Wild At Heart Page #15

JUANA:

Now Johnnie... We want to feel the

feelin’... Feel the feelin’... We

be gettin’ up close to you, mutha

fucka, then we go out away ... no’

mally we touch two bottles - both

bottle b’fore comin’ back and

touchin’ you... This mean you okay

fo awhile... If we go out away,

and we touch ONLY ONE BOTTLE b’fore

comin’ back and touchin’ you - you

gonna hear a click from a gun b’hind

you and then it’s gonna be bout ten

seconds... Remember that number ten

- then that’s when the end come...

What end I talk ’bout Johnnie? - I

talk about THE END, FUCKA- That

head will go every part’a this room...

I talk ’bout NO MO JOHNNIE... I

think you understand now - we play game.

REGGIE:

(from behind Johnnie)

I can’t stop her, Johnnie... She

get’s me too hot doin’ this... I’m

gonna be right here, but I’m gonna

stand right behind ya with this big

ol’ gun here...

Reggie reaches his hand around in front of Johnnie - showing him a .45

Automatic.

DROP SHADOW:

That’s a Marine issue. It goes off

somethin’ terrible - you wanna see?

Drop Shadow pulls the hammer back which makes a loud “click.”

JUANA:

You hear click?

Johnnie jumps as Drop Shadow blows a big hole in the far wall in front

of Johnnie.

REGGIE:

(laughs)

Hell, it’s even worse than I

remember... Wait a minute...

Reggie comes out in front of Johnnie - Juana grabs him. They kiss hot

again.

JUANA:

Okay, gimmee ’nother kiss, Reggie

b’fore I f*** ya right now...

F***IN’ HOT NOW, REGGIE.

(she opens her mouth with

her tongue sticking out)

F***IN’ HOT!

Juana screams like a monster from hell coming up close to Johnnie’s

face.

JUANA:

You think you gonna live through

this night?... YOU WRONG... I

SMELL YO SH*T NOW, JOHNNIE. GIVE

US ONE MO KISS, REGGIE. OH F***

ME!!! WE TOUCH BOTTLES NOW - FO

WE CAN’T WAIT NO MO.

Reggie goes back behind Johnnie quick.

JUANA:

I go out now... I toucha one bottle...

Reggie... I toucha two bottle...

I come back, I touch Johnnie... AHHHHH

... I touch myself...

(she puts her hand

between her legs)

HA!... Now I go out - I toucha one

bottle... Do I touch second bottle?...

I go now and touch... OH OH... Okay...

This time I toucha second bottle... I

go back, I touch Johnnie... Then I go

back - I kiss Reggie with big gun...

Oh God, Reggie done got two big guns...

HAH!!!... I go out now... SO F***IN’

HOT NOW, MAYBE TOO F***IN’ HOT NOW,

FUCKA. I toucha one bottle... DO I

GO TOUCH A SECOND BOTTLE?... HUH? -

I DO THIS TIME TOUCH SECOND BOTTLE -

I RUN BACK TOUCH JOHNNIE - TOUCH REGGIE

WITH TONGUE - TOUCH MYSE’F IN HOT

F***IN’ P*SSY - GO OUT NOW... NOW I GO

ROUND AND ROUND YOU AHHHH - GO OUT AND

TOUCH A NUMBER ONE BOTTLE - WAIT NOW!!!

... REGGIE... YOU SHOW NOW-

Reggie reaches his hand around Johnnie’s face - tears off tape and gag -

then opens his hand and shows Johnnie a cufflink with a particular

design in turquoise, orange, and silver.

REGGIE:

I forgot to show you this. The

gentlemen that gave this to me said

you’d recognize it. Said he wanted

it’d be ’bout the last thing you ever

saw in this life.

JOHNNIE:

(recognizing cufflink)

Oh God... OH GOD... Santos...

Oh God Marietta ... are you in on

this?... OH GOD!!!

JUANA:

I GO ROUND AND ROUND - DO I TOUCH A

SECOND BOTTLE B’FORE I TOUCH JOHNNIE

- DO I? DO I???.........

(very quietly and breathy)

No... I touch Johnnie.

As her finger touches Johnnie’s face there is a loud “CLICK.” Johnnie

moans and closes his eyes.

JUANA:

(counting fast)

One ... two ... three ... four ...

five ... GETTIN’ TOO F***IN’ HOT,

REGGIE... FEELIN’ MYSE’F ... six

... seven ... eight...

Johnnie starts to scream and violently try to move out of his chair.

JUANA:

Nine...

(she moves out of the way)

F*** ME NOW, REGGIE... TEN!!!

We see a hole in the front of the barrel - BOOM!!!

The opposite wall and bottles get covered with blood. Juana and Reggie

race into each other’s arms and kiss right above Johnnie’s dead,

bloodied head.

JUANA:

F*** ME!!!!

CUT TO:

120. INT. THUNDERBIRD - TWO LANE TEXAS FARM ROAD - NIGHT

Lula and Sailor are driving through the dark desert.

LULA:

Sure is a big deal round here...

Alamo Road, Alamo Street, Alamo Square,

Alamo Buildin’, Alamo Alamo. They ain’t

forgettin’ about it in a hurry. That’s

the thing ’bout memory? Some things

you wish you could forget... What’s

troublin’ you, sugar?

SAILOR:

You know, Lula, I never told you

what all I was doin’ before I met you.

LULA:

I just figured you was out bein’

Mr. Cool...

SAILOR:

Not exactly, sugar... One reason

we’re in all the trouble we’re in

right now is cause of what I was

doin’... I tried to tell you this

before...

LULA:

You’re scarin’ me, baby.

SAILOR:

Well, there’s a good side as well as

a bad side to it... The good side

is I knew your daddy, and I thought

Clyde was a good ol’ guy...

LULA:

You knew my daddy?

SAILOR:

Yes I did... I sure did... The bad

side of it is I did some drivin’

for a man named Marcello Santos...

LULA:

Oh sh*t...

SAILOR:

I quit workin’ for ’im, but just

before I did, I ended up one night at

a house... I don’t know what it is

they all think I saw that night, but

I was just sittin’ out in the car

till the whole place went up in flames.

LULA:

God, Sailor... That’s the night my

daddy died.

SAILOR:

I know, sugar... But while the place

was burnin’... Before Santos came

out - I pitched some rocks at the

second floor windows case anyone was

upstairs sleepin’... Afterwards...

When I met you, I always liked to

think I mighta saved your life.

LULA:

That’s some big secret you been

carryin’, Sailor.

SAILOR:

We all got a secret side, baby. Hope

you don’t think I been lyin’ to you

’bout other things, sugar.

LULA:

How’d you know my daddy?

SAIL0R

Met him through Santos... Clyde -

your daddy - had some sorta business

deal with Santos.

Lula stays quiet for a moment - listening to the heavy hum of the V-8.

SAILOR:

Lula, you there?

LULA:

Yeah, I’m here.

SAILOR:

You upset with me?

LULA:

No, Sailor darlin’. Just shockin’

sometimes when things aren’t the

way you thought they were... I been

carryin’ a secret too...

CUT TO:

121. INT. FORTUNE HOUSE - LIVINGROOM/UPSTAIRS HALLWAY/BEDROOM - NIGHT

The livingroom is on fire.

The livingroom is on fire and we move upstairs - Lula races through the

smoke-filled hallway to her mother’s bedroom.

The livingroom is on fire and Lula throws open the door to her mother’s

bedroom just in time to see Marcello Santos leaving through a window.

Her mother laughs a wild, crazy laugh - exactly the same laugh Lula

heard on the porch of the Cape Fear Hotel.

LULA:

(voice-over)

That night in the fire while my

daddy was dyin’... I saw mama up

in her room with Santos...

CUT TO:

122. INT. THUNDERBIRD - TWO LANE TEXAS FARM ROAD - NIGHT

LULA:

...They was laughin’ arm in arm

like animals.

SAILOR:

I didn’t want to say it ... but I

had a feelin’ Santos was up to

somethin’ with your mama...

LULA:

(quietly)

My mama...

(after a pause - she smiles)

So Sailor, our histories have been

somewhat intertwined.

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