White Hunter Black Heart Page #6

Synopsis: The world famous movie director John Wilson has gone to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than takes care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else.
Genre: Adventure, Drama
Director(s): Clint Eastwood
Production: Warner Bros. Pictures
  2 nominations.
 
IMDB:
6.7
Rotten Tomatoes:
88%
PG
Year:
1990
112 min
152 Views


Good.

- Our chief hunter.|- For God's sake, let's have him in.

Explain to him what we want.|We want to go after some game.

Buffalo, preferably an elephant.

This man is wonderful.|What's his name?

Kivu.

He's called Kivu because he went|on a trip there once.

I must say, Kivu is amazing.|He found elephant tracks that big.

A whole herd. Only darkness prevented us|from going on. Tell him to sit down.

He says he prefers to stand.

Oh! Good evening, gentlemen.

So did the Hollywood hunters|have any luck today?

Tell Kivu to get a good night's rest.

We'll be leaving at 5:00 in the morning.|We'll get our elephant then.

I talked to Mr. Landers in London.|He's quite hysterical.

He wants to talk to you tomorrow.

I told him that we could drive you down|to the border and use that phone there.

- You did, did you?|- You'll be on safari, I suppose.

You're welcome to come along|with us if you'd like, Ralph.

No Hollywood safaris for me.

That word has crept into the conversation|quite a few times, hasn't it?

- Which word is that, sir?|- Hollywood.

I realize it's the name of a place, but|the way you say it has an added meaning.

Like an insult.

- Well, I didn't mean it like that.|- Don't contradict me, Ralph.

I've heard it all before.

In the Army, in New York...

...in the theater.|Hell, I've heard it everywhere.

People say Hollywood|when they want to insult you.

Well, really Hollywood is just a place|where they make a profit.

It's a factory town like Detroit|or Birmingham or Schaffhausen.

Because the cheap element of the town|has been so overly advertised...

...it becomes an insult to remind|a man he's from there.

They're not talking about the people|who work there...

...and that try to do|something worthwhile.

They're talking about the whores|when they mention Hollywood.

You know what that word means,|don't you, Ralph?

- Sure.|- Sure.

Whores have to sell the one thing that|shouldn't be for sale in the world.

And that's love.

Of course, there are other kinds of whores|than the floozies you frequent, Ralph.

There are whores who sell words|and ideas and melodies.

I know what I'm talking about because|I've done a little hustling in my time.

A hell of a lot more|than I'd like to admit to.

And what I sold when I was whoring|I'll never get back.

What I'm trying to say, it's the whores|who put Hollywood up as a big target.

Sure.

Hell, John, I didn't realize you|were such a hometown boy.

- Well, I am, kid. I am when I'm in Africa.|- Yeah.

No, I'm serious. It took Africa|to bring all this out in me.

Africa and the smell|of my first wild elephant.

It's a shame Kivu couldn't have heard|you say that, John.

Oh, Kivu knows. Kivu knows|without being told.

John, why don't you ask Kivu to go|back to Hollywood with you?

Not a bad idea, kid. He could be|mighty useful around there.

Yeah.

Where are we going this morning, John?

A place Kivu knows. And he says a lot|of elephant go there this time of year.

I was wondering. How do|you two communicate?

Oh, we get on. I asked him this morning|about going back to the States with me.

Zib here actually|acted as my interpreter.

- What did he say?|- Said he didn't know.

Said he'd have to think about it.|That it was a very big decision.

He says we're getting close.

He says they're in there, but he thinks|it best if only two shooters go.

- Pete, are you ready?|- No, you and Zib are plenty.

- You're not coming?|- No, I'll wait here.

Now, look, kid. I've never|given you much advice.

I've never forced you to do anything.|But this time it's different.

I think you should come.|I urge you as a friend.

No, you just go on in there,|John. I'll wait here.

If you don't come, you'll regret this|as long as you can remember.

- I don't want to shoot an elephant.|- That's besides the point.

If you don't come, it's because|you're scared. And you know it.

All right, well, I guess I'll just have|to live with that.

John. John, hold your fire.

John, don't shoot!

It's too dangerous. Hold your fire.|Come back slowly. Come on.

This is him. This is the one|I'm looking for.

It's not safe. There are too many cows|around. Come back slowly. Come on.

Just come. Do as I tell you. Come on.

I've never seen one before,|outside the circus or the zoo.

They're so majestic. So indestructible.|They're part of the earth.

They make us feel like perverse little|creatures from another planet.

Without any dignity.

Makes one believe in God.

In the miracle of creation.

Fantastic.

They're part of a world|that no longer exists, Hod.

Feeling of unconquerable time.

You certainly have a way with words,|Pete. No wonder you're a writer.

So, what happened, John?|Weren't you able to get close enough?

We got close enough,|but I wouldn't let him shoot.

Too many cows around the big fellow.|They'd have charged.

That was the biggest tusker|in all of Africa.

It would have been a risk|well worth taking.

- You all right?|- I'm all right.

John.

Come on, let's face it.|This country's too tough for us.

We're just characters from Vine Street.|We're not heroes out of one of your films.

Come on.

Get up.

You know, kid, we're gonna end up|together. When we're old, that is.

Probably live in a cabin up in the Sierras|and pan for gold. Have a couple mules.

Sit around the campfire at night.|Tell lies to each other.

- Yeah.|- About all the things we've done.

The wars we fought. Books you've|written, movies I've made.

You know, I don't doubt that, John.

You'll need two, possibly three cameras|on the fire sequence, John.

If you could just initial these plans,|I can go ahead and start construction.

It was a risk to all of us.

A herd of cows can go rogue very quickly|if they have their young with them.

There have been rogue herds created in|Kenya and Tanganyika in just such a way.

And then they have to go out and|shoot every bloody one of them.

All right. All right. Forget it.|We'll try again tomorrow.

Tomorrow morning. Tomorrow afternoon,|we leave. I have another safari.

You have to get started|on the film, John.

You can leave if you want. I'm staying.

The company arrives in Entebbe|the day after tomorrow.

I'm staying.

- Jesus Christ! Will you be reasonable?|- I am being reasonable.

I don't give a goddamn if the company gets|here tomorrow or got here three days ago.

I'm staying till I get my elephant.

You need someone with you.|You can't hunt alone.

- Kivu will go with me.|- What about that fellow at the fishery?

The one who used to be game warden|down on the Zambezi. Ogilvy?

Yes. Yes, that's the man. Yes, they say|he killed over 500 elephants in his day.

- Well, let's get him up here.|- John, how long do you plan on staying?

Well, that depends upon the elephants.|And on the guides.

If Ogilvy turns out to be another old lady|like the rest of you, it may take months.

But if he's half the man Kivu is,|it may take no time at all.

What's the matter, kid?|Go ahead and spit it out.

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Peter Viertel

Peter Viertel (16 November 1920 – 4 November 2007) was an author and screenwriter. more…

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Submitted on August 05, 2018

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