White Squall Page #17
- PG-13
- Year:
- 1996
- 129 min
- 755 Views
EXT. BEACH - SHIPWRECK BAY - DAY
The Albatross rests at anchor. On the beach, the crew
watch a huge group of penguins dive and frolic from the
ancient guano cliffs. So unaccustomed are these creatures
to man, that they have no fear.
EXT. LAGOON - DAY
Chuck, John and Rick snorkel among the playful SEA LIONS.
They dart and swim like otters among their new human
friends.
EXT. LAVA OUTCROPPING - DAY
Terry, Chris, Chuck and Mike stand taking notes on exotic
birds. Frigates, hawks, flamingos, pelicans, boobies, and
of course... albatrosses.
EXT. ALBATROSS - DAY
The crew are sprawled across the deck taking final exams.
Alice walks among them. Chuck throws an anxious look
towards John who is buried in his test.
Boobies nest in the grass. Thousands of them and
amazingly, the crew can walk among them without them
batting an eye. Chuck and Robin watch as the iguanas
sneak into unattended nests and steal eggs.
EXT. DUNES - DAY
Chuck is alone gazing over the shoreline. A huge flock of
finches darken the sky, circling the black sand beach.
Pure magic.
EXT. BEACH - DAY
Beyond, the anchored Albatross rocks and bounces in a
blue-sky gale. Chuck, John, Robin, Rick, Chris and Tod
stand by a dory watching the sea build. They wear only
tattered shorts, their hair sun bleached and their skin
dark.
RICK:
We're here for the night.
TOD:
Yeah.
EXT. ROCKS - SAME
Tight. The eyes of predators. Sharp, cunning, hungry.
A lone wild goat grazes on the beach. It looks up,
sensing something, unfamiliar, then, returns to it's
grazing.
Tight. Thundering bare feet on the black sand.
The goat looks up again, this time it sees five
Homosapiens bearing down on him. They come naked,
swinging their shredded clothing above their heads like
lassos. Shouting, whooping, primal. The goat bolts for
its life.
Pounding through the waterline like the wild horses of
Sable, the hunters charge after the hunted, closing. The
goat's eyes are full of a terror it has never known.
The beach is broad and long with no cover. The hunters
are gaining on the goat. Splashing feet pound closer...
Suddenly they are upon the goat. But, instead of
attacking it, they just run through it, passing it. The
goat pulls up and stops, breathless, watching the naked
humans run.
Close on the faces of brothers, matching each other, step
for step. The music builds as we...
FREEZE FRAME:
EXT. BEACH - NIGHT
Wild eyes behind the charcoal painted masks of primal man.
The rhythmic beat of sticks clacking and voices chanting.
The heaping of driftwood into piles. Taught and powerful,
the glistening bodies of young men.
Blue sparks leap from striking flint against stone. A
flame is born. Voices howl in guttural triumph.
As the flames leap and singe the darkness, silhouettes of
men pound the sand and cry out in a ritualistic dance.
The goat watches from the shadows, bemused, as the dance
builds to a frenzy. The night sky is filled with the
building sound of raging fire, pounding surf and chanting
voices.
EXT. ALBATROSS - SAME
The wind carries the sounds of ceremony across the water.
The flames from the beach reflect off of the water turning
the white hull of the ship, a deep flickering orange. The
word A-L-B-A-T-R-O-S-S has been spelled in huge flaming
letters. Alice joins Skipper at his place by the rail
watching.
ALICE:
What are they doing?
SKIPPER:
Claiming their place in the world.
EXT. SHORELINE - DAWN
The white surf hisses as it washes among the cinders of
the evenings ritual. The Galapagos have been returned,
for now, to the frigates and the iguanas.
Across the water against the rising sun, the Albatross,
under full sail, is bound for home.
EXT. DECK - SAME
The crew stand at their posts. The yards and foretop are
trimmed with sailors, their faces taught and their bodies
hard. No one looks back.
EXT. DECK - PANAMA CANAL - DAY
Alice steps onto the deck from the chart house with papers
in her hands.
ALICE:
Well gentlemen, I have the results
of your college board scores. I
think most of you will be pleased.
The crew members collect their exams. Chuck notices John
at the bow, alone, lost.
CHUCK:
You okay?
JOHN:
Yeah. How'd you do.
Chuck looks down at his exam apprehensively.
CHUCK:
Ninety-six.
JOHN:
Congratulations.
CHUCK:
What about you?
John slowly passes his test to Chuck.
CHUCK:
It's a ninety-one! It's an 'A'!
JOHN:
I know.
CHUCK:
(excited)
You know? Then why are you up here
looking like you're about to jump
overboard?!
JOHN:
I just can't believe it.
CHUCK:
This is your moment, don't you see?
The instant when you know that your
life is never going to be the same
again. When you stand up and are
counted.
John tries to choke back his emotions.
JOHN:
I couldn't have done it without you.
CHUCK:
Yes you could. You did.
(holding up the
exam)
This is all you. Nobody else.
John looks out.
JOHN:
Thank you.
Chuck smiles and joins John's gaze over the water.
CHUCK:
Feels different doesn't it?
JOHN:
What?
CHUCK:
That we're going back. I don't want
it to end. I don't want to be what
I was when I left.
JOHN:
What was that?
CHUCK:
Anonymous.
Chuck looks at his test grimacing.
CHUCK:
I've been getting ninety-sixes my
whole life. It's what they expect.
After all this, I still haven't
figured it out.
JOHN:
Figured what out?
CHUCK:
Who I am, outside of this boat.
What the hell I'm doing here.
JOHN:
I'll tell you who you are. You're
the glue. You're the thing that
holds everybody around you together.
You're strong, you listen and you
see things in people the rest of us
can't. It's a gift.
It's Chuck's turn to fight emotion.
CHUCK:
You know, I never had friends like
this.
JOHN:
Me either.
CHUCK:
I feel like... we can do anything.
John smiles, clutching his exam.
JOHN:
We can.
OLDER CHUCK (V.O.)
In the fading hours of that Pacific
dusk, with nothing left to confess,
for the first time we felt safe,
capable, sure of who we were and
where we were going.
The crew sleep in their bunks. Lawford's voice rumbles
down the companionway.
LAWFORD:
A wet sheet and a flowing sea/ A
wind that follows fast, And fills
the white and rushing sail, And
bends the gallant mast/ Arise, arise
you salty dogs. The watch is on.
Chuck, Tom, John, Terry and Tod roll out. The dumb waiter
clatters down from the galley with the morning's
breakfast. Skipper and some of the crew are already
eating.
EXT. DECK - DAY
The Albatross is under full sail trying to take advantage
of what little wind there is. The skies are gray and
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