Wild Horses Page #3

Synopsis: A detective opens up a fifteen-year-old missing persons case, and begins to suspect that the missing boy was murdered, and that a local rancher was involved.
Genre: Crime, Drama, Western
Director(s): Robert Duvall
Production: Eone Films
 
IMDB:
4.8
Metacritic:
44
Rotten Tomatoes:
17%
R
Year:
2015
100 min
Website
229 Views


You can stay forever.

- Give me a hug.

- Bye, grandpa.

- Love you.

- Love you too.

Okay.

Johnny have the horses ready.

Let me kiss you.

Tell your mom I love her, okay?

We'll be back together soon.

All right?

You, you be good.

Hey, Grandpa,

I'm a Texas Ranger.

If you don't let me

take over your ranch,

I'll arrest

your bow-legged ass.

I love you.

That little bastard.

He always get me.

Oh, sh*t.

Oh, come back soon.

Come back soon, right?

- I'll be damned, bye-bye.

- Bye.

All I've seen is this.

I don't wanna go crazy with it.

I just wanna

scare her out of here.

Chica nuevos.

What am I supposed

to feed my dogs?

Why don't you feed your dog

your tiny dick?

Yeah, man, this interaction

isn't for blood,

or it's not about money.

It's more about...

maybe we get a little p*ssy.

- Right?

- Oh, hell, yeah.

All right, everybody get

a shovel and dig your head

out of the p*ssy

'cause you can't see straight.

I'm talking to you about this.

Do you understand

what I'm saying?

I'm saying no firearms.

There's gonna be no shooting.

Right?

Just scare her. That's it.

I don't think

you understand, though.

What if she's shot?

That's not gonna be good for

any of us if she gets killed.

This is the Texas Rangers,

all right?

There's gonna be

repercussions for it.

But what if?

If she gets killed,

then I suggest

you get across

the river back to Mexico.

You can go to goddamn China,

wherever you want to.

Im asking you

you in or are you out?

Are you in or are you out?

I'll find somebody else

like that.

- You in-

- You know what? I'm in.

- All right.

- Okay.

All right.

And you're out.

Okay. Let's go.

We're done.

Scott:
Haven't talked

in nine and a half years, okay?

How many you put

in the ground since then?

Only- only two, huh?

Better than I am.

Listen to me, for once.

Listen to me.

I- I need-

l need

all right, okay, I need-

yeah,

I need Ben to call Maria.

It's very,

very important, all right?

A'

City boy.

Look who's here.

Coming here to drag us

into the 21 st Century or what?

- Maybe.

- Yeah?

- Good to see you

- Good to see you, too.

Maria, hi.

- Johnny

- Good to see you.

Pop.

Man, boy, good to see you.

Welcome home.

I'm here to see my brothers

and Maria

and take care of that will.

Yeah, well, that's the only way

I could get you to come here.

Through Maria.

Maria knows best.

She's the boss.

Welcome home.

Your- your room's

is waiting on you, okay?

I remember where it is.

- See you up there.

- See you.

Good to see you, son.

Thank you, Lord Jesus.

Man:

How are you?

Maria:

I'm good, how are you?

Man:

How's the family?

Uh, the family?

Well, you know my mom died

seven years ago.

- Mm-hmm.

- And, well, my father,

he left,

and I never heard from him.

- Mm.

- You know, he vanished.

Yeah.

But you're my family, so.

You look good.

You look very handsome.

Have you been eating well?

Yeah.

I don't know if I'm gonna...

- go eat dinner.

- What?

I'm just gonna stay here,

maybe take a walk.

No.

It's weird.

It's weird.

No, it's not weird,

and supper's ready,

and I'm gonna sit with you,

and everything's gonna be fine.

- You're gonna sit with me?

- Of course.

I'll be next to you.

If you sit next to me,

then I'll go.

Yes.

Yeah?

I missed you so much.

You're the brother

I never had.

Yeah.

I'm lying.

I think I always had

a crush on you.

Oh, really?

Really.

Well, I wish I had known that

earlier.

We could have saved

a lot of problems.

Yeah, I think so.

Let's go.

Come on.

- I'll help you with that later.

- All right.

Hello. Welcome.

Hey, Johnny, how are you doing

out Atlanta all day?

God dang,

I heard a lot about you.

Good to finally meet you.

Everybody sit down.

Known your old daddy a while.

Hold on, hold on, hold on.

I'd just like to say

that I'm very-

I'm very pleased and moved,

I really am,

that my sons, my three sons

the first time in many years

are being here together,

and it makes me very,

very happy.

And very emotional.

Okay?

Benny, I'm so happy

that he's here.

I am very happy.

But are we okay for now?

Are we okay for now?

- Are we okay?

- Yeah. I'm asking you.

Yeah, we're okay, dad.

- Okay, good.

- It's good to be here.

- Yeah.

- It's great to see y'all.

S0 did you meet ID?

He's been my partner.

- All right.

- Ben, good to meet you.

Heard a little bit about you.

- Pretty crappy business partner.

Hadn't earned me a damn cent,

but he's-

I've been saving that for you.

I'm holding it for your boy.

Yay!

I'm not used to saying grace,

but maybe we should say

a little grace.

Maybe somebody

should say some.

KC or...

yeah, you or which.

Come on.

Somebody.

There's no before

and there's no after.

There's only now and love.

S0 let us love each other

like Jesus said.

I love Jesus,

but I like to drink a little.

Let us pray

for our brother Ben.

Give him love

and welcome him home.

Thank you.

And the food, too.

Amen.

- Amen.

- Amen.

Yeah, now

we got a surprise for you.

Okay, I'm ready.

Milo?

Come on.

- Oh, no!

- Good God!

Oh, wow.

Maria:

Oh, my God.

Ben:
What do you got there,

Milo?

This was my favorite kid goat.

That was your favorite goat?

What was his named?

His name, uh, is Billy.

- Billy Goat.

- That was Billy.

In honor-

in honor

of Benny's homecoming,

Benny, I cooked him

especially for you.

- Welcome home.

- Thank you, Milo. Can't wait to dig in.

I'm glad you kept

the teeth in that.

Applause for Milo.

A'

- Where you going, Benny? Where you going?

- I'll be back.

- I'll be back. I'll be back.

- Where are you going?

He said he'll be back,

Pop.

- Hola.

- Hey.

Thank you.

- You okay?

- Yeah.

Did you have a good time?

It was all right.

Oh, gosh.

Freak show.

What are you doing?

Dance with me.

No. No.

Your father dances with me.

- What?

- Yeah.

My dad dances with you?

Yeah, like...

No, no, no, no, no.

- Like this?

- Yeah, I swear.

That's my daddy.

Let me dance with you!

I'd rather dance

with my horse!

He's in love with that horse.

Almost love you

as much as my horse, Maria!

Man:
You got too many men

driving your blues- I

Woman:
I I'm Singing that same damn song I

Hear me now

Nobody but you

I Can save you from you I

Hear me now...

A'

Ben:

Dad, what you did to me that night...

I'll never forget it,

and I'll never understand it.

You told me to read the Bible,

and I did.

Leviticus.

Is it worse for two men

to lie together

or for King David

to send a man to battle to die

so that he can lay

with his wife?

What's worse?

Nothing to say?

You always protected yourself

with silence.

I guess you still do.

Samantha:

It turns out that Pedro Alvarez

stays at

Isabel's Convenience Store,

and I really need

to speak with him.

He's Isabel's relative.

I would like to go to Linda Rosa

to meet with them.

Man:
Okay, I'll arrange

for Rogers to go with you.

He knows the town well.

- I don't need that clown, sir.

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Robert Duvall

Robert Selden Duvall (; born January 5, 1931) is an American actor and filmmaker. He has been nominated for seven Academy Awards (winning for his performance in Tender Mercies), seven Golden Globe Awards (winning four), and has multiple nominations and one win each of the BAFTA, Screen Actors Guild Award, and Emmy Award. He received the National Medal of Arts in 2005. Duvall has starred in numerous films and television series, including To Kill a Mockingbird (1962), The Twilight Zone (1963), The Outer Limits (1964), Bullitt (1968), True Grit (1969), MASH (1970), THX 1138 (1971), Joe Kidd (1972), The Godfather (1972), The Godfather Part II (1974), The Conversation (1974), Network (1976), Apocalypse Now (1979), The Great Santini (1979), The Natural (1984), Lonesome Dove (1989), The Handmaid's Tale (1990), Days of Thunder (1990), Rambling Rose (1991), and Falling Down (1993). Duvall began appearing in theatre during the late 1950s, moving into television and film roles during the early 1960s, playing Boo Radley in To Kill a Mockingbird (1962) and appearing in Captain Newman, M.D. (1963). (1970) and the lead role in THX 1138 (1971), as well as Horton Foote's adaptation of William Faulkner's Tomorrow (1972), which was developed at The Actors Studio and is Duvall's personal favorite. This was followed by a series of critically lauded performances in commercially successful films. Since then, Duvall has continued to act in both film and television with such productions as Tender Mercies (1983), The Natural (1984), Colors (1988), the television miniseries Lonesome Dove (1989), Stalin (1992), The Man Who Captured Eichmann (1996), Phenomenon (1996), A Family Thing (1996), The Apostle (1997), A Civil Action (1998), Deep Impact (1998), Gone in 60 Seconds (2000), Open Range (2003), Gods and Generals (2003), Secondhand Lions (2003), Broken Trail (2006), Get Low (2010), Jack Reacher (2012), A Night in Old Mexico (2014), The Judge (2014), and Wild Horses (2015). more…

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Submitted on August 05, 2018

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    "Wild Horses" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/wild_horses_23474>.

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