Went the Day Well? Page #9

Synopsis: The residents of a British village during WWII welcome a platoon of soldiers who are to be billeted with them. The trusting residents then discover that the soldiers are Germans who proceed to hold the village captive.
Genre: Thriller, War
Director(s): Alberto Cavalcanti
Production: Rialto Pictures
 
IMDB:
7.6
Rotten Tomatoes:
100%
APPROVED
Year:
1942
92 min
Website
284 Views


Listen, here are your orders.

You'll go to the manor house,

open the French windows.

- Yes. Yes.

- Drawing room, nine o'clock.

I'll have the French windows

in the drawing room open at nine o'clock.

The lorries can drive

right up to the house.

- Okay. Get moving.

- Very good, sir.

Now then, what are we going to put on top?

- I know. Grandfather.

- Yes.

I wonder why people keep these things

when they've stopped going.

TOM:
All in now, sir.

We're barricading all the downstairs

windows, sir, is that okay?

Sure.

We've got enough weapons to command

all the approaches from upstairs.

Better concentrate our fire.

The back's the danger point.

No need to worry

about the drawing room side.

Not a scrap of cover.

Jerries never risk an attack

from that direction.

That's right enough.

At any rate,

I'll be keeping a watch on that side.

We've done the dining room.

Can I help you now?

No, it's all right, I can manage.

You get on with the drawing room.

- Okay, admiral.

- All right.

I'll give them a hand, as far as I can.

All out! Side of the road!

Take four men. Corporal, four men.

Make for the lawn facing

the French windows.

- Four men!

- Wilsford will open them in 10 minutes.

Right, sir. Follow me.

- Here you are.

- Thank you.

Well, that's about all we can do there.

If there's any firing this side,

see they get down behind here.

- What about the downstairs windows?

- We barricaded the lot.

Mr Wilsford's going round to make sure.

- He's downstairs?

- Yes. Now, listen, you kids,

whatever happens, you stay put.

If one of you so much as budges an inch,

I'll take you out to sea with me

and make you walk the plank.

Silly! Who does he think

he is, Captain Bligh?

Now, one Tommy gun with Charlie.

One, two more here, one spare magazine.

One pistol, and one,

two, three, four rifles.

Ha! Woolwich Arsenal!

- Ever fired a rifle, either of you?

- Only a shotgun.

- I once won a bottle of scent at Blackpool.

- Well, I'll have to show you as best as I can.

Peg, keep watch out of

that window, will you?

Ivy, I'll show you first.

- Is this loaded?

- Yes, think you can handle it?

Well enough.

- That's right. Now you, Peggy.

- Okay. Ivy, watch the window.

Now, watch this carefully.

When you wanna load,

you push the safety catch forward,

open the bolt, push in your clip,

- and close the bolt and it's ready to fire.

- I see.

If you're not going to fire,

put the safety catch on again.

- Hello, Nora.

- What are you doing?

- Barricading the window.

- It was barricaded already.

- The latch was undone, I was bolting it.

- Unbolting it.

Nora!

- The fun's starting all right.

- Lie still.

I've got a good part of the lawn

covered from here.

- Ought to be farther back, Charlie.

- All right, I've finished with that.

Give me the lamp.

Get Bridget to make him some tea.

Tom! Tom, they're coming.

Look! Over there by the tree.

Peggy, we'd better see if there are any

coming round the other side of the house.

Duck, madam, duck!

All right, Sims, I am ducking.

Come on.

- How you doing, Peg?

- Fine.

- What's up?

- I shot one.

Good girl.

You know, we ought to keep a score.

That's one to you.

Half a minute, now I'll have a go.

Missed him. Can't even hit a sitting Jerry.

Oh, thank goodness they're here.

- Harry!

- Oh, Mr Drew!

We've done a bit of scouting,

they've packed up in a lorry

and driven off towards the manor.

- Can't we join you?

- No, you stop here.

And carry on with the phones.

This is the last one.

Oh, that's what he needs.

You stay with him. I must go to

the children. Go on all fours.

- Duck!

- Not again!

- All safe and sound?

- CHILDREN:
Yes, thank you, Mrs Fraser.

Well, George got to Upton all right.

- Good. Good old George.

- When are the soldiers coming?

- They'll be here any moment now.

- I wish they were here now.

Oh, she's yellow.

- I've run out of ammunition.

- Here, I've got some.

- Ivy, give me your rifle.

- I've only two rounds left.

Get down!

Yes, that's the only bit

of England they got.

On Monday night, Hitler tried his invasion.

You know how that went up in smoke.

We're proud of ourselves here,

proud we had the chance to do our bit,

but proudest of all for those who died,

died in the battle for Bramley End.

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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Submitted on August 05, 2018

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