Why Did I Get Married Too Page #5

Synopsis: Four couples reunite for their annual vacation in order to socialize and to spend time analyzing their marriages. Their intimate week in the Bahamas is disrupted by the arrival of an ex-husband determined to win back his recently remarried wife.
Genre: Comedy, Drama, Romance
Director(s): Tyler Perry
Production: Lionsgate
  1 win & 5 nominations.
 
IMDB:
4.6
Metacritic:
43
Rotten Tomatoes:
27%
PG-13
Year:
2010
121 min
$48,520,000
Website
3,923 Views


Life is good there, okay?

Please, let's play cards. Come on.

He can't speak for himself?

When Sheila and I first moved there,|she was still in school

and I was looking for a job,|couldn't find one.

It was rough. How's the job search?

What?

Wow.

Let me tell you something, my man.

I'm not the kind of cat that's gonna sit here|and act like I like you, 'cause I don't.

Matter of fact, I don't even like|the fact that you're here.

But since you are here, do yourself a favor,

sit there, nurse your little fruit juice

and leave me and mine the hell alone.

Cool?

All right, got that? Appreciate it.

-Yeah.|-Yeah, I had enough. All right? I'm out.

-Whose phone is that?|-Goodness gracious.

Isn't that your ring?

Yeah, it's a voicemail.|It's probably the kids.

-Okay. I'll check it. Yeah. Be right back.|-It's video or something. Can you check it?

Dianne can check the messages|of Terry's cell phone?

Wow. So she has his password, too.

-Hey, you reneged.|-No, he didn't.

Yes, he did. That's four books for us,|thank you very much.

So we won!

I'm just tired, know what I'm saying?|I got to get some sleep.

Wait a minute. Marcus, no!|That is not right.

How you gonna just renege like that|and get all tired when we mention the...

Terry, that's not right.|Marcus, how you gonna do that...

Baby, you know I didn't say anything|to him, right?

Think that makes me feel good?

I'm sorry, babe.

Look, I know you've been trying. I do.

And we're gonna be all right, okay?

Just don't be mad, okay?|Come on, babe, don't be mad.

I'm not. I just wanna go to sleep.

Yep, I agree. I agree with that, Pat.

Marcus, what you got to hide?

I don't know how many times|I got to tell you, nothing.

Why don't you just drop it?

Because your name is spelled S-N-E-A-K-Y,|Sneaky.

Look, I'm not giving you my password.

-Why?|-Because you ought to trust me.

Marcus, you remember Keisha?|And the penicillin shot?

Why the hell should I trust you?

Baby, that's been over three years.

Have I given you any reason|to doubt me since?

Yes, since you won't give me|the password to your cell phone!

Okay. The password to my cell phone

is G-O, the number two, H-E-L-L.

Babe.

Did you notice that Pat and Gavin|were a little distant tonight?

I really didn't notice that, no.

I don't think you were paying attention.

I noticed it.

I spoke to her, she said they're doing great.

That's Pat, honey. She's always...|They're always great, "We're great!"

You're right. She does say that a lot.

Well, I'll talk to her.

Yeah, talk to her after you talk to me.

You wanna talk to me?|You wanna talk to me. Will you do that?

Phil.

Who's Phil?

You're funny, "Who's Phil?"|No, I meant to say...

What I was about to say was,|I'm gonna go fill the tub

so we can take a bath.

Do you wanna take a bath together?

Yeah. Yeah, let's do that.

Okay.

I am not

going through|what I went through with Mike.

I'm not gonna do that with you, all right?

I ain't Mike.

Well, you know what?|You're sure acting like him.

Not talking to me,|not touching me, not looking at me?

You are putting me|in a bad head space, baby,

and it is not good. Trust me.

-Can you please let this go?|-No.

Now, I know I wanted us to move.

But you agreed.

And I know you haven't found a job,|but we are in this together.

So we're gonna make it together, okay?

I don't wanna talk about this right now.

You know what? If this is too much|for you to deal with, go, Troy. Go!

Because I'm not gonna do this with you.

I'm not gonna do this with you|or anybody else, you got me?

What are you saying?|What the hell are you talking about?

I'm not going anywhere, Sheila.

Then why aren't you looking at me?|Why aren't you touching me?

Why aren't you acting like my husband?

Goodness! I'm just trying...

You know what? Let me find out|you're messing with some chick!

Look, I'm not talking to you|about this anymore

because you're crazy.

-I'm crazy?|-Yes.

But every time we go to dinner,

you lay your cell phone|face-down on the table.

And then when you get text messages,

you read them away from me|like you just did.

And you come home late from work|all the time.

I have late games. I'm in locker rooms late.

You know what? Then them must be|some real feminine football players,

'cause you come home|smelling like cheap perfume

with lipstick on your collar.

You know what? I'm going to sleep.|Forget this.

Marcus. No, you're not going to sleep.

I want the password to your cell phone.

Marcus, I want that password.

Do you know that Dianne has|the password to Terry's cell phone?

And Patricia, she even gives an acronym|in her book for trust,

which is what every relationship|needs in order to make it,

and I'm trying to work that trust.

T, talk,

communicate, which is what|I'm trying to do with you right now.

R, release,

which means I should be cussing|your ass out about this cell phone.

U is for understanding,|which means you should be understanding

why I want the password|to your cell phone.

S is for submit, I ain't doing that.

T stands for talk to that bastard

till he gives you|the damn cell phone number.

Give me the password number|to your cell phone, Marcus!

-You want it?|-Yes, give it to me, Marcus.

-I know what you want.|-Give it to me.

-You want it?|-Give it to me!

-Yeah, I know what you want.|-Come on, Marcus!

I want that password to that cell phone.

Marcus, stop it! I want that password.

I said I want the password.

No, I want the password to the cell phone.

I want the password! Give me the password.

Give me the...

Marcus, I want the password.

Come here.

Stop fighting me. Come here. Come here.

I don't think you understand|what this is like for a man like me.

I've always been able to provide.

It's been months.

And the money from the sale of the store,|it just ain't cutting it.

I'm just stressed, man.

It doesn't have anything|to do with you, okay?

I just need some time. It's just...

You have to communicate that with me.

I am not the same woman I used to be.

I am not the kind of woman|that can deal with that disconnect.

Baby, the hardest thing in the world

is to have a good man|when you've had a bad one.

I think it's harder to have a good woman

after she's had a bad man.

Then when you punish me

for loving you or wanting to talk to you,

you make me wanna do something|worth the punishment.

Can you feel me on that?

I've been a bad boy.

I think I need to be punished.

-What is the problem?|-I know people have problems.

You can't understand me.

I'm not gonna do this with you right now.

No, listen to me.|You tell me what's the problem.

Marcus and Angela.

I'm not gonna go through this.

Sounds like Patricia.

-I'll go, babe.|-No, no, no. I'll go.

Keep your voice down.

Hey, Pat. Are you okay?

I'm fine.

Did I just hear you guys arguing in there?

No, we're fine.

Pat,

you can't spend your entire life|just holding everything inside.

Dianne, I know that.

If you know that, okay, well, then tell me.

Rate this script:3.6 / 11 votes

Tyler Perry

Tyler Perry (born Emmitt Perry Jr.; September 13, 1969) is an American actor, playwright, and filmmaker. In 2011, Forbes listed him as the highest paid man in entertainment, earning $130 million USD between May 2010 and 2011.Perry created and performs the Madea character, a tough elderly black woman. Perry's films vary in style from orthodox filmmaking techniques to filmed productions of live stage plays. Perry is estimated to have earned around US$75 million by 2008. Many of Perry's stage-play films have been subsequently adapted as films. Perry wrote and produced many stage plays during the 1990s and early 2000s. Perry has developed several television series, most notably Tyler Perry's House of Payne, which ran for eight seasons on TBS from June 21, 2006, to August 10, 2012. On October 2, 2012, Perry struck an exclusive multi-year partnership with Oprah Winfrey and her Oprah Winfrey Network. The partnership was largely for the sake of bringing scripted television to the OWN, based on Perry's previous success in this area. Perry has created multiple scripted series for the network, The Haves and the Have Nots being its most successful. The Haves and the Have Nots has given OWN its highest ratings to date as of 2014, with the series also referred to as "one of OWN's biggest success stories with its weekly dose of soapy fun, filled with the typical betrayals, affairs, and manipulations." more…

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Submitted on August 05, 2018

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    "Why Did I Get Married Too" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/why_did_i_get_married_too_23437>.

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