Wes Craven’s New Nightmare Page #3
- Year:
- 1994
- 83 Views
AND KNEADED THE DOUGH.
"AND SHE PUSHED GRETEL
TOWARD THE OVEN.
"THE WITCH WENT
TO SHUT THE DOOR
AND BAKE HER:
ONCE SHE WAS INSIDE."
DYLAN, THIS IS SO VIOLENT.
FINISH, PLEASE.
THEY'RE GONNA
GIVE YOU NIGHTMARES.
I LIKE THIS STORY.
[SIGHS]
"BUT GRETEL GUESSED WHAT
THE WITCH WAS PLANNING.
"I DON'T KNOW HOW TO
GET IN, GRETEL SAID.
"HOW AM I TO MANAGE IT?
"STUPID GIRL,
SHOUTED THE WITCH,
SEE? I CAN FIT MYSELF.
"THEN QUICKLY,
GRETEL CAME BEHIND
"AND PUSHED
WITH ALL HER MIGHT,
"PLUNGING THE WICKED OLD WOMAN
HEADLONG INTO THE FLAMES,
"BANGING THE DOOR SHUT
THE WITCH HOWLED..."
THAT'S ENOUGH.
"THE WITCH HOWLED
LIKE A SCALDED CAT,
"BUT GRETEL RAN
"AND LEFT HER THERE
TO PERISH NONETHELESS.
"SHE RAN TO HER BROTHER
AS FAST AS SHE COULD,
"FLUNG OPEN THE DOOR.
HANSEL! HANSEL, SHE CRIED.
WE'RE SAVED!
TIME FOR SLEEP.
SAY HOW THEY FIND
THEIR WAY BACK HOME.
TOMORROW NIGHT.
NO. TONIGHT.
IT'S IMPORTANT.
DYLAN, YOU KNOW
AS WELL AS I DO.
THEY FOLLOWED:
THE TRAIL OF BREADCRUMBS
BACK TO THEIR HOUSE.
AND THEN THEIR FATHER
COVERED THEM WITH KISSES,
AND THEY WERE SAFE.
THEY WERE SAFE,
AND THEY COULD SLEEP.
COME ON.
WHAT IS THAT?
REX.
COME ON.
REX KEEPS HIM:
DOWN THERE.
WHO?
THE MEAN OLD MAN
WITH THE CLAWS.
HE WANTS TO COME UP
WHILE WE SLEEP.
I KEEP MY FEET UP HERE.
REX KEEPS HIM:
DOWN THERE.
HE'S MY GUARD.
YOU SHOULD HAVE:
A GUARD, TOO.
DYLAN.
THERE'S NOTHING
DOWN THERE.
COME HERE.
LOOK. SEE?
IT'S DIFFERENT
WHEN YOU'RE GONE.
COME ON.
ON, PLEASE.
OK, SWEETIE.
NIGHT-NIGHT.
SLEEP TIGHT.
DON'T LET
THE BEDBUGS BITE.
DADDY COMING HOME?
HE'S ON HIS WAY.
HE CAN FOLLOW:
THE BREADCRUMBS, RIGHT?
RIGHT.
IF THE BIRDS:
DON'T EAT THEM FIRST.
[ROCK MUSIC PLAYING]
[TIRES SCREECH]
[BEEP]
[DIALING]
[STATIC]
AW...
PERFECT, PERFECT, PERFECT!
[STATIC ON RADIO]
[TIRES SCREECH]
[DIFFERENT MUSIC PLAYING]
[MAN TALKING]
[STATIC]
[SHUTS OFF RADIO]
AHH.
COME ON, COME ON,
COME ON,
COME ON, COME ON,
COME ON, COME ON.
♪ THAT'S ME IN THE CORNER
[HUMMING]
♪ THAT'S ME IN THE SPOT
♪ LIGHT
♪ LIGHT
♪ LOSIN' MY
♪ RELIGION
[SCREAMING]
Dylan:
MOMMY'S SCARED?
DYLAN.
MOMMY'S FINE.
WHAT ARE YOU DOING
OUT OF BED?
REX WOKE ME UP.
HE WAS FIGHTING.
DYLAN, GO BACK
TO SLEEP, HONEY.
I'M NOT SLEEPY.
[DOORBELL RINGS]
[KNOCK ON DOOR]
Man:
HELLO?POLICE, MA'AM.
WILL YOU OPEN THE DOOR?
HEATHER LANGENKAMP?
YES?
IS CHASE PORTER:
YOUR HUSBAND?
YES.
I'M AFRAID THERE
WAS AN ACCIDENT.
IT APPEARS HE FELL ASLEEP
WHILE DRIVING, MA'AM.
IS HE...I MEAN...
IS HE HURT?
I'M AFRAID IT'S WORSE
THAN THAT, MA'AM.
IS HE DEAD?
[STAMMERS]
YES, MA'AM.
OHH.
ARE YOU SURE IT'S HIM?
WE HAVE HIS EFFECTS.
YOU CAN CONFIRM:
FROM THAT.
I WANT TO SEE HIS BODY.
NO, YOU DON'T, MA'AM.
IT'S NOT NECESSARY.
FOR MYSELF.
[ELEVATOR RINGS]
[WOMAN CRYING HYSTERICALLY]
[ELECTRIC WHIRRING]
Man:
CAN YOUHAND ME THAT?
Second man:
SURE.[CLEARS THROAT]
EXCUSE ME.
COULD I HELP YOU?
PORTER.
[WHIRRING STOPS]
CHASE PORTER.
IT'S--IT'S BACK HERE.
[WHIRRING RESUMES]
YOU SAID CHASE?
MM-HMM.
I'M SORRY.
JUST SIGN HERE:
AT THE BOTTOM.
THAT'S ALL WE NEED.
I'D LIKE TO SEE
ONCE AGAIN.
I'M SORRY?
COULD YOU LIFT:
THE SHEET AGAIN, PLEASE?
MORE, PLEASE.
WHAT IS THAT?
MA'AM.
THE HEAD'S GONNA
BE ALL RIGHT:
FOR THE FUNERAL:
AND ALL, BUT--
HEY, LADY.
YOU OK?
YOU SURE?
MM-HMM. YES.
[SOBBING]
OH, GOD.
WHAT DID THAT?
WAS TORE UP SOMETHING AWFUL,
SO YOU CAN IMAGINE HIM
NOT BEING IN...
IT LOOKS LIKE...
HE WAS CLAWED.
YEAH.
WELL, THAT'S WHY WE
DON'T LIFT THE SHEET
PAST THE FACE, MA'AM.
SOMETIMES IT'S
WHAT WE DON'T SEE
THAT GETS US:
THROUGH THE NIGHT.
SO, UM...
IF YOU'LL JUST SIGN...
[BIRDS CHIRPING]
[GEARS SQUEAKING]
Priest:
GOD IS OUR HOPEAND STRENGTH,
A VERY PRESENT HELP
IN TROUBLE.
THEREFORE,
WE WILL NOT FEAR,
THOUGH THE EARTH
BE MOVED:
AND THOUGH:
INTO THE MIDST:
OF THE SEA,
THOUGH THE WATERS THEREOF
RAGE AND SWELL:
AND THOUGH:
THE MOUNTAINS SHAKE
AT THE TEMPEST:
OF THE SAME.
[STATUE SHATTERS]
[EERIE WHISPERING]
[EERIE WHISPERING]
JULIE, WHERE'S DYLAN?
I--I DON'T KNOW.
[EERIE WHISPERING]
[EVIL LAUGHTER]
AAH! MOMMY!
DYLAN!
MOMMY!
DYLAN!
DYLAN, GRAB MOMMY'S HAND.
GRAB IT!
OH, MY GOD!
HURRY!
OH, NO.
AAH! AAH! AAH!
LET GO OF ME!
NO!
STAY WITH ME.
CH-CHASE! NO!
STAY WITH ME, HEATHER.
NO!
WHERE'S DYLAN?
WHERE'S DYLAN?
HE'S ALL RIGHT.
HE'S ALL RIGHT.
HE'S RIGHT HERE.
[HEATHER PANTING]
AAH, WHAT HAPPENED?
IT WAS AN EARTHQUAKE.
YOU GOT KNOCKED OFF
YOUR FEET.
YOU GOT A PRETTY GOOD
BUMP, ACTUALLY.
Priest:
MAY HE RESTIN PEACE, CHILDREN.
AND MAY YOU ALL:
GET HOME SAFELY.
AMEN. AMEN.
AMEN.
[CREAKING]
[SIREN]
IF THERE'S ANYTHING
I CAN DO, HEATHER...
ANYTHING.
THANK YOU, ROBERT.
[BIRD CAWING]
[NIGHTMARE ON ELM STREET
PLAYING ON TV]
SWEETIE.
Heather on TV:
TINA?
[MUTTERING]
[WHISPERING]
Dylan.
TINA?
TINA?
HEY.
WHO ARE YOU?
[GLOVE CLANGING]
[FREDDY LAUGHING ON TV]
DYLAN.
BABY, WAKE UP.
AAH!
HONEY. DYLAN.
DYLAN, GET OVER HERE!
HONEY! HONEY!
SHH SHH SHH SHH.
COME ON.
OK, SUGAR, WE'RE GONNA
NO, MOMMY,
I CAN'T SLEEP THERE.
HONEY, YOU HAVE TO SLEEP.
♪ 1, 2, FREDDY'S
COMING FOR YOU ♪
WHERE DID YOU HEAR THAT?
DID YOU HEAR THAT
ON THAT MOVIE?
DID YOU ANSWER THE PHONE?
DYLAN, WHERE DID YOU
HEAR THAT SONG?
IN MY BED.
IN YOUR BED?
UNDER MY COVERS.
KIDS SINGING.
WAY DOWN THERE:
WITH THE MAN,
THE MEAN MAN.
TRYING TO GET UP.
TRYING TO GET UP
INTO OUR WORLD.
[GASPS] DYLAN!
[WATER RUNNING]
[CRICKETS CHIRPING]
WHERE'S DADDY NOW?
DADDY'S IN HEAVEN.
HE'S WITH GOD NOW.
DO YOU HAVE TO...
DIE TO SEE GOD?
I DON'T THINK SO.
I THINK YOU HAVE TO PRAY.
AND REACH OUT.
WHY DOES GOD LET THERE
BE BAD THINGS?
I HONESTLY DON'T KNOW,
HONEY.
PLEASE TRY TO:
GET SOME SLEEP.
CAN YOU COME WITH ME
IN MY DREAMS?
HAPPENS IN THE MOVIES.
BUT I'LL ALWAYS,
ALWAYS...
BE RIGHT HERE:
WHEN YOU GET BACK.
AND I'LL MAKE SURE
THAT NOBODY:
GETS YOUR TOES.
UH-HUH.
Heather:
I KNOWHIS BEHAVIOR IS BIZARRE...
BUT HE'S USUALLY SO NORMAL
AND WELL ADJUSTED, JOHN,
I JUST CAN'T BELIEVE
IT'S HIM
AND NOT SOMETHING OUTSIDE
INFLUENCING HIM.
OR IS THAT:
HOW DENIAL WORKS?
WELL, IT IS DENIAL.
I DON'T THINK
THAT'S THE CASE HERE.
LOOK, IF YOU'RE REALLY
WORRIED ABOUT DYLAN,
HAVE A DOCTOR:
CHECK HIM OUT.
YOU'LL SEE.
EVERYTHING'S FINE.
YOU'RE NOT JUST
SAYING THAT:
TO HELP A CRAZY:
FRIEND COPE, ARE YOU?
[SIGHS]
EVERYTHING ABOUT
DYLAN'S BEHAVIOR
IS UNDERSTANDABLE
FOR A KID WHO JUST
LOST HIS FATHER.
HOW DOES A CHILD PROCESS
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