White Hunter Black Heart Page #4

Synopsis: The world famous movie director John Wilson has gone to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than takes care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else.
Genre: Adventure, Drama
Director(s): Clint Eastwood
Production: Warner Bros. Pictures
  2 nominations.
 
IMDB:
6.7
Rotten Tomatoes:
88%
PG
Year:
1990
112 min
152 Views


The old blocking and checking|throws them off.

They don't go in for that sort|of thing at all, you see.

Probably be lynched if they did.

We're not like you Americans.

Of course not.

- Oh, well done.|- Hell of a man, that boy. Hell of a man.

Where is the defense?!

What? What?|Watch it!

You all right?

Sh*t!

We found everything you wanted, John,|but it's bloody awful.

It's no place for a man to live.|It's the thickest jungle you've ever seen.

Looks pretty interesting, John.

There's a black-water river and a few huts.|At nighttime there are mosquitoes.

During the day it rains.|There are elephants, crocodiles, Pygmies.

- Lots of big game, is there?|- Antelope, buffalo.

We saw an elephant from the plane|with tusks right down to the ground.

Could you lay a plane on to take us there?

No problem.|When you thinking of going?

Pete?

If I can manage to keep the script simple,|two or three days.

Isn't this just swell...

...dining with a beautiful lady|right in the middle of Africa?

- Would you care for some more champagne?|- Yes, I would, rather.

Waiter, could you bring us another bottle|of champagne when you get the chance?

- Yes. Thank you, sir.|- Thank you.

You know,|you spoil those boys dreadfully.

Well, as good as they play soccer,|they should be spoiled.

They'll be impossible now|for five or six days.

I don't think so. I think they know|the difference between sport and real life.

- So, Mrs. MacGregor-|- Margaret, please.

Margaret.|Margaret, do you miss London?

Yes, I do, rather.

I don't miss London as much|as I miss the country.

Especially the winter, when you're out there|with the hounds and they have the scent...

- ... crossing a good bit of country.|- Oh, I do agree.

I'm not keen on London.

I had to live there during the war|and I got awfully fed up with it.

Well, I rather enjoyed it during the war.|The people behaved so magnificently.

They didn't all behave well.|You probably never left the West End.

Not true, not true.|I did a film about the London Blitz.

I was all over town.

Well, you can't have spent much time|in Soho, where I lived.

- Why do you say that, dear?|- I thought the people there were just horrid.

There are an awful lot of Jews|in that neighborhood.

- Mrs. MacGregor.|- Margaret.

Margaret.|I must warn you, I'm a Jew.

- You're not.|- I am.

- No.|- Yes.

- You're pulling my leg!|- No, I'm not pulling your leg, Margaret.

I'm a Jew.

I don't believe you.

I know I shouldn't say this, but...

...that was the one thing about which|I thought Hitler was absolutely right.

Now, Margaret, the man has|just got through warning you.

Because the Jews|in London were awful.

They ran the black market.|And they didn't go into the army.

And when they did,|they got themselves cushy jobs.

Of course, there were upper-class Jews,|but I'm not talking about them.

I'm talking about the kikes in Soho.

- The foreigners.|- Margaret. Margaret.

My grandparents were kikes.|My father and my mother were kikes.

- And I'm a kike.|- That's right, dear.

You're not going to tell me|that you're Jewish too?

No. Absolutely not, because that would be|a lie, and I wouldn't want to lie to you ever.

But I would like to tell you|a little story, though.

I love stories.

Well, you mustn't interrupt now, because|you're way too beautiful to interrupt people.

When I was in London|in the early '40s...

...I was dining one evening at the Savoy|with a rather select group of people...

...and sitting next to me was|a very beautiful lady, much like yourself.

- Now you're pulling my leg.|- Now, just listen, dear.

Well, we were dining and the bombs were|falling, and we were all talking about Hitler...

...and comparing him with Napoleon,|and we were all being really brilliant.

And then, suddenly,|this beautiful lady...

...she spoke up and said that was the thing|she didn't mind about Hitler...

...was the way he was treating|the Jews.

Well, we all started arguing with her,|of course.

Though, mind you, no one at the table|was Jewish. But she persisted.

Are you listening, honey?

Mustn't interrupt Daddy.

That's right.|You're way too beautiful for that.

Anyway, she went on to say that|that's how she felt about it...

...that if she had her way, she would kill|them all, burn them in ovens, like Hitler.

Well, we all sat there in silence.

Then finally, I leaned over to her and I said,|"Madam, I have dined...

...with some of the ugliest goddamn b*tches|in my time.

And I have dined with some of the|goddamndest ugly b*tches in this world.

But you, my dear,|are the ugliest b*tch of them all. "

Well, anyway, she got up to leave and she|tripped over a chair and fell on the floor.

And we all just sat there.|No one raised a hand to help her.

And finally when she picked herself up,|I said to her one more time:

"You, my dear, are the ugliest goddamn|b*tch I have ever dined with. "

Well, you know what happened?

The very next day, she reported me|to the American Embassy.

And they brought me in for reprimand.|And then when they investigated it...

...they found out that she was|a German agent. And they locked her up.

Isn't that amazing?

Why did you tell me that story?

I don't know.

It wasn't because I thought you|were a German agent, honey.

But I was tempted tonight|to say the very same thing to you.

I didn't want you to think|I had never said it before.

You, madam, are the-|Well, you know the rest.

- Care for some champagne, honey?|- No, thank you.

Pete?

Well, it's getting late.|I think I'd better go back to my room.

- Pete and I will accompany you.|- There's no need!

No bother at all.

Good night, Margaret.

Sorry, John.

I know you wanted to get laid.

That's all right, kid.

You can't help it if you're a kike.

He says, "Never mind the car keys.|Have you seen the car?"

- You clumsy oaf!|- Dimwit!

- Now look what you've done.|- I'm sorry, boss. I'm sorry.

Come here.

John, where you going?

Pick up that glass, boy.

Damn it, pick it up!

John.|What are you up to?

I just want to go talk|to Harry for a moment.

What happened here, Harry?

Well, the little black bastard spilled a drink|all over this gentleman.

- On purpose?|- Who knows? Black bastards.

Harry, I think you're a yellow, rotten,|sadistic son of a b*tch.

Now, Mr. Wilson...

...I don't have to take that kind|of talk from anyone.

That's right. You don't.

How about going outside|and trying to kick me around?

You're drunk, Mr. Wilson.

I am, but that doesn't change|the fact that you're yellow, Harry.

Bright yellow.

I'm not supposed to fight|with the guests, Mr. Wilson.

I'm not a guest tonight, you yellow bastard.|I happen to be an intruder.

Let's go.

What are you doing?|This doesn't make any sense.

If Mrs. MacGregor had been a man,|wouldn't you have knocked him on his ass?

Yes, I would have.|But this is different.

We fought the preliminary|for the kikes.

Now we're gonna fight|the main event for the n*ggers.

Go, Harry!

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Peter Viertel

Peter Viertel (16 November 1920 – 4 November 2007) was an author and screenwriter. more…

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Submitted on August 05, 2018

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