When a Man Comes Home
- Year:
- 2007
- 100 min
- 18 Views
I want to tell you a story about
a good boy who stuttered like hell.
But first, let's meet his father.
A**holes!
County of whores!
We don't f*** anymore.
He committed suicide
when Sebastian was a boy.
And that's why Sebastian
started stuttering.
His father was a useless artist,
who drank and fornicated
and full of self-pity he decided
to put an end to everything.
Small-minded fascist recruits!
A doctor told me that 85% of all
suiciders regret it at the last moment.
A few lucky survivors
have said so.
This isn't what I wanted.
Oh no.
Hey! Stop it!
No!
So Sebastian's father wasn't
one of the lucky ones.
It devastated the small family.
Infidelity, suicides and details
like that do that. That's how it is.
That's how Aunt Anna
became Uncle Anna.
And Sebastian became the stuttering
son of two mothers.
Horny, queer rails!
Lie still
while I piss on you, dirty bastards.
He was fine with that
he stuttered.
They thought
he was a good boy
who reacted calmly
to not having a father.
In fact, people who reminded him
Sebastian was mad at him.
And drinkers, liars or adulterers
had to be eliminated.
Sebastian could relax for a short
while. He stuttered a little less.
And on a good day
he could even break out into songs.
As he went along in his solitude
he vowed never
to be a bastard like his father.
NIMBUS FILM PRESENTS
Our story begins the day before
his hometown's 750th anniversary.
This called for a celebration,
was on his way to perform.
Hey!
Hi.
It's the musicians.
Keep going straight.
When you get to the first roundabout
take the first right
and then the second left.
No, take Mosegyden
and then the first...
Shut up, Peter. Go past...
- Take a right. You shut up.
You're sending them the wrong way.
First message.
- This is mom. We're on our way.
- Lots of kisses.
Uncle says hello.
I have to tell you something,
Sebastian.
It's important that it's only
the two of us. Bye.
Bent, you hunk. How's it going?
- Why the hell are you so happy?
Is... Isn't...
- Isn't there a party soon? That's why.
Cover that gut with a shirt.
He banged a pig once.
It's true.
Bent's fat. Sebastian is skinny
and engaged. Congratulations.
Hey!
Hi, Claudia! Over here!
- Hi.
Hi, sweet cheeks.
Want to smoke Daddy's pipe?
You're kidding.
- See you.
Nick, she's Sebastian's lady.
What are you thinking?
What do you mean?
- What's up with you?
What I mean is
she's Sebastian's girlfriend.
Isn't it okay, Sebastian?
- No.
You just can't do that.
- Shut up.
Not again, Nick.
Knock it off!
Easy, Nick. Easy.
Stop it!
Sebastian.
Help!
You're strangling me.
We bought...
...sssix boxes...
Come on, Sebastian.
Six kilos of parparsnips and...
Two boxes of peapeapeas.
Ttten...
Enough! This isn't going anywhere.
That's why we're late all the time.
Wa have four boxes of carrots
peas and asparagus. Three boxes.
Two boxes of broad-leaf lettuce.
- No, it's curly lettuce.
Shut up, Peter.
Okay, okay.
You two, go pick him up. The chef.
He's travelled for more than 30 hours
and driven 1250 miles. He never flies.
He's an artist. A truly great one.
Never flies. A truly great artist.
Stop here.
Well done.
Hi.
Welcome.
- Hi.
Oskar Parvo Andersson.
Has the calf arrrived?
- Yes. 48 pounds.
It's raised on full-fat milk
and stood in the shade.
Not even dew has touched it.
- How is it?
It's dead.
He says the calf is dead.
No.
The calf isn't dead.
Everything is alive.
Everything moves and exists.
We eat it, excrete it and eat it again.
We're living compost.
- What's he saying?
The calf isn't dead.
We're just helping it along.
Could I speak to the manager?
Of course. Just wait right here.
Where is Petrovic?
He's sick. It can't come.
What did he say?
- That he's sick.
Sickness on bowels. He's bleating.
Probably diet.
Sickness in bowels. He's bleating.
Probably diet.
He says Petrovic is sick.
Something about his bowels.
And that he'll probably die.
Where are the violinists?
- Problems. We have fine orchestra.
I'm sorry, but you're not
the orchestra we ordered.
Petrovic promised us...
- This is a hotel with violins...
Excuse me, Mr. Lorentz...
- Get them out of here.
Excuse me, Mr. Lorentz.
My name is Maria Wassel.
I'm here for the job.
Stop! I don't have time.
Tell Petrovic that this just isn't on.
- We have nuther kind.
We have nuther kind. Nuther kind.
I can't understand a damn thing.
Out!
This is our big moment.
We'll send the tenor and his wife
on a gastronomical joumey.
It'll be an invasion of shellfsh.
As an accompaniment we'll serve
an inferno of free-range lettuce.
Lollo rosso, friss
Batavian, escarole, white asparagus.
And the calf. Veal fricassee.
Forest mushrooms
fresh herbs, German wine.
Everything subtle and unpretentious.
Under canopies in the palm court.
The guests will be expectant.
Very open, warm and curious.
Put your hands here
and close your eyes.
We swear to push our abilities
to the breaking point.
We swear!
We need more employees.
Fill this out. Are you feeling better?
It's good to keep busy.
I talked to your father.
There's no shame in getting
psychiatric help. Chin up, my girl.
I've been hospitalized once myself.
Twice.
Well, a few times.
A heck of a lot of times actually.
That's fine, my girl.
We'll take it nice and easy.
- Thanks.
I've been discharged conditionally.
I havetoavoidthingsthatupset me.
I'm sure the next few days
will be nice and quiet.
Make sure to take your medicine.
And fill out this form.
Thanks. But I hate
how sluggish it makes me feel.
F*** that. If you don't take it,
you'll have problems.
What happened to your mother?
She died. It's good to talk about it.
You know that she had sclerosis.
In the end, she couldn't move.
The bathroom window was open,
and it was during winter.
I was at the neighbor.
- Where was your mom? I don't get it.
In the bathtub.
- Okay.
Anyway,
I got to talking overt here.
And then I forgot all about my mom.
And I'm sure she tried to get out.
You will die from cold.
But she couldn't get out.
Oops.
Hi.
Hi.
Hi, Sebastian.
I'm beating the carpets.
- Okay.
Fine.
What's wrong?
- You stutter.
Maria?
Yes, that's me.
It's been a long time.
Yes.
Do you need help?
- No thanks.
So... how are you?
I'm okay.
Are you mad at me?
- No.
No. I know.
But...
I wasn't capable of doing much.
- That's okay.
Okay.
But we were pretty good sweethearts.
Well, yes.
I didn't think you'd come back here.
Neither did I.
But now I'm here. My dad
wanted to move back to the house.
I thought you'd moved, too.
- Me?
Yes, to an organic commune
or something.
No, that's my mom.
- And Uncle Anna.
So you still live here?
- Yes.
I was supposed to move to town,
but I got an apprenticeship here.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"When a Man Comes Home" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/when_a_man_comes_home_7632>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In