What Lies Beneath Page #7
- PG-13
- Year:
- 2000
- 130 min
- $155,018,556
- 530 Views
The noise abruptly stops. Claire clicks off the phone and
replaces it in the sweater pocket. She tunes the stereo to a
classical music station.
She walks in, places the cordless phone on a BASE UNIT, then
hears a different set of musical notes from the computer.
She stares at the screen, stunned.
ANGLE:
The game has been finished. Cards with faces swarm chaotically
across the screen with the message: YOU WIN!
CLAIRE:
Oh. Kay.
Without warning, the radio dial rips cacophonously past
several stations and comes to a stop on some angry, punkish
rock and roll.
CLAIRE:
Jesus...
She bolts around a corner to the stereo. The music is chaotic
and deafening. She finds Cooper growling at... no one. She
turns off the stereo. Cooper suddenly bolts down the hall.
She follows him.
INT. FOYER - NIGHT
The foyer's empty, but the front door is open. Claire
nervously walks out and looks around.
CLAIRE:
Cooper!
POV - THE GARDEN
No sign of the dog.
Claire turns to go back inside. When she touches the doorknob,
she hears the whispering again. A fleeting shadow draws her
eye to a COAT RACK MIRROR which reflects directly into the
study.
CLAIRE:
Hello...?!
The whispering stops.
INT. NORMAN'S LAB - NIGHT
Claire walks in to find Norman surrounded by several GRAD
STUDENTS. At school he's a very different man; pressed shirt
and tie, hair neatly brushed back.
They're performing some unseen procedure on a live sheep in
a containment harness. She stops by the door to watch him.
NORMAN:
...and then what... Courtney?
An intense ASIAN GIRL answers.
COURTNEY:
We administer the Halothane.
NORMAN:
Dosage?
She glances at her notes.
COURTNEY:
Three point five cc's.
NORMAN:
Excellent. Properties? Andrew from
downtown...
Andrew, tall razor thin, was waiting for this.
ANDREW:
An organic, neuromuscular blocking
agent, which when administered in
aerosol form temporarily renders the
subject immobile.
NORMAN:
Nothing but net.
He measures out the liquid from a blue plastic bottle into
an apparatus connected to an inhalation mask on the sheep.
NORMAN:
Prudence here's an old friend.
He moves to the sheep's head and strokes it as he nods to
Courtney who turns a valve on the apparatus. The sheep
suddenly goes completely still. Norman moves around and begins
a brief procedure.
NORMAN:
I try to stay on her good side because
I owe her my career and most of our
grant money. Why else?
He completes the procedure. They look at him blankly.
NORMAN:
Always do unto others as you'd have
others do unto your ewe.
Groans, laughter. He stops Claire.
NORMAN:
That'll do it. Write this up for
Tuesday!
Andrew and Amy tend to Prudence, the rest leave. Claire moves
over to him. They kiss. Norman packs notes and some of the
chemicals into a LEATHER CASE.
NORMAN:
(warm)
What are you doing here?
CLAIRE:
There were some noises. I didn't
want to disturb you.
She watches as the sheep slowly becomes reanimated and is
led out of the room.
NORMAN:
What do you mean? Some noises where?
CLAIRE:
In the house. I was scared.
NORMAN:
Did you call the police?
CLAIRE:
No. Can you drive me home? I'll bring
you back in the morning.
NORMAN:
Of course.
He takes her arm.
Norman pushes open the front door. Cooper pads over, wagging
his tail. They walk together past the stereo into...
...the living room. All is quiet. They move into...
INT. NORMAN'S STUDY - NIGHT
It's undisturbed. Norman checks the window locks.
CLAIRE:
It was there. This angry music all
by itself. And I heard whispering.
NORMAN:
What kind of whispering?
CLAIRE:
I don't know. Just... whispering.
He nods as Cooper appears.
NORMAN:
What'd you see, Coop?
The dog stares blankly.
CLAIRE:
(to Cooper)
Tell him!
Norman smiles.
INT. BEDROOM - NIGHT
Norman sits on the bed and pulls off his shoes.
NORMAN:
I'm gonna have the police check on
the house.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"What Lies Beneath" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/what_lies_beneath_414>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In