannot f***ing believe this.

Oh, Jesus Christ.

Miles, help me.

Jack, | this is Tom Hale.

I want you to meet me | up at Battle Creek Road.

Otis Stooky's place.

I need backup.

Do you copy? Over.

Hey! Otis, you in there?

Tom Hale.

Hey!

It's the sheriff. | You in there, Otis?

What do you want, | Sheriff?

I want you to step outside | for just a moment, Otis.

What is it, Tom Hale?

Those people staying | up at the Stooky place,

they filed a complaint.

I just want | to ask you some questions.

You come down | to the station with me?

What kind of complaint?

Ah, come on, Otis. | Do me a favor.

They're from the city.

I've just got to go through | all the formalities.

What'd they say happened?

Oh, I don't know.

Just something about | them hitting a deer

and you was there,

and I got to--

I just got to get a statement | from you, that's all.

- Aw, sh*t, Tom! | - Yeah, I know what you mean.

These people come up | from the city,

they act like they own | the damn place.

Look, I get it every day.

That f***ing Ben Stratton, | you know.

Raising our taxes, | kissing these people's ass.

Yeah, that's right.

You come with me now, huh?

I got Jack stopping by | in a moment.

I'd like you to come down | with me now, just to-- you know--

just to keep it | simple, huh?

Well...

okay, Tom.

Right, so we can say | we did it, okay?

Okay. Sure.

Damn.

I was just going | to watch the ballgame.

Yeah, I know, sorry | to put you out and all.

That game was | just getting started

when I stopped by | the hospital earlier--

What you doing | at the hospital, Tom?

Routine stuff.

You know...

I don't think I'm gonna go down | to the station there, Tom.

- What's that? | - I think you know what I'm saying.

Otis, I know it's been | you shooting up

the walls at | the Stooky place.

- Why do you say that? | - People see you there.

I spend time at Everett's, | you know that.

He's got that | shooting range.

Listen, Otis, I know you | got dealt a bad hand

with that house and all, | but a lot of people got problems.

City guy lets me take | the shortcut through the property.

Yeah.

You know, Otis, | I was gonna let you off

shooting up that place | and all, but...

I want you to come down | to the station with me now.

That really | what it is, Tom?

What do you mean?

You come all the way | out here over that?

Yeah, they're mad as hell.

Look, I got Jack | stopping by.

You coming with me | or not?

Okay. I'm coming.

I don't want to slap | the cuffs on you,

just to take you down | and give you a $30 fine.

- Coat. | - Right.

Don't lie, Tom.

Give me my liver.

What--?

Give me my liver.

Hey...

You'll be okay. | You fainted, sweetie.

You'll be okay, Miles.

Wha-- | what are you?!

The devil?

F*** you!

I'm sorry, Mrs. McLaren,

there was nothing | we could do.

So you get ready. | I'll be right back.

- Yeah, man? | - Yeah.

Yeah, man.

Yeah, yeah, yeah, | yeah, yeah.

Sledding, sledding, | sledding.

Where even the worst thing | can be seen in another way.

Nobody believes | in spirits anymore.

Doesn't mean | the y're not there.

I'm getting you out of that ditch.

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Larry Fessenden

Laurence T. Fessenden (born March 23, 1963) is an American actor, producer, writer, director, film editor, and cinematographer.. He is the founder of the New York based independent production shingle Glass Eye Pix. His writer/director credits include No Telling (written with Beck Underwood, 1991), Habit (1997), Wendigo (2001), and The Last Winter (written with Robert Leaver, 2006), which is in the permanent collection of the Metropolitan Museum Of Modern Art. He has also directed the television feature Beneath (2013), an episode of the NBC TV series Fear Itself (2008) entitled "Skin and Bones", and a segment of the anthology horror-comedy film The ABCs of Death 2 (2014). He is the writer, with Graham Reznick, of the BAFTA Award-winning Sony Playstation video game Until Dawn. He has acted in numerous films including Like Me (2017), In a Valley of Violence (2016), We Are Still Here (2015), Jug Face (2012), and Broken Flowers (2005). more…

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Submitted on August 05, 2018

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